[Lingyue]i Think It's a Good Book

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这是我看过的小说里非常棒的一本小说。 最重要的一点，它塑造了一个真实的兽人国度，不再是千篇一律的野蛮世界，当然它很大一部分借鉴魔兽争霸这是必须承认的，天下文章一大抄，我觉得他抄的好，有自己的见解和看法。 首先世界观，各种不同种族兽人海陆空虫，基本上体型决定战斗力，各有天赋，这天赋有些是战斗有些是生活，人族很强大，海族更强大。 很多小说都是兽人野蛮女肮脏无脑但他描写的兽人国度政治经济文化都样样俱全，有阶级有矛盾，老百姓也不爱打仗，这一点已经把作品脱出了快餐小说的范畴了，我到后来也没看见过几本像他这样的西幻了。 第二战斗故事，很多小说都给战斗力分级，我就不列举了，这本书里虽然对龙族也有一些分级但静公公一开始就不玩这个，就算打架也是靠脑子的。最明显的就是二氧化碳盾憋伤影系大高手，圣奇奥对老刘的教学绝对是静官自己的心里话。 这本书设定完整战斗场面很爽不过它好看就在于它虽然有系统分明的魔法也有特色鲜明的战歌，战技和异能也不少，但这些都是搭台的，唱戏的是每个人对自己战斗能力的理解和应用。 静官在书中塑造了许许多多的高手，但出色的还是老刘，如果谁认为这是为了让读者带入后图个爽，那我只能说你应该多想想，（老刘在开始的时候并不算非常强大，他成长的标志在神曲的领悟，对地底居民的态度代表他的思想水平，这才是穿越给他开的挂。高手的思想是每一本打斗小说的水平体现，水果蔬菜的书你看去吧，从头到尾都是大白痴，打爆星球也是白痴。这里我描述的不好，我自己也没有全部弄清，请看看就行）。 第三，人物刻画，静官取了个巧用许多知名运动员的名字。使得他笔下的角色让人很快就看清楚，这我就不多说了，但他对女主和顶尖高手的塑造都是用了心的，没有敷衍了事。这对于丰满剧情也是很有用的。 第四剧情，节奏很快、打斗很多、生活情节偏少；也正是靠着许多不同人物性格引起不断的冲突，使剧情悬念叠出，引得大家目不转睛。 最后借用书中一句话：老刘这颗心，只卖给识货的！ （来源知乎，@木子李。）

二流的通俗小说，一流的玄幻小说。 在当今玄幻小说普遍同一套路，升级打怪到处开挂美女如云的大环境下，知北游简直堪称业界良心。看得出来，洛水是一个有野心的人。尽管他其他如《白狐天下》之类的作品平淡无奇，与一般玄幻小说并无二致，但在知北游上还是倾注了他的所有才气。他在这本书里表达的，已经远远超过了其他玄幻修真小说。 知北游注定不太可能像斗罗大陆斗破苍穹凡人修仙传一样走红，它没有合适的受众。虽然我怀疑洛水一度想向他们靠拢，后来又放弃了。这也正是我喜欢它的原因之一。而最重要的是，我已经开始怀念，它陪我度过的那些中二岁月。再见，再见。 （来源知乎，@luolesile.） 《知北游》讲述的，是“大道”和“天命”这种东西啊，如江南写道“:命运这种东西，生下来就是为了被打破的。” 我们看到楚度，公子樱，晏采子，林飞，无数惊艳才绝之辈，倾尽全力也只为了找到更高的“道”。纵然他是一棵树，一把刀，也要脱离这天道的限制，逐那超脱与自由。这也是为什么，明知这本书结尾仓促，语言称不上雅致，我仍把它奉为看过的最好的网络小说之一。“与天斗，其乐无穷”。完结几年了，每每想起仍被这大胆的反叛、悲壮的执着感动。 （来源知乎，@stupid思卡。）

