Heavenly Journey

There's a kind of approachability called "listening to the rain by the window"; a kind of charm called "cute and easy to push"; a kind of allure called "charming and captivating"; a kind of admiration called "a grain of dust"; a kind of loyalty called "the Rubik's Cube of Destiny"; a kind of gentleness called "snow-seeing grass"; a kind of friendship called "Nangong Lexi"; a kind of technical skill called "dawn wind and waning moon"; a kind of strategy called "lonely grave"; a kind of loyalty called "hellfire"; a kind of love called "red silk dance"; a kind of pride called "battle soul frost"; a kind of following called "Shen Luoyan"; a kind of arrogance called "seven-star lamp"; a kind of carefree spirit called "ice freedom"; a kind of protection called "sword fire guardian"; a kind of loyalty called "sword fire battle song"; a kind of silence called "sword fire ghost blazing"; a kind of unruliness called "sword fire Xing Tian"; a kind of hidden love called "sword fire dragon soul"; a kind of honesty called "rampant southern barbarians"; a kind of heroic spirit called "chaotic dance of spring and autumn"; a kind of dependence called "faint fragrance of rice flowers"; There's a kind of brotherhood called "Sad Breeze"; a kind of perseverance called "Flying Fire City"; a kind of partner called "Shadow Follows the Wind"; a kind of trust called "Brave Heart"; a kind of cuteness called "Summer"; a kind of innocence called "Purple Moon"; a kind of unrequited love called "Iced Tea"; a kind of infatuation called "Purple Rhyme"; a kind of beauty called "Gentle Breeze Embracing the Moon"; a kind of love called "Gentle Breeze Flying Snow"; a kind of belief called "Reckless Scholar"; a kind of steadfastness called "Linqiu"; a kind of repentance called "Aodan"; a kind of infatuation called "Link"; a kind of resilience called "Fiya"; a kind of dedication called "Ice Orchid"; a kind of unwavering commitment called "Brotherhood"; a kind of steadfastness called "Moon Temple"; a kind of perseverance called "Battle Soul"; a kind of youth called "Soul Returns to Battle Robe"; a kind of invincibility called "Snow Moon"; an immortal myth called "Online Game: Conquering the World"!

(After reading the long review from the girl at the top, I couldn't resist writing something myself. I've wanted to write something for a long time, but laziness has plagued me.) I vaguely remember that 10 years ago, when I was in fourth grade, I first encountered "Zongheng Tianxia" (a popular online novel series). My first novel reading journey began with a bookmark on my aunt's flip keyboard. Lao Ding's works have been a part of my life for 8 years. At first, I only read online games, but later I gradually came into contact with fantasy and urban novels. Now, looking back at online games, I have many feelings. I recently reread "Zongheng" and "Wushuang" (another popular online novel series). Compared with the first time I read them, the same works naturally give people different feelings at different ages. When I first read them, what attracted me was the game's mission plot and the huge amount of data in the game world (so much so that I am still keen on the calculation of huge amounts of data in science and engineering), the regret of Binglan and Shusheng's separation, and the joy of their reunion in "Tianzong" (another popular online novel series). Looking back now, what resonates most deeply with me are the romantic relationships between the scholar and Xueyue Yuncha, and Lu Chen, Lin Yixin, He Yi, and others. Lao Ding's portrayal of emotions is the most profound I've ever encountered in any novel. Even in his later fantasy works, *Refining God* and *Sword King*, Lao Ding's skill in depicting emotions remains undiminished. In my most recent rereading, when Lu Chen awakened Xinran and said he didn't have much time left, and when Zhan Tian Zhuying led his men to kneel before Lu Chen's bed after he collapsed following his speech, I felt an urge to cry. The poignant emotions of a hero's decline are something I haven't experienced in other novels. I read the books in order from *Zongheng* to *Wushuang*. While following *Wushuang*, I finished reading a pirated version of *Myth*, and then continued reading *Wushuang*. Although *Zongheng* is considered his peak, I believe both *Wushuang* and *Zongheng* are masterpieces. Lao Ding's writing style is consistently light and natural, but the style shifted in the middle of *Zhanlong* and *Refining God*, which was initially difficult to adjust to and caused some anxiety. However, in *Sword King Legend*, he returned to his light and natural style. From the pirated mythology to the current Tianxing, these five online game novels, if I were to categorize them, would be: the Yueheng trilogy falls into the quest-based storyline category, while Zhanlong and Tianxing would be quest-based storylines combined with military service and political intrigue. Opinions will vary. Initially, Lao Ding didn't write about the dark intrigues in the game; the human faction united against the Dark Purgatory. Now, however, the human faction is plagued by internal strife, perhaps reflecting a change in perspective and experience (the only constant is probably the female lead's background and her father-in-law's displeasure with the male lead; I feel like Lao Ding has also been mistreated by his father-in-law in real life, haha...). Some say Lao Ding has changed, but if you truly read a novel attentively, you'll find his original intentions remain the same. The male lead's personality and values ​​are very similar, bringing mostly positive influences. I've been reading novels since I was 10, so I probably feel this more deeply, as it's easier to be influenced by one's views when you're younger. Although the Tianxing setting has changed quite a bit, I still want to say that if you keep demanding old ideas from an author, you'll never surpass their peak. Only constant change can create something truly refreshing. I've been following Lao Ding for eight years. Since then, I've been a loyal 17k subscriber (WAP version) just to read his books, witnessing both his successes and setbacks. I still hope Lao Ding continues writing, and I will continue to follow his work. May the inspiration remain. With the college entrance exam just around the corner, I wish everyone the best of luck and hope you achieve satisfactory results, making your twelve years of hard work worthwhile.

