The Great Mystic War Chronicles

After the forum was shut down, some people became legitimate readers. Although I don't gain any financial benefit from this, I'm still happy that my work is respected. Legitimate readers have the right to express their opinions and views on the book's content, but they cannot spread rumors, slander, or defamation. The administrators are watching; the first offense will result in deletion of the post, and the second offense will result in deletion and a ban, making these people disappear from my sight forever. There are already quite a few people who dislike me, and I don't care about a few more. My task is to write books, not to put on a brave face and fawn over readers. Also, I don't accept being pressured to update. I'm now an exclusive author for the website, and the website pays me for each chapter I write. I'd be as fast as I can if I could; I don't hate money. However, I've been busy building a house for the past six months, and I've developed severe neurasthenia and poor resistance to distractions. I simply can't concentrate in the current environment. After I finish this busy period, I'll move to the mountains and write my next book there.

The Tai Xuan Chronicles – Invasion and Resistance: A while ago, I visited the May 3rd Massacre Memorial Hall. Watching the blood of my compatriots projected in black and white on the electronic screen was like a sharp sword slicing through eighty years of vicissitudes, piercing my heart. For whom did our compatriots die? Who invaded our territory? Who invaded and destroyed our country? Have you thought about the battle between the Tu and Jin tribes in the Tai Xuan Chronicles? I remember Wu Dongfang leading the Jin tribe's shamans in a desperate battle against the Tu tribe to defend their dignity and territory. In the end, only three of them survived, leaving only two Jin bloodlines in the world. Some book reviews criticized Wu Dongfang for acting without considering the bigger picture, asking why he could have backed down and instead insisted on a head-on bloodbath. This so-called "backing down temporarily and fighting back later" mentality probably mostly comes from the minds of people who are constantly dissatisfied with life. On one hand, they say, "Society and people's hearts are complex; you can't act impulsively. Endure for a moment, and everything will be calm. You'll be able to turn the tables on me in no time." On the other hand, they deceive themselves, pretending nothing happened. I thought to myself, "Damn it, they've come to our doorstep and we're still backing down? Do they think they're some kind of King Goujian of Yue?" The principle of "backwardness invites aggression" holds true everywhere, whether it's the Jin dynasty or the China of the past. We were bullied and beaten, so what did we do? We fought back! We drove out all those who came to oppress us! Even if only one of us survived, we would fight to the last drop of blood to preserve the last inch of our land. That inch of land would grow resilient flowers, flowers that would cover the land soaked with the blood of our compatriots, covering their tombstones! The enemy would be tripped up by the vines, falling and bleeding, never daring to set foot on this land again. So far, since arriving in the Xia Dynasty, Wu Dongfang has done nothing but divide territory and wage war—and even that war was for the purpose of dividing territory. From the very beginning of the story—Ming Wan's transgression that nearly led to her being assaulted by a man from the Fire Clan—to the later wars between the Earth and Gold Clans, the chaotic battles between the Underworld, Heaven, and Earth, and the Xia Dynasty's four-person group's journey to foreign lands to help friends drive out invaders, the entire Tai Xuan Chronicles revolves around five words: invasion and resistance. Why? Why did Wu Dongfang insist on leading the Gold and Earth Clans to fight to the death rather than submit? Why did Wu Dongfang risk the destruction of the Nine Provinces of China to resist the manipulation of the Goddess Xuan Nu? Why did the Xia Dynasty's four-person group, even when their own survival was precarious, travel to foreign lands to help drive out foreign invaders? Have you considered Wu Dongfang's identity? Captain of the Chinese Special Forces. Do you understand? We have been invaded, and we have resisted, which is why we live the life we have today. We value the integrity of our territory and the dignity of our people more than our own lives, because our passion and fervor stem from a deep love for this once ravaged land beneath our feet. So, why exactly did Wu Dongfang have to be a captain of a special forces unit? The logic couldn't be simpler. The author, Feng Yu Jiu Qiu, served in the military (and I'm fortunate to have been born in a city where such a thoughtful person served). His novel, *Tai Xuan War Chronicles*, is brimming with positive energy, making readers' blood boil. Why? Because what you're reading isn't just a novel, but a vivid history of the Chinese people's resistance against aggression, written beyond the fictional narrative. Leaving the memorial hall, looking at the logos of various international luxury brands on the street, the foreign friends coming and going, and the flocks of plump birds singing universal songs in the sky, I gritted my teeth. Damn it! Eighty years ago, China was beaten by you, and eighty years later, we sit together discussing economic development and exchanging national perspectives. Eighty years ago, those who looked down on us and created this mess have trampled on us; eighty years later, they have to beg us to open the floodgates. Fine. I'm one of the few patriots among my peers—after all, we're too young. Many people know too much but think too little, leading to a herd mentality, which has nothing to do with education—they'll be fine in a few years. I'm a science-oriented woman, and I tend to overthink things, spending most of my time calculating and analyzing data. So, I saw China's growth over the past eighty years through emotional appeals. I reread *The Legend of Tai Xuan*, and many things came to mind. Originally, I didn't intend to write about this, but the beginning veered off course, and it ended up being a patriotic piece. I apologize for posting it in the book review section; please forgive me. Science-oriented women are truly not good at writing.