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"Gate of Apocalypse", how should I put it, the original intention was to write something that I had never written before. Well, the official propaganda tone is: pursuing breakthroughs. Although I complain about this statement, I think it is too contrived. However, I do enjoy writing about things I haven't written before. When I wrote "Evil", my popularity had reached its peak among the urban themes of online articles at that time. You may not know that the publisher almost waved a check and asked me to continue writing urban themes like "Evil". The editor-in-chief of the website also suggested that I continue to write similar urban themes. To paraphrase Li Wenxiu's words: Those may be good, but I just don't like them. In 2005, I wrote The Faceless Samurai. After I finished writing it, I immediately abandoned fantasy and went to write The Supreme Scoundrel. After I finished writing Cultivation, the Supreme Scoundrel, I abandoned Cultivation and went to write about hard urban gangsters like Xieqi. After I finished writing Xieqi, I went to write Demons. By the way, Demons is actually about writing a story about a person who regains his true self. Then Devil ranked first in popularity at the end of the year. After I finished writing it, you can't imagine what kind of price a company offered me. At that time, all my collaborators told me: Keep writing fantasy! If you continue writing in this way, you will be the best in the industry! I made a face, and then ran to write King of Heaven, which was my dream when I was young and the story I most wanted to write. The King of Heaven is essentially caused by my complex with Yu Yu Hakusho. Yes, it is Yu Yu Hakusho who is a rich and treacherous old thief. After writing The King of Heaven, I chose Hunting Country, a story of contradictions between loyalty and ambition. Then I wrote Tianjiao. Tianjiao was meant to talk about my many views on religion-but it was banned, okay. Let's just say I'm an asshole who likes to mess with everyone. I just want to feel good about myself. "Apocalypse's Gate" is actually another time to have trouble with others. My idea is simple: play something I have never played before. The general idea of ​​the story of "Apocalypse Gate" is: if one day, you discover that this world is fake, the billions of people in this world, including us, are all NPCs in a game, and this world is just a game world. How should we resist when real players come to this world and want to kill us? Well, that's the core of the story of Apocalypse's Gate. I can clearly say that the world view of "Apocalypse Gate" comes from "The Matrix"-if this world is an illusion. Other than that, there is no similarity between the storyline and The Matrix, it's just the worldview that I used. Of course, Neo from The Matrix is ​​the savior. The protagonist of "Apocalypse Gate" is an NPC, and then leads a group of NPCs to fight against the players who come to their own world. Maybe, because I have watched too many American TV series in the past few years, I have gradually lost interest in the routines of the online novels I wrote in the early years. I'm tired of this routine and don't want to play it anymore. That's all. (来源知乎,@跳舞.)

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Many book friends know that Butterfly Lan's online games are good, but they don't know that his book is also good. Well, this book can be chewed on while snacking. This is a relatively niche urban martial arts novel. The writing style is fresh and humorous, and its biggest feature is that it is life-oriented. The characters in the book are basically "magic masters" with mysterious powers, but they still have to eat, sleep, go to the toilet, and use their mobile phones to chat and play games online. (Similar to the Tang Dynasty Good Man) The secrets left by martial arts masters are contained in a USB flash drive. This kind of plot can be found in books. The male protagonist is a quasi-Guo Jing-type character who is very lucky and therefore very powerful but has a poor brain. However, his tendency to satirize people and his love of money as his life also add to his cuteness. The heroine is a female killer who is sometimes full of scheming and sometimes stupid. The two of them, together with the mysterious president of a certain university's student union and a certain wretched male version of Wang Yuyan, formed a cute little group... Life-style novels are actually quite interesting. The plot may be a bit dull, but it is true. (Source: Zhihu, @haoo.)

Open Infinite Horror, and if you are willing to take a look at the preface, you will see the author Jiang Zi telling you: I can't stand this world where plagiarism is common, and I want to change, I want to struggle, and I want to create a second spring for online writing! To put it in more cliché terms: God said there should be light, so there was light. Zhang Heng said: I wanted change, so there was infinite terror. Judging from the results, he succeeded. Infinite Horror created a genre and an era, which stimulated the vitality of online literature for a period of time. At the same time, it brought Zhang Heng a lot of money. In fact, if you take out a piece of Zhang Heng's text alone, you will probably feel: It's so long-winded, so pretentious... However, if you think carefully, integrate into the situation, and start reading from beginning to end, you will find that this kind of word processing skill is truly outstanding. It is not gorgeous, not brisk, not delicate, and has no power - yes, Zhang Heng's writing lacks a sense of power and life - but this kind of writing is very, very suitable for telling stories. Tell a story that is not life at all. A place darker than hell, a place where profit comes first, survival comes first, and is extremely cruel. A place that has to be believed. Only with this background can the light in Zhang Heng's heart be depicted. Trust, enthusiasm, persistence, will, protection, dedication... Infinite Horror is a work that calls for change when Internet literature is like a pool of stagnant water. It is also a work that calls for light in the depths of hell and the darkest place. I think there is such a righteous and passionate light in Zhang Heng's heart. Zhang Heng is not the first to write about a team, Zhang Heng is not the first to write about trust, Zhang Heng is not the first to write about comrades in arms, Zhang Heng is not the first to write about rebirth in adversity, and even if the characters in the book are at odds with the author, he is not the first. However, Zhang Heng's words, which are neither beautiful nor impactful at all, possess a wonderful power. I think this is Zhang Heng's genius. It's not his writing skills, it's his ability to control words. Okay, what follows is the same analysis, how to see through the most exciting parts of this book. Infinite Horror is a gradually improving work. At first, the author didn't think much about it, but during the writing process, he kept improving himself. I have reason to believe that his outline was refined as he wrote it. However, he tried his best to improve and fill in all the pitfalls. When you meet an author like this, why bother to update it? Might as well wait. Waiting to receive words full of wisdom. (Source: Zhihu, @Tao Yun.)

