The Good Life of a Transmigrated Woman with a Husband in Name Only

I have the desire to read on, but the whole book has no preface and follow-up at the end, and there are still many unsolved mysteries: Chu Mingyu, as an important villain in the book, has no ending; Song Xiuran's ending is just mentioned in one stroke; is Xuan Cangwei 50,000 or 60,000? What happened to Yong'an Hou's power in the end? Is the name of Marquis Yong'an Xu Zhian or Xu Lingqi? Is Chu Huaiyu's biological mother Princess Nanyang or Princess Yongan? Does Chu Huaiyu have peach blossom eyes or red phoenix eyes? Bai Chuchu sometimes calls Chu Huaiyu aunt, sometimes aunt; sometimes General Bai is Bai Chuchu's uncle, sometimes her uncle, and in the end he directly becomes his daughter... This book can be used to find out the difference! The typo in the name is understandable, but the inconsistency is not so bad, right???

Not bad

Not bad, not bad

If you're bored, you can watch it because it's boring to watch. I don't think it's a cool novel. The male and female protagonists are just average. Everything in the book is written according to what the author likes. Abbreviation: Write however you want

The plot is confusing and has too many inconsistencies, and the unreasonable plot is hard to complain about. For example, he wants the throne but insists on assassinating the generals who support him. The male protagonist is also unlikable. After reading the whole story, I didn't realize that he is a decisive and decisive general who is respected by the courtiers. The female protagonist, a former special forces soldier, is also an all-rounder, and she boasts endlessly.

The early plot was really good and quite engaging, but halfway through it started to make no sense and the plot was confusing. From the beginning to the end, the male protagonist did not see that he had done anything useful. The evidence of his murder was found by the female protagonist for him. While the female protagonist was working, the male protagonist leisurely waited in the inn. He collected the evidence of the third prince's crime and did not hand it over. He kept saying that he would wait for the opportunity. In the end, he handed over the evidence when it was most disadvantageous to him, which directly made the third prince's big problem disappear into nothing. I really blocked Q, and the male protagonist's previous Period, come on, the entire palace and even the servants know that the male protagonist is pretending to be a bodyguard, but he hides it from the heroine. He doesn't tell the heroine, and the heroine guesses it and doesn't admit it. He also uses the identity of a guard to flirt with the heroine, but the heroine doesn't react at all. I'm really speechless. I can understand the heroine in modern times who have never seen a male protagonist who doesn't have feelings for the princess and accepts him as a bodyguard, but what about the male protagonist? The heroine is the wife that the hero wants to marry, but he uses his identity as a bodyguard to flirt with the heroine, even on the street. Even if the people in the palace know that the guard is the Duke of the country, can the people on the street know? Can the supporting characters know? Doesn't it seem to others that the heroine Hongxing is cheating on her? Will really liking the heroine make the heroine fall into public opinion? The male protagonist also has a typical characteristic, an escape personality. If he doesn't want to make peace with the female protagonist, he won't go home. If he doesn't appear in front of the female protagonist, he doesn't know how to explain to his sister that he is not dead. He also goes home in the middle of the night and sees no one at all. Is escaping useful? The same goes for the female protagonist. Her medical skills come and go. When the plot requires her to be attacked, her medical skills disappear. When she cannot be attacked, her medical skills come back. Even her IQ is inconsistent. She was kidnapped and given Ruanjinsan, but she dared to eat snacks in the villain's den without any precautions. She asked the male protagonist to save her in order to be attacked, which is not even interesting. The author may want to set up that the male and female protagonists are ordinary people, but they have some specialties than ordinary people, but their IQs are at least normal. This is the first time I have seen the male and female protagonists whose IQs are not as good as ordinary people. This IQ basically says goodbye to the plot of rebelling against oneself and becoming the emperor. Not to mention whether it can be achieved, even if it succeeds, it is not sure whether it can stabilize the country. And there are really a lot of bugs. The biological mother of the heroine is sometimes the Princess of Nanyang, sometimes the Princess of Yong'an, and sometimes the Princess of Nanyang. Well, I can only convince myself that her name is Nanyang Titled Yong'an; sometimes General Bai is Bai Chuchu's uncle, sometimes his uncle, and then he becomes his father? The male protagonist's Xuancang Guards are sometimes 30,000, sometimes 50,000, and sometimes 60,000, and the role of having this army is completely invisible to the male protagonist. If he does not take him to the battlefield, he will still be plotted with dozens of people on business trips. This army feels useless, even without personal guards. It feels that the Xuancang Guards are just a bargaining chip to express the hero's identity, a bargaining chip to allow the hero to be harmed and suspected, and have no substantive effect. In the end, I guess the author didn't want to write it anymore, so he ended it hastily. The foreshadowing of the heroine's identity, Hua Jie's identity, the ambition of the fifth prince had no ending, the fight between the third and fifth princes had no follow-up, and the fourth prince broke his leg and there was not a single word in the follow-up. Including how the heroine's father knew that the descendants of the previous dynasty were in Youzhou, they were not written and ended hastily. I can only say that this book is good at the beginning, but I enjoyed reading it in the middle, and then I became more and more speechless as I read it. But after I finished reading it, I felt that I would be losing money if I abandoned it. In the end, after reading it, I felt that it was a book that was not as good as not reading it.

I didn't want to write a book review, but I just couldn't help but want to complain about the three views of this book. First of all, let me declare that I haven't finished it. The main reasons are the following points that made me unable to stand it. First, the heroine slept with an unidentified male protagonist when she was still holding the title of "Mrs. Duke of the State." Second, the heroine stole all the money of the Yong'an Marquis. Even if Yong'anhou is not a good person, can't you deal with him in a smarter way? Is "stealing" a big deal? Is it something normal people do? Third, Chu Mingyu's child was "taken over" by the prince. Is the emperor a fool? Chu Mingyu's father said that the child belonged to the prince, and the emperor directly granted him a marriage. Not to mention whether a widow can attend the palace banquet during the mourning period, she should die if she seduces the prince in the palace, regardless of whether she has children. Is such a person worthy of being a prince's concubine? The emperor didn't even send an imperial physician to see if it was true?

This novel is so-so, which once again proves that other people's reviews are good. It's a pity that this novel could be better. 1) Before the heroine knew that the hero was her husband who had faked his death, she pretended to be a married woman and slept with a strange man in his house? Modern people can't be so bottomless; 2) The heroine is obviously a time-travel agent, but she is too stupid, eats everything, and always falls into the trap; 3) The male protagonist takes in three concubines, saying that he can't refuse them because of his status. Although it doesn't matter, he finally drove them away, but it is enough to disgust the female protagonist. I can't accept it anyway, so I should find a way to refuse. If I were the female protagonist, I would decisively leave at that time. Finally, I would like to add that in fact, when I first started watching it, I felt that the transition of the plot was not delicate enough. Many plots were just what I wanted, and there was a lack of process and plot. So I skipped watching it later. To be honest, it's not bad, not good, not bad.

Like it very much! It's fun to watch!

Well enough