[I accidentally posted it before I finished writing it, so I had to rewrite it.] "Zhanlong" won't be an ending, but "Tianxing" is a new beginning. I fell into this pit with "Zongheng Tianxia" and it's been so long without me realizing it. Seeing the latest update just now really moved me, so I decided to write my first long review. I remember reading "Zongheng" seven or eight times over, and I could remember every funny joke. Because I had never read this kind of novel before, and initially only read romance novels with female protagonists and online games, "Zongheng" can be considered my introduction to male online novels. Even looking back now, the writing is quite immature (and there are still many risqué jokes!), But it excels in its vivid characters, rich emotions, and full plot. From the main characters to the supporting characters, from NPCs to extras, everyone has their own characteristics; they come alive under Ye Zi's pen. Xueyueyun and Chaxiang, twins, are written very similarly yet distinctly through many details. Bingcha's coquettishness, Xiangxiang's obedience, Qinyun's virtuousness, and so on. Reading *Zongheng* brought me to tears countless times; it was truly a tearjerker. The story is filled with tales of a high priest and his lover, a general and his deceased wife, a grandfather and his sacrificed granddaughter, the resilient half-elf race, Princess Anne and her guardian, the search for the Moonlight Grass for a blind girl, Ling'er's transformation, Hong Lingwu's unwavering devotion, the clashes between archenemies, and the complex relationships between NPCs. It's also packed with satisfying moments of face-slapping duels, adventures, treasure hunts, and daily routines. While writing style is important, it's merely a beautiful facade. A good story depends on its soul and its ideas, which is why Ye Zi achieved such legendary status. I'm serious; I could sing the praises of *Zongheng* forever. It's a real loss if my friends didn't finish reading it after recommending it to them, and I feel incredibly lucky. Many people say that Ye Zi's writing style is all the same, repetitive and boring. No, it's truly different. Ye Zi's growth is hidden within her works, with a clear narrative thread that I can clearly feel. Let me share my own perspective. "The Pirate Myth" was Ye Zi's first attempt. Although immature, it already showed us the basic framework and worldview. This book is the cornerstone of the Yueheng series. Subsequent books are derived from, improved upon, and innovated upon "The Pirate Myth." It is the origin and the first source of shock and emotion. "Across the World" is the pinnacle of the Yueheng series. This pinnacle is reflected in its classic status, not necessarily the best. In my opinion, "Peerless Dragon Slayer" surpasses it, but in terms of classic status and setting many keynotes, it is undoubtedly the pinnacle. I'm just saying, in my opinion, "Across the World" is something many male web novels cannot surpass. Other popular classic works are a matter of personal preference and cannot be compared. "Peerless Under Heaven" is another attempt by Ye Zi. Here, I must say that only Ye Zi can surpass the myth he created. "Peerless Under Heaven" is a good example. At this point, some trolls or contrarians might say, "I didn't see that. Isn't it still the same? It's all the same." Let me reply to everyone: "That's because you're blind." The innovation of "Peerless Under Heaven" stems from its bold attempts. Lu Chen's background and the hidden spirit of the dead set off a series of stories. When I first read it, I was shocked, thinking, "Holy crap, what is this? Ye Zi, are you kidding me? Which writer would dare to write something like this?!" Ironically, Ye Zi really did dare, making it novel and interesting. The novel also elaborates on many settings, things that weren't fully explored in *Zongheng* are portrayed vividly in *Wu Shuang*. Lin Yixin's "God's Cry" scene definitely made me exclaim "Holy crap!" Again. To borrow a line