Everyone dreams of a martial arts world, a world of swords and shadows, love and hate, where one can do what they want and protect those they want to protect within the black and white rules of the martial arts world. I'm lazy, too lazy to painstakingly search for treasures in the sea of ​​books, so almost all the books I read are recommended by friends. But in the summer of 2015, as if by fate, I inexplicably clicked on the 17K bestseller list. After quickly browsing the prefaces of a few novels, I opened "The Chronicles of Tai Xuan." When I saw Wu Dongfang being kidnapped by Yun Ping, then escaping from prison, and with hidden plots such as [Three Sacrifices to See Life], [The Mysterious Appearance of the Crimson Flame Dance on the Cliff], and [The Red Maiden], I knew that this was the martial arts world, and I was captivated. First of all, *Tai Xuan* is a novel bursting with male hormones, filled with gripping tales of the underdog triumphing over the strong: such as stealing the elixir from the Golden Monkey's lair, and feinting with the prince to defeat Da Bai Ni; such as returning to the Jin clan after entering Tai Xuan and swiftly slaying more than ten Tu clan Celestial Masters; such as single-handedly defeating the Mountain God Lu Wu despite everyone's opposition; such as my favorite, the Four Holy Witches battling the Four Demigods of the Nine Palaces of Kunlun Mountain; and such as single-handedly defeating Ma Yi, displaying both wisdom and courage, and shaking the heavens and earth, with Xuanyuan setting up a challenge to restore order to the world... It has the passion of a lone hero battling it out, as well as the wisdom of layered enticement and strategic deployment. In short, this is a must-read novel for men. Secondly, *Tai Xuan* is a novel brimming with emotion, containing countless unforgettable moments driven by love. For instance, in the battle at the Ziwei Altar, the resurrected Ming Zhao, wielding the Sunset Bow, unleashed three arrows simultaneously, employing the Moon Chasing Star technique to slay the Mirage Dragon, displaying a domineering yet dashing presence. As the previous generation's Golden Clan Holy Witch, Ming Zhao passed on two sacred techniques to Wu Dongfang, a legend of one era being passed down to the next. As a so-called good man, Ming Zhao fought fiercely for Ji Ke, ultimately losing his soul and returning to nothingness, only uttering the words "Take care" before parting. Ji Ke's outstretched hand, grasping nothing, likely shattered the hearts of countless readers… Furthermore, we must mention Fantong, Xintong, and Mingyue—three characters who, upon meeting Wu Dongfang, were forever captivated. Like a child trying to prove he's grown up to his father, Fantong, in his final moments, single-handedly rescued Lao Wu as the Golden-Armored Bear King; Xin Tong, bold in love and hate, originally wanted to fight alongside her hero against a powerful enemy, even at the cost of their lives, but things didn't go as planned. Awakening in a completely unfamiliar environment, she felt panic and loss, yet still chose disciples and did her best to help him succeed, dying with unwavering devotion; Mingyue, despite having him as her whole world, awakened prematurely for him, living alone in the deep mountains for thirty years, dying a solitary death. Reading Mingyue's ending, I seemed to see this scene: in the deep mountains, amidst heavy snow, Mingyue stood on a mountainside, oblivious to the snow on her temples and shoulders, gazing blankly into the blurry distance, then a relieved smile appeared through her tears as she slowly closed her eyes… Of course, besides these, there was also the life-and-death bond between Wu Dongfang and the Prince, the iron will and tenderness when awakening Xun Shuang, and so many other wonderful moments. However, having mentioned so many merits, I'd like to venture a dissenting opinion. Recently, besides sighs of relief and gratitude for the author, some readers in the review section have been complaining: "Why did it end like that? It's too far-fetched and has a terrible ending!" So, you ask me if I have any regrets? Yes! Of course! Humans are greedy, and I'm no exception. I wanted to see Wu Dongfang battle the Goddess of Mystery, I wanted to see the Three Pure Ones reward Wu Dongfang, I wanted to see Wu Dongfang return to the Xia Dynasty, the Prince, the good-for-nothing Mingyue, and Xintong reborn, and there's also the toad and Qiyue… With the author's incredible abilities, there could definitely be many more exciting plot developments. But, calmly, I asked myself, if it were me, how would I handle it? We've already witnessed the power of the Goddess of Mystery in the previous chapters. If, without padding and while logically consistent, it's rather cruel, the ending would likely only have two paths: first, Wu Dongfang and his companion are instantly killed, and the Three Pure Ones intervene; second, Wu Dongfang and his companion perish together with the Goddess of Mystery. I want to ask, if it were really written that way, would you be willing to read it? Looking back, because of Sanqing's (the fake Director Hu's) words, the current ending is left open-ended, creating endless possibilities: How thrilling? How heroic? How full of twists and turns? Think about it yourself! Perhaps, this is the most perfect ending for "Tai Xuan." So, faced with such a masterpiece, what more can we ask for? We're all adults; be mature and don't become part of irresponsible online bullying. Of course, if you insist on going your own way, there's nothing I can do. Either don't read the next book, or learn how to improve your character while enjoying the book. In short, after saying all this, I want to express two points: First, congratulations on the wonderful conclusion of "Tai Xuan"—a work by Jiu Qiu is always a masterpiece; second, Jiu Qiu's books are like his "Guangling San"—if you can read and appreciate them, you are a kindred spirit. Since "Guangling San" is not yet lost, please don't let it go to waste.

