After I Transmigrated into a Dragon Princess, I Refused to Be Sad Again

Well, this is the author's first book. I wonder how many readers are still reading it now? Having written for so long, from the initial jungle (as you can see, the most criticized part) to the academy, and then to the chaotic world travel, you could say the author has tried everything possible. They've gained a lot of experience. But honestly, I don't think the jungle arc is a failure; the space travel arc is. A plot without character development and embellishment is like instant noodles—it doesn't convince the reader. This is most likely to happen when the setting is bloated. Here's a question: If you think the characters are poorly developed...

At first glance, editor's recommendation At second glance, it wasn't that my buddy was still updating.

This book isn't an invincible protagonist story (at least not in the early stages), so those expecting the protagonist to have multiple power spikes might be disappointed. Many reviews criticize the protagonist as a "saintly hypocrite," but personally, I think he's just a bit dim-witted; overall, he's acceptable. Turning off the subtitles improves the reading experience, as there are a lot of rude comments. The early plot is less about invincibility and more like leveling up in "Battle Through the Heavens," with enemies constantly appearing to provide experience. The rapid leveling makes the distinction between strong and weak characters ambiguous (it's unclear what constitutes a strong character; one minute they're level 7 or 8, the next they're level 15, and then level 30...).

First, let's talk about typos. This problem still exists quite a bit (annoying). If typos appear in romantic scenes or more serious plot points, it ruins the atmosphere that's been painstakingly built up. Then there's the harem issue. There are too many characters, and the management isn't good. First, there's Xixue. After returning to Earth, her appearances decreased, but at least she would sometimes interact. From the Space Arc onwards, she seems to have been forgotten. She hasn't appeared since the Moonlit World arc, though she was mentioned briefly. She's the least noticeable member of the harem (sad). Even Eileen and Luo Ling have gradually become marginalized. Although I don't know if the Dragon God's Guardian...

It's been almost two years since I left you. I've always hoped my departure would serve as a wake-up call, even just a little, but it seems it didn't. Three years ago, I was drawn in by a tense forest escape story and read this book. Although it had its flaws, it resonated with me. The protagonist's experiences were unfortunate, but she ultimately found happiness through her own strength and growth, which is what I agree with most. Then came waking up in that city and meeting Yalong—it was wonderful, so sweet. I really love your simple yet heartfelt writing style, and I've decided to support you. Later, you wrote one "us" after another, one after another...

Well, there's something strange about it, which made me give less heart this time. By the way, I read Yezi's thoughts, and I don't really agree with the "saintly" viewpoint. I think the male protagonist lacks love; he craves it. This leads him to compromise, hoping to gain love, hope, friendship, etc. But clearly, it's basically useless. Having said that, let me talk about my… well, it's strange, but personally, I think it would be better to write a certain number of chapters to develop the male protagonist first, rather than shaping him through almost no memories in the other world. And then, I'm quite confused; I really didn't expect the author to…

I read it from the second year of junior high to the first year of university. My biggest impression of this book is that it has its own background music, time travel in chapters, lots of typos, and unexpected plot twists.

To be honest, I really love this book. I've been reading it ever since I came to SF. I don't want to go into my reading experience, but I've just been reading it (｡･ω･｡)ﾉ♡. Hmm, how to put it? The world-building and character development are actually quite good, but it's too vast. It shouldn't be limited to just over three million words. The overall structure feels like a simple subject-verb-object sentence—readable, but it feels like something's missing. Like the author, Yueye, seems to have neglected the female characters. Basically, one or a few characters are focused on a single event, and the relationships don't blend well (Yueye doesn't know how to handle the romantic entanglements between girls). I hope...

It's still not finished!

The writing started off well, but the academy section was poorly written. Dozens of chapters revolved around a single inheritance stone and dragon stone, and someone getting entangled with void creatures. There seemed to be a foreshadowing element that wasn't properly developed. The writing felt rushed. After the author's post-release notes, the story became less substantial. For example, the battle scenes lacked atmosphere and psychological description; the battle itself was very weak. If I hadn't found the beginning decent, I wouldn't have continued reading. The Light Dragon inheritance's sudden turn to darkness lacked detail and development. The elven section was particularly strange, and the Moonlit Night's sudden turn to darkness was equally baffling. Even a little more psychological description or detail would have made it worthwhile. Between the two periods of darkness...