The Great Dao Has No Gate

This book is a bit like a travelogue of cultivating immortals. It follows the protagonist as he cultivates and travels around the mainland. From Shenzhou and Sanxian Island overseas to Zuzhou, Yizhou, Shengzhou, Longbo, Daiyuanguixu and Jukuzhou. From the products, humanistic characteristics, and historical legends, it comprehensively depicts a colorful world of immortality. The works are antique, and the inlays of traditional and modern elements are not abrupt but seamless. Not only are they not dull and boring, but they are very interesting and memorable. In particular, some of the small plots that are not the main plot are very interesting. For example, Mu Xian used a dead pillow to treat three different diseases for her mother-in-law, grandson, and old monk. The process and pathology were vividly explained. For example, a soul-nourishing elixir must be refined from jackfruit. Its place of origin, shape, and pharmacology seem to be true. Waiting and so on, it really makes people gain a lot of strange knowledge. The dialogues between the characters are also very funny. Lan Lier's handsome boy ballad and Nangong Yuhuan's boudoir rhymes both made people laugh so hard that they made their stomachs hurt! The ending is also a happy ending. This book doesn't talk about being surrounded by beauties, nor does it talk about being invincible in fighting, but it just relies on its rich foundation to win. If you want to cultivate immortality, wouldn't it be great to travel around mountains and rivers and explore and have a leisurely time? Those things about the stars and planes are really tiring! Finally, there is the shortcoming of this book. Why are the scriptures quoted in full text? Anyway, I can't understand it, so I just treat it like water!

It is interlocking and fascinating. He walks step by step with a mortal body, suffers and suffers and finally becomes an immortal. It is very inspirational and has a sense of substitution. It is not a stallion, has few water characters, but also has a lot of knowledge! It's a rare good book!

The front part feels okay, I think 8.9 Points is low; when I look at the middle and late stages, especially the later stages, I just don't know what to say, at most 8 points. I don't understand what's the point of writing so many antique sentences? Create an atmosphere? But he also mixed in so many modern words, failed! Don't you think it's weird to write so much about palace flowers and ink that it's disgusting, and it's so consistent with a mortal emperor? Fail!

The first paragraph was okay! There are more than 200 chapters. When I arrived in Zuzhou, the book was completely unreadable!

This book is worth reading. The author must have read a lot of books and is a very knowledgeable person!

The book is okay, in my standard (hard to swallow, barely readable, average, excellent work, masterpiece) at the level of average (but in my standards, so many books I have come across are actually very few and far between average, either better than good, or difficult to swallow, and difficult to swallow accounts for the majority), the author's writing style is okay, the language, description and other things have a natural transition, and the book I have read, or copied? There are many books, and the quotations and plots match well. Some details are not good enough, such as the connection in terms of quantity, age, value of spiritual stones, etc. Is not good enough, and sometimes it becomes more, sometimes less, sometimes valuable, sometimes devalued. The ending is better than the bad ending, but it is a little rushed and there are a lot of things that are not explained. For example, the final BOSS Tianwai Fei Mo, Wu Zu and the others are a group, and the protagonist is one, and the level of force has dropped a lot, and in the end this one was not dealt with, and then The witch ancestors and the others didn't talk too much about ancient things. They didn't talk about the conflicts and conspiracies of ancient humans, gods, ghosts and monsters. It stands to reason that there should be some behind-the-scenes stories about their interests being involved, and then there should be liquidation or something, that is, there should be some plot about immortals or ascension.

I can only read the first two hundred chapters, and the rest are full of water

I don't like this type. Like in the 1970s, the protagonist was afraid of wolves before he went out and was afraid of tigers. He didn't know how he could conquer the world.

Luo Li, it was fine two hundred chapters ago.

When I read Chapter 12, there were too many modern words.