In the traditional Chinese mindset, writers and other intellectuals were highly respected and held a high social status because they were seen as the "conscience of society." During times of national crisis and social upheaval, they used their pens to awaken the slumbering nation and drive national salvation and development. However, with the emergence of "online literature" and a massive number of "online writers," the prestige of being a "literary figure" has diminished. Many "online writers" earn a lot of money, but their "value" has declined significantly. Some "online writers" are no longer seen as the "conscience of society" but rather as agents spreading negative energy. This has become a psychological advantage that many traditional literary writers currently hold over online writers. Now let's look at some of Jiu Qiu's novels. *Qi Yu Qian Nian* is a very successful Taoist adventure novel; both the Taoist arts and the love story are incredibly moving. However, Jiu Qiu, a newcomer to the genre, hasn't yet consciously shouldered the responsibilities of a literary figure, and his humanistic reflections are relatively lacking. "The Broken Robe" is a more successful Taoist-themed romance adventure novel. While the Taoist elements and romance are arguably the best in the genre, what's even more pleasing is Jiu Qiu's integration of his own reflections on Chinese history, as seen in Jin Zhen's evaluation of Emperor Xin of the Shang Dynasty. Furthermore, the depiction of human nature amidst war is deeply insightful. By "Zi Yang," it has become a complete reflection by a Taoist practitioner on the darkest period in Chinese history and an understanding of the traditional Chinese concept of "Tao"—this truly reflects a scholar's humanistic responsibility to society. What about "The Chronicles of Tai Xuan"? Frankly, I personally dislike the title; it has a slightly simplistic feel. When I started writing, I was worried that Jiu Qiu would turn a great idea into a simplistic story, and even more so, that he would abandon his exploration of humanistic values. But as the story has progressed to this point, I'm glad that Jiu Qiu has successfully maintained his composure, preserving a scholar's reflections on history and conveying a correct perspective to the audience. Why do I say this? Because this month's updates have been entirely about the struggle between divine and royal power. Jiuqiu, despite his personal preference for Taoist arts, did not spread a false notion that tipped the scales of victory in favor of the shamans representing divine power. The replacement of divine power by royal power represents historical progress. In the early days of human history, shamans held absolute dominance because they were the channel of communication between humans and "spirits." However, with the progress of civilization and the increase in productivity, in struggles with other tribes or tribal alliances, a group representing royal power—the "noble" class—emerged. The struggle between divine and royal power inevitably occurred, and this struggle had several different models and outcomes. One: The "Chinese Model." The emperors of the Shang Dynasty claimed descent from the Yellow Emperor, thus asserting their rule as divinely ordained, a system known as "divine right of kings." This successfully stripped the shaman class of their divine authority and established the ruling position of the monarchy. Subsequent rulers followed this model, which formed the foundation of China's unified empire and ensured that China remained at the forefront of the world for thousands of years. Second: The Indian Model. In ancient India, the Brahmin class represented divine authority, while the Kshatriya class represented royal authority. In the struggle between theocracy and monarchy, a genius emerged—Gautama Siddhartha. After several days of contemplation under the Bodhi tree, he established a new religious model—Buddhism. He used a new god to counter the gods of the Brahmin class. The doctrines of "equality of all beings" and "the afterlife" successfully united the Vaishya and Shudra classes, and theocracy successfully replaced royal power. However, the Brahmin class, unwilling to accept defeat, later introduced new ideas, forming Hinduism, which suppressed Buddhism's influence in India to a minimum. The struggle between theocracy and monarchy permeated Indian history, which is why modern India was merely a geographical concept before its independence. Third: The Medieval European Model. There is a wealth of information on this, and I don't want to elaborate too much. I can only say that this was a model of "cooperative profit-sharing," which is also the main reason why the European Middle Ages were the "Dark Ages." I'm glad that Jiuqiu hasn't stopped progressing, hasn't forgotten the responsibilities of a scholar, and hasn't sacrificed clicks by having Wu Dongfang replace Shaokang, successfully grasping the power struggle between theocracy and monarchy. Yesterday's update, in my opinion, revealed some new meaning; Jiuqiu will achieve new heights, let's wait and see.