from *Da Tang Wu Shuang 2*: "Dare you just never bow your head, even if the whole world is your opponent?" One person sweeping away thousands of troops, can you say it's not satisfying? Which writer can be so cheeky? Besides Ye Zi, who else can be so cheeky! And she's having so much fun being cheeky! As for Xin Ran's background, I never would have guessed it. I guess it might be related to that amazing songstress. I even thought Xin Ran would take the baton from Bing Lan. Let's talk about Lu Chen's "treason," which remains vivid in my memory even after so many years. It made me cry buckets, but it also reignited my passion—this satisfying moment was truly one of intense emotional torment. In *Dynasty Warriors*, the emotions are further developed, much like a game update with optimized gameplay, refined rules, and the introduction of new classes and skills. [When you feel these works are similar, it's because they share a common thread, like a classic game. When you feel something is different, it's because the game has been updated, with new events, versions, and gameplay. Whether Ye Zi put his heart into it is obvious to anyone with eyes. Only he knows how much effort and emotion he invested.] *Dragon Slayer* isn't part of the Yueheng series. As a standalone Ye Zi online game, it's both a success and a failure. It succeeds in its innovation and emotional impact. It fails in its overly expansive plot, failing to conclude appropriately. The ending is left to our imagination, while also offering many possibilities. In *Dragon Slayer*, Liu Shuang is the character that impressed me most; she felt like a guardian. I won't go into too much detail, but in short, *Zhanlong* still has a lot of fresh elements. *Tianxing* is a new beginning, separated by *Zhanlong*, *Lian Shen Realm*, and *Sword King Legend*. I won't go into too much detail, just this work by Ye Zi after returning to his roots. I have to say, the game version has been greatly updated, with noticeable improvements. The self-created martial arts techniques experimented in *Zhanlong* have not only been elevated, but also innovated the tactical and movement systems. The various PVP styles are no longer just concepts, but have been given a clearer and more three-dimensional interpretation. More complex factions come and go, the map has been further enlarged, and the main storyline has become increasingly vast and complex, with Ye Zi also planting many foreshadowing elements. Overall, it's fantastic, especially the 10-player solo match between Lin Tu and Ding Muchen, which truly amazed me, hence the idea of ​​writing a long review. Unlike previous combat descriptions, the current combat descriptions are more detailed, with a strong visual impact, endless unconventional tactics, novel skills, and diverse styles. There are all sorts of events, making it very satisfying to watch! But I'm wondering if it's too dense. There aren't many of the subtle side quests that used to showcase emotions and adventures, and the romance has decreased, making the initial thrill of exploring the map less intense. There's also less fun team-based leveling, and more importantly, the romance between the female and male leads feels a bit stiff and inexplicable. Adding to this, Su Xiran's romance might feel more natural, which leads to the awkward situation of me being a Ding-Su shipper... It's hard to say much, but I hope Ye Zi can gradually adjust and increase the screen time for side quests, map exploration, and team activities. Finally, a side note. Ye Zi, I don't ask for more screen time for Binglan, I just want to fulfill a long-held wish for her to see the scholar again. Although sometimes imperfections make a classic, I really want a happy ending. "I heard you shattered the void, and now I have taken up my sword again. Can you come back and look at me one more time?" All this writing is just for my own comfort, not as satisfying as the official happy ending. If the male lead is back in my lifetime, will I ever see him again?

