Ghost Blowing Lantern II

The most awesome thing about Ghost Blowing the Lamp is that the author can connect the story lines of the entire book together to form a closed loop. The completeness is too high.

After watching it, the characters are more plump and three-dimensional compared to the previous one. Hu Bayi's wisdom and bravery, Shirley Yang's calmness and courage, and Fatty Wang's humor and affection. They never give up and support each other when facing various weird and unpredictable traps and mysterious creatures. This deep friendship and team spirit are touching. The description of the ancient tombs in the book is meticulous, from the ancient murals to the mysterious coffins, from the complex Feng Shui patterns to the hidden secret passages, every detail seemed to be truly presented before my eyes, making me feel as if I was actually there, feeling the tension and excitement. At the same time, the author skillfully integrates history, culture, folk custom and other elements into it, which not only makes the story more interesting, but also allows me to learn a lot of knowledge that I have never encountered before. However, this book is also more than a simple adventure novel. Behind the thrilling plot, it also contains thoughts on human nature, desire and destiny. In the process of pursuing wealth and exploring the unknown, the protagonists constantly face the test of morality and conscience, which made me reflect on how we should face our own desires and choices in real life. Overall, this book is an amazing piece of work. With its wonderful story, rich connotation and unique style, it has become an unforgettable journey in my reading career. I believe that no matter how time passes, this work will occupy an important place in the field of suspense adventure novels.

"Ghost Blowing Lamp II" continues the world view of the previous game, with the traditional Chinese Feng Shui secret technique as the core of the narrative. "The Tomb of Huangpizi" looks like a period drama, but in fact it has a hidden mystery. The shortcomings of this volume are almost beside the point. From this book onwards, it has begun to show its decline. "Return to the Ruins of the South China Sea" is an ocean fantasy sung by Ba Sing. This volume clearly shows the author's inability to tell stories. The smooth and witty narrative style that he used to have is almost invisible in this volume, especially in the second half. The first thing that makes people think of "Nu Qing Xiangxi" is exorcism. The Miao and Dong ethnic groups in western Hunan have many weird myths, many of which are very similar to those written by the author. In western Hunan, it can be said that there are mountains and trees overlapping each other. It is said that the raccoons in the mountains have magical powers to confuse people. In Chen Xiazi's memories, there is also a description of an experience of being confused by a raccoon and almost losing his life. The author has written quite well about the various characteristic legends of western Hunan. But the scenes between the old foreigner and Hua Ling always leave people wanting more. The finale of "Wuxia Coffin Mountain", the secret technique of Guanshan Taibao, makes the origin of the Sixteen-Character Feng Shui Secret Technique like a mystery. As the final chapter, it has the most words in the last four volumes. Using "Guanshan Zhifu" as a clue, it tells the reason why the "Sixteen-Character Yin-Yang Feng Shui Secret Technique" became a broken book, and the history of the destruction of three ancient talismans and the Faqiu Seal in the Ming Dynasty. The book involves stories such as the Shadowless Immortal Bridge, the Magic Pen of Guanshan, the Ancient Tomb of King Wuyang, the Ghost Sound Finger, the legend of the black pig opening the river, and the Bone Stealing Picture in Coffin Mountain. Looking at ghosts blowing out lamps, some people see the passion for adventure, some people see the dust of history, and some people see the subtleties of human nature.

I have always felt that "Ghost Blowing the Lamp" is a master-level masterpiece, much higher than "Tomb Raiders Notes". Apart from other things, the tomb robbing system in "Tomb Raiders Notes" is still used in "Ghost Blowing Lamps". It's just that the weird plot of "Ghost Blowing the Lamp" is mainly placed in the tomb robbery. It doesn't have an extra twisty main line like "Tomb Robbers Notes", which makes the overall story of "Tomb Robbers Notes" more complete. In addition, the large amount of knowledge in "Ghost Blowing the Lamp" is an advantage, but it weakens the sense of rhythm to a certain extent, making some people who pay attention to the pleasure of reading find it lengthy and unpleasant.

Those who grind and chirp don't rob tombs, they just talk about bullshit.

It is connected with the previous one, and the quality is the same as the previous one. It is very good.

I was a bit anxious to watch it, mainly because I finished watching the first part and 345678, and I missed the second part. Well written.

The novel is quite interesting and full of twists and turns, but some of the plots seemed a bit boring to me. I have already followed the TV series Kunlun Temple. Jiang Chao's casting of Fatty Wang was spot on. As for Hu Bayi, I still think Jin Dong's image is better.

I finally finished reading it on June 19, 2026. Ghost Blowing Lamp 2 "Ghost Blowing the Lamp" constructs a unique Chinese-style underground secret realm, with vivid Feng Shui secrets, ancient tomb legends, and various dangerous situations that are exciting. Hu Bayi, Fatty, and Shirley Yang went on an adventure together, sharing life and death together, and their daily comedy diluted the scary atmosphere. Everywhere in the book, people are warned that the treasures in ancient tombs are the bait for inner demons, and countless crises are caused by greed. The gold-touching team adheres to the bottom line, implying awe of the ancients and heaven and earth. The whole book is not only exciting and adventurous, but also taught me to look down on external things and cherish the friendship that never leaves me in times of crisis.

Nice