I wonder if Dongfang will be able to return and reunite with Mingyue, Xintong, and Xunshuang!

Highly recommended! The story is original and the logic is clear!

Tai Xuan War Chronicles

When I saw the leader say in the group chat that this was the last chapter, my feelings were incredibly complex—shock, disappointment, reluctance, and inner turmoil, followed by a certain eagerness to see the ending. I don't know how many times I reread those last few sentences, each time feeling a strange mix of heartache and emotion. In fact, everything that needed to be explained was explained clearly; there was no anticlimactic ending. At first glance, the ending seemed a bit rushed, but upon reflection, it felt like stopping abruptly at the most brilliant moment of fireworks, leaving room for our imagination—that's the most skillful technique. Stories always come to an end; preserving the most beautiful moment, unexpected yet logical, makes it all the more memorable. It's been a year and six days since Tai Xuan started writing. Since Lao Wu returned to the Xia Dynasty, we've encountered Ming Yuan, Ming Yue, Si Miao, Yun Ping, Lao Xia Zi, the Prince, Fan Tong, Ming Zhao, Xin Tong, Fei Xuan, Xun Shuang, and even the twelve foreign star warriors, among many others. They've accompanied Lao Wu and us through a year of summer and winter. Like his previous books, the supporting characters aren't truly evil, nor are there villains in soap operas that we hate to the core. Then the protagonist eliminates them, leading to a happy ending. The characters appear almost as casually as strangers we meet. Many say some supporting characters are meaningless, but a book naturally has many supporting characters. What is meaning? Lao Wu gave them vibrant lives and distinct personalities—that's the meaning. I originally wanted to finish writing in one go, but my dad called me out to buy groceries, and tragically, I couldn't continue... So, how annoying are external distractions! Lao Wu has so many distractions every day. Besides external ones, there are internal ones too... Writing a book is truly inhuman work! It made me go back and reread the ending several times before I felt the urge to continue. Actually, I always felt that the female protagonists in the book were all happy because Lao Wu treated them all with genuine affection. Whether it was Mingyue, Xintong, or Xunshuang. At first, I thought Mingyue was too reserved. Perhaps this was the norm for ladies of noble families in ancient times, or perhaps she wasn't initially deeply in love with Lao Wu. But over time, Lao Wu became her everything. So even though she knew that giving the medicine to Fantong would cause her to awaken prematurely, and the price of that premature awakening was never seeing Lao Wu again and dying alone, she had no regrets. Si Miao, what a lovely girl she was at the beginning! When Lao Wu became a prisoner, she took off her mask for him, smiling brightly. At that moment, I believe Lao Wu was moved. Unfortunately, later, Si Miao regained her cultivation and memories, and those feelings could only remain buried in her heart. And she knew there was no possibility of continuing, so she chose to leave forever. Xin Tong always gives me the feeling of a child who never grows up, but I admire her courage. She bravely expresses her feelings, willing to leave her people for Lao Wu, to go to Kunlun, to the West, and to slumber. She matured overnight. After waking up, knowing she could never find Lao Wu again, I think she was lost and desperate. But she didn't give up helping him in the end. It's just a pity that all her efforts were in vain, but Lao Wu received it, and that's enough. Xun Shuang's words, "What's the point of me coming back to a world without you?" Instantly captivated me. Actually, when she used her own blood to exchange for Lao Wu's pursuit of the moon and stars, she already captivated me. If Lao Wu had been a little selfish in the end, stayed with her, and stopped caring about the world, that would have been wonderful too. For a woman like Xun Shuang, falling in love with a man is already difficult enough, but expressing it is even harder. Lao Wu finally accepted her, even if it was only for a day, just one hug, but for her, there were no regrets, and it was worth her four thousand years of waiting. By the way, Ming Zhao is my favorite supporting character; even the prince has to submit to him... Although he only appeared once, and possessed Old Wu, the rising sun, the slightly upturned corner of his mouth, the heartfelt words, and the final, stylish, and fluid movement... It was mesmerizing! The story ends here, but there's so much to savor. It just feels so strange not having to wait for updates anymore. Although I haven't waited for updates many times myself... Congratulations on finishing the book, author! Looking forward to more brilliant works! For the next book, you must get plenty of rest and no distractions (which is impossible), but no matter how long it takes to develop, we're willing to wait because it's worth it. [Happy][Happy]

Lively and interesting, hahaha

May this masterpiece become a huge success!