Overturning Han

Brother Dai, I think you could make Guan Yan a little more difficult.

I finished reading all the chapters in two nights; it was very engaging. I hope the author keeps it up!

I haven't read much yet, but the protagonist seems like a complete idiot as a modern person, especially when it comes to women. And the few men under his command aren't even worth a second to other warlords. With that kind of strength, he shouldn't be bothered; he should just surrender to another warlord. Also, of the initial 5,000, 3,000 died. You could have just let them die; morale would have been gone long ago. The soldiers he trained are pathetic, and he blames himself? Of course he's capable; if he lacks the strength, he should make his subordinates do it, and if he lacks the strength, he shouldn't even train them. I'm disgusted.

Show your face

Waiting for updates, I hope the author won't lose heart!

If you're not going to update or not, just say so already.

Honestly, it's a really good article.

The last two updated pictures are great, I hope you all take a good look!

Haha... Brother Dumb's review is here! I hope you won't criticize my repeated fault-finding. Well... So first of all. Like I said before, the author writes very meticulously and diligently, but isn't some of it a bit overly detailed? Also, I personally feel the character development of the main characters is flawed. They have personalities, but they're not distinct enough, especially for truly talented individuals. For example, Gao Shun couldn't possibly have been recruited so easily. Even though he only joined, it seems a bit too easy for him. In many books, Gao Shun is killed. Everyone has their own worldview. Gao Shun and Zhang Liao are different; even if they understand the realities of life, they won't easily change their decisions. Of course, historical figures' personalities can undergo a complete 180-degree turn, but this turn must be unique and inimitable for others to make it interesting. Let me also reiterate some familiar themes. Political intrigue and political maneuvering are also part of the Three Kingdoms period. I think they can be included, but not excessively. Too much of it becomes tedious, as the Three Kingdoms era is a time of passion and fervor, and political maneuvering contradicts that passion. I hope this rambling explanation clarifies some of my points. The protagonist's modern feel isn't strong enough, or perhaps his integration into the society of the Three Kingdoms period was too rapid? Also, while the writing in the recent chapters is still fluent, the plot lacks dramatic twists and turns. I'd appreciate some more action-packed moments, some brilliant strategies, or even genuine emotional moments. Hmm... That's all for now. We can discuss anything else tomorrow, since I'm experiencing a power outage here. Haha, embarrassing! For example, Cai Wenji, or just some minor suggestions. I hope you'll keep working on it! Don't think I'm being nitpicky.

I've been writing so much every day that I completely forgot about the long review I promised to give you. I'm late today, so please don't mind, silly. Let's get straight to the point and start with the strengths. First, there's the dialogue. I've specifically mentioned this in my book review section: you and Lao Ben put a lot of effort into the dialogue of both of your books. This shows that you're an author with a strong foundation in classical Chinese, and readers who enjoy historical fiction might be drawn to your book just for this reason. Secondly, there's the choice of the protagonist. In historical fiction, works based on the Three Kingdoms period are quite unique, with many established and emerging authors starting from this genre. Choosing a minor Yellow Turban leader as the protagonist's time-travel experience is a fresh approach. It not only provides a more comprehensive view of the vast and magnificent history of the Three Kingdoms but also aligns with the reading tastes of most readers, since stories of underdogs achieving great success are currently very popular. Secondly, there's the order in which the characters appear. The characters from the Three Kingdoms period are deeply ingrained in people's minds, so deciding who appears first and who appears later requires careful consideration and thought. This work by "The Fool" does this exceptionally well, giving the reader a natural, gradual sense of progression, far superior to many works that begin by simply "recruiting" Zhao Yun. Finally, a small suggestion: this work might devote a lot of space to metaphysical concepts. I personally like this writing style, but most readers might not. Your somewhat archaic writing style already takes more time and effort than the average writer; if you get bogged down in these details, how can you maintain a consistent pace? Therefore, you need to carefully consider how to subtly integrate your historical perspective into the work. A subtle and effective approach is far more effective! Come on, you idiot!