Last December, I learned through a WeChat public account that *Tianxing* had started updating. I read about ten chapters immediately, and my excitement was indescribable. I was ready to write something to express my gratitude to Ye Zi, but deep down I couldn't believe it was real, couldn't believe Ye Zi had really returned with the style of the Yueheng Trilogy. The first two chapters of *Tianxing* reminded me of another online game novel I really liked. I wouldn't say I liked it or disliked it, just a little worried, since that work was already a classic, and its style was quite different from Ye Zi's previous works. After reading a few more chapters, I completely relaxed, and then my eyes involuntarily welled up with tears. The familiar formula, the familiar taste, so familiar it felt like going back to 2012 when I first fell into the world of online game novels, *Online Game: Unrivaled Under Heaven*. Unbeknownst to me, six years have passed since I first read an online game novel. Six years have gone by from my university years to my early career, and six years since I started liking Ye Zi. In these six years, I've read all sorts of online game novels, but I still prefer the Yueheng Trilogy, I still prefer pure online game novels, and I still prefer the seemingly pathetic yet resilient little characters Ye Zi creates. Thank you, Ye Zi, thank you for returning with *Tianxing*, thank you for bringing back the emotions of my youth. It all feels like yesterday. Because I liked *Peerless Under Heaven*, I looked for other works by the same author and fell in love with *Across the World*. At the same time, I joined the first group with Ye Zi (a character in the novel), "Peerless Under Heaven Group 5" (although I left the group later for various reasons, it left a deep impression on me). It was the first time I realized the author actually spoke in a group; the first time I realized that Ye Zi, with her witty and slightly lewd writing style, was truly witty and lewd; the first time I realized the author actually read readers' opinions; the first time I felt the author was a real person, down-to-earth… In the later stages of *Peerless Under Heaven*, I read *Across the World* five times in its entirety and *The Pirated Myth* twice in its entirety. Honestly, from the slightly immature writing style and occasional unresolved plot holes in *The Pirated Myth*, to the basically fixed style of *Across the World*, and then to the relatively mature foreshadowing and plot devices in *Peerless Under Heaven*, the Yueheng Trilogy truly shows Ye Zi's gradual changes and growth. Although I've never liked the "male lead versus multiple female leads" trope, Ye Zi's character portrayals are truly superb. She made me not dislike the distinct personalities and styles of the female leads, and even after finishing the book, I didn't dwell on why the male lead couldn't be devoted to any one female lead. This has always struck me as incredible. I remember reading "The Divine Doctor Xi Lai Le" when I was a child. Although I liked Sai Xi Shi in the beginning and knew that Xi Lai Le and Sai Xi Shi got together partly because of righteousness, I still rejected their union in the end. So, this incredible situation can only be attributed to Ye Zi's profound character portrayals, making it impossible to dislike them. I finished reading "Zhan Long," but perhaps because it incorporated too many elements outside of online games, I didn't really like it. I didn't finish "Ling Shen Yu Zhi" (Refining God Domain); I really didn't like the style, so I dropped it after reading the first half. I don't know why, but the writing style of "Ling Shen Yu Zhi" always made me feel like Ye Zi, the author, was a cute girl. I suspect that Ye Zi was very eager to break through her own limitations during this period, and was undergoing a transformation comparable to crossing into a new field. I can't say whether it's good or bad, but in my opinion, it was a bit too radical. Seeing *Tian Xing* truly made me very happy, not only because you're returning with a web game, but also because you've brought back your confidence in your style. Over the years, as someone who has long frequented the comments section, I've seen many comments from readers of your work, and your responses to those comments, witnessing your changes. Everyone is growing; we go from liking to being obsessed to indifference to boredom, and then part ways, perhaps occasionally reminiscing and coming back... Readers are like flowing water; at the fork in the road, some will leave and flow to other rivers, and there will always be new drops of water, whether falling from the sky or flowing into other streams, and then the cycle repeats, and repeats again... Please stay true to yourself, dedicate good works to those who love you, and please maintain your innovative spirit; don't write future works that are mass-produced products of the same pattern.

I've been a bookworm for eight years. My first foray into online game novels was Ye Zi's *Peerless Under Heaven*, and I still remember how I couldn't stop reading once I started. I read the latest update in one go, I think it was chapter 510, "A Beastly Attack," and then I was hooked. After finishing Yue Heng's first two books, I eagerly followed the updates. There are many authors who write online game novels, but Ye Zi was the first one I encountered, which made me unable to read other people's online game novels. In that sense, Ye Zi was very unfriendly to me; he successfully spoiled my tastes... And then I just stopped reading... I only recently discovered that Ye Zi has started a new book while browsing Ye Zi's forum! What a joy! Go Ye Zi! Only you can truly capture the heart of online game novels!

It's good, and very well written.

Thank you for the update!

Thank you for the update!

Thank you for the update!

Thank you for the update!