This World Is Dangerous

This world is indeed too dangerous and beautiful. Weirdness, secret realm, inheritance... Gods, demons, fairies and monsters, elves of plants and flowers, mountains, rivers, lakes and streams are all dangerous and full of strange things. The main structure of the novel is particularly good, and the details are not considered. Personally, I think the description of strange things, the introduction of martial arts, the control of fighting, and the description of psychology are particularly meaningful. The language has both the vulgarity of the market and the elegance of a scholar, and it has a very charming charm. The protagonist has come a long way from being a mortal, and in this dangerous world, he is a mix of ordinary people, a chivalrous person, an expert, and very self-aware. The author's principle is that every place is a pit, so hurry up and bury it! The show of goodwill from the mountain god of Junshan Village, the mystery of the jade coffin; the mark of the coffin bearer in Anyang, picked up the market forces, and let go of the enemy Lu Luo; Luoshui disrupted the sect, fought against Taipingdao (one force), accepted military figures, and entered the demon tomb to gain inheritance; Tianyong offended the court's Chen Qingyuan, was framed and killed the prince's son and the Taifu's second son, and was chased by the ghost tower... Alas, the world is too dangerous, and the protagonist's blessings and misfortunes are equal. There are too few available people around, and the only ones currently available are Wu Xin Nao Gui (Chen Wu Xin), Fog Demon, and Xue Beikun.

I can't imagine this world. Several people die every day in a village. The patrol team suffers heavy casualties at every turn. How did those team leaders survive past 30? It was mentioned that this is a village with hundreds of people. The question is, there are all kinds of monsters in your rice fields. How can ordinary farmers farm despite such horror and such heavy casualties? How many children can the women of this village give birth to in a year? Why does the protagonist use the ordinary dragon pattern instead of strengthening the infuriating energy, instead of thinking about the silver dragon pattern? He insists on pouring several bowls of blood to let Goldfinger remind him. The author blindly wants to write all kinds of horror and weirdness, ignoring the basic logic. If you want to build a tall building, please don't ignore the foundation!

It is a strange world where all kinds of strange things, strong and weak, run rampant. Every weird and spiritual weapon has all kinds of magical effects. All kinds of scheming schemes are hard to guard against. The background of the little person forces the protagonist to keep moving forward. If he is not a person in the book, he is better than a person in the book.

After reading more than 130 chapters, I gave up and left some immature personal suggestions for all book friends. First of all, the writing style is good. Some places are suspected of hydrology, but it does not affect the reading experience and it feels good. Secondly, in terms of the plot, the first part is fine, but then problems start to appear. I get something in the first part, but completely disappear in the second part. It feels like it is just for water characters, because there are a lot of introductions to the functions of the items, which seem to be awesome, but they have not been used at all. In addition, the routines are becoming more and more serious. There are enemies in each stage, and even the plot of forcibly renewing one's life. You can know the subsequent development without watching it. In short, in terms of plot, book lovers don't have to have any expectations. Book lovers who are really short on books can choose to read it. This is just my personal opinion.

Those who say it's good probably haven't read a few books, and are just making noise. This book really embodies most of the shortcomings of LAJI's books. The first is that he has no sensitivity to numbers and often exaggerates. He wants to use casualties to express terror, and he wants to use silver coins to write about auctions, but he cannot write good data. The second is that the skills written are very powerful, but the results are mediocre, 50/50 everywhere. At the end, the writing disappears, and the same goes for the items. The third protagonist, the Virgin, talks too much nonsense, is too soft-hearted, and wants to be clever and resourceful, but in the end it has no bright spots. The fourth is that I like Tengu very much. Just like Ruozhi, he is not wary or defensive at all when seeing a woman. Maybe the author is single or Tengu in reality. The fifth is that I often want to use writing to express the excitement and intensity of fighting scenes, but I can't write at that level, so I can only use parallel sentences and a low word count.

Nice.

🔥Classic

A strange world with strange and diverse experiences. Although it is a bit scary, it is also fun and carefree.

Only the chapters that have been read will be evaluated, and there will be no comment on the chapters that have not been read.

I've read Chapter 150. If the author doesn't know how to write emotional lines, don't write them. When it comes to adding a girl, try your best to add them, it's boring.