I’m Just a Mortal, So Why Do You All Worship Me as a Saint?

When I saw the spiritual liquid in more than sixty chapters, I felt disgusting. I stole something from another chamber of commerce and was being chased. Even if the chasing party wanted to chase them, there would be no problem. If the gender of the chasing party were reversed, would the male protagonist have to help the chasing people to stop them? Don't you deserve to be chased after stealing things? Aren't they the victims if the products that other chambers of commerce have worked hard to research are stolen?

The most enjoyable novel about Di Hua cultivating immortals The author really perfectly explains what Dihua is The protagonist always takes action at critical moments, but he still doesn't know how powerful he is. I came to Qimao just to read this book. It's so wonderfully written!

Average, the rating is a bit high. Unless the protagonist is a fool, just from the fact that he can treat and poison monks, he can analyze that his system is not ordinary, and his various skills are also not ordinary. The protagonist in the plot is very stupid, and it feels like he is pretending to be stupid. It's really embarrassing to watch too much😅

Don't call it Wudiwen, just change its name to Stallion Wen. It's surrounded by women. Not smart when you should be smart, smart when you shouldn't be smart, and still have an online IQ, which is pure intelligence.

The only shortcoming is that the writing of the trading company and the establishment of the empire is too plain, the logic of the trading company is too simple, and the establishment of the empire has become a complete interlude. However, I personally like the grand narrative in the plot and the unique world view, especially the protagonist who always has a feeling of being unfazed (although his inner world is very exciting). As the biggest feature of Shuangwen (although I rarely read it), the protagonist will not go crazy in the later stages, be unreasonable, and have no respect for gods. The stereotypes of monsters and monsters, and it seems to be relatively clear at present. I don't see anyone falling in love with each other. They mainly focus on affection, but sometimes they are decisive in killing and making subtle changes, and the setting will not suddenly change (after all, the fight can be completed by other people). Especially the appearance of each character comes with a branch line. Although some of them have not been seen yet, I prefer this kind of development type. After all, the articles about the protagonist's counterattack and constantly getting stronger are boring.

The ratings are all based on brushes, right? The family provides you with food, clothing, and resources, and you can use them with peace of mind. But in the end, you are useless, and others can't even use you to make your final contribution. Why does the family support you? You act like a fool, you feel like a dick, the Chamber of Commerce steals secrets, what's wrong with others killing you? He can't move when he sees a woman, like a licking dog.

In Chapter 67, the protagonist saves two thieves and kills the person who caught the thieves. Is this a joke just because the thief is a woman?

7.5 Points. The theme is okay. The male protagonist pretends when he should pretend and never keeps a low profile when he should. The only bad thing is that basically Shimizu's story has more than 500 chapters and the male protagonist can't figure out his own strength.

Advantages: The plot logic is smooth and the foreshadowing is recovered in a timely manner. Shortcomings of this work: the secondary characters are highly stereotyped, and there is no image distinction between different characters with the same position. In the early stage, the secondary characters still have a chance to show their faces. As the combat power is superimposed unnecessarily, in the end, the solution to all conflicts will lead to the protagonist appearing in front of the hero. And then in the later stage, the secondary characters will be less helpful in resolving the conflicts, the more difficult it will be to flesh out the image in the action, and the characters will become thinner. For example, what are the differences between the images and positioning of Ning, Su and Qin? What is the difference between Gu and Gu? What is the difference between Bai and Liu? I think it is mainly caused by the rapid development of the conflict level and the slow growth of the characters (referring to the fullness of the image rather than the improvement of the strength): at the beginning, it was a family loser who met an opportunity by chance, and soon it turned into a battle between immortals and demons, and then to the "foreign enemies" - the combat power soared and there were too many secondary characters. Each character could only be highlighted in a very short period of time. In addition, the types of conflicts are too simple. There is only one type of conflict: a powerful enemy (of course, a secondary character, how can the protagonist show off), and the corresponding solutions are extremely limited. They are nothing more than the protagonist taking action, the younger brother taking action, taking drugs to gain muscle, etc., Which can easily make people tired. Speaking of this, you can actually find that the secondary characters and the plots corresponding to the secondary characters are the soil for the protagonist to show off. Whether he can pretend to be a well-rounded and good actor never depends on the protagonist himself. Readers know from the beginning that the protagonist is invincible, but how to transform this invincibility into a thrilling and unconventional exhilaration requires the support of supporting characters. I hope the author will strengthen the characterization of key and secondary characters and not rush to advance the world view

Starting from Chapter 134, the plot becomes a bit tense First, the protagonist's disciple almost died, but the male protagonist did not directly destroy the trading company and the Blood Building. Instead, he asked Xiao Karami to destroy the trading company. There is no follow-up to the Blood Building. Is this a saint? FW male protagonist, garbage plot. Even if a coincidence is created through the system, it would be good to destroy the trading company and the Blood Tower from a distance. This coincidence can also let others know more about the power of the male protagonist, but there is no such thing. Second, the apprentice is about to die and is recovering from his injuries. Before he wakes up, the male protagonist leaves his apprentice and goes hunting alone in the mountains. Is this normal thinking? You can shoot an arrow to create a blood cloud, but you can't destroy the blood tower from the air? Hot chicken plot.