1. First of all, this book belongs to the city. 2. Then the male protagonist is a cat, and only in the last chapter does he change back to a human. 3. This book is written from the perspective of a cat, and the writing style is humorous, warm and true. 4. There is basically no golden finger, except for giving it a human soul and thinking to do something. 5. From the perspective of a cat, the author describes the social changes in the ten years from 2003 to 2013 and the changes of several generations in these ten years. 6. There are slightly more supporting characters in the book, and they all have corresponding stories. Among these supporting characters, there are you, me, and him. 7. The male protagonist himself is a rich second-generation soul in his early 20s who does not know how to cherish. After turning into a cat, his thoughts changed greatly based on what he had seen and felt in the past 10 years. He regained the boyhood he had missed from his young master Jiao Yuan. 8. This article also exposes and satirizes certain social phenomena, such as cat catchers, cat eaters and others. 9. This book uses this humorous and warm writing style to express the regrets and long-lost warmth in my heart. Every simple little story makes me want to cry. Because I am not Heitan, I will not have the opportunity to relive the era I missed; because everyone in the article can basically find their prototypes around me. 10. Believe me, if you keep reading, you will be moved. (Source: Zhihu, @wing.)

仙葫文字考究，写人写景颇有可观。不讲如何辞藻华丽，单单随口的几句调侃，一些感悟，在网文里面都可算上乘了。 一开始和禾山道姚开山师徒二人的一番智斗，都算是可圈可点， 包括他写焦飞练*蓝犁道人教会的三个小法术（隐身，搬运，穿墙）这几段，既生动又有趣。几个配角如苏环，水族的蛟太尉，蛤十一总算略摆脱了人形NPC的地位，写天河派的陈太真，苏真，各有机心不同，性格也是分明。 主角的性格还算讨喜。落魄时能自强自力，得意时能自省自励，心中不存门户之见，待人处事处处能见大家风范。不骄不躁，但也不像金庸笔下的那些呆傻之辈如郭靖石破天。需知没有大智慧不能有大成就，但大智慧并非愚笨，人情练达，不拘泥于一物这样的上上等人才可称大智慧。 道魔二说非首创，但总算有点新意主角主修天河正法和黑水真法，虽然都是水法，能写的有区别，而且各有神通；谈练丹凝煞，劫火焚身都算是在修真类小说的基础上有所发展，至于丹成第一品，道果第几品，显然有了俗世的味道，不过为网文小说计，亦无不可。 （来源龙的天空，@谈无语。）

豆子的笔力不错，语言诙谐幽默。 豆子的书是古典仙侠，《搬山》如此，《升邪》也是如此，基本上舍弃了打怪升级捡宝物的套路，偏向写出一个好故事。读他的书，你不会有嘲讽打脸的那种即时快感，但是故事本身的张力，会能促使你追下去。 搬山人物刻画的比较丰满，读他的书你会感觉这是一个活生生的人，而不是一个脸谱化的NPC。主角正派却不迂腐，反派也不是无缘无故的恶人。 豆子的书，逻辑性都不错，挖的坑一般都会很好的填上。有的时候，后文提到一个东西，你翻到前文看看，确实是这么回事，当时这里留了伏笔的。大坑套小坑，坑中有坑，但是一般都能收尾的很好，豆子的认真可见一般。 豆子的书，一些设定很有意思，比如《搬山》里的成仙成残了，变成了神仙相O(∩_∩)O哈哈~ 当然了，追豆子的书也会比较疲惫。古典仙侠、文青本来是很搭配的，但是如果放在很长的篇幅中，就可能变成弱点。比如最简单的古典仙侠境界不明确，功法记忆负担重，这本来不是什么问题，但是如果你放在两三年的时间长度中，放在三四百万的篇幅中，就可能产生问题。 再比如豆子挖的一个小坑，过几章就会把这个小坑填掉，频繁往复，就会产生审美疲劳。 古典仙侠作品，一般作者文笔都不错，构思也很不错，但是数据就是上不去。仅仅是因为没有写出小白文的爽点吗？不是这么简单的，鞋子里进入一颗很小很小的沙子，但是如果要走很长的路，就会让你很痛苦。 （来源知乎，@椋微。）

说说庆余年，其实就题材和剧情来说并没有很新奇的地方。但是在细腻的笔触下，在阴谋阳谋交织，各大势力角力中塑造的那些有血有肉的人儿才是让我读之深情的地方。(陈萍萍之死看的眼眶湿润的举个手)。 这些个人物鲜活却不扁平，比如肯定有同学会在读的时候因为代入太深的原因而对无情无义的庆帝有愤恨之意，下意识觉得范闲是伟光正的。而实际上跳出主角的立场，庆帝是令人佩服的，范闲是不完美的是矛盾的。言冰云，侯季常等等人物都是复杂的。被人们视如恶鬼，令人胆寒的陈萍萍玩了二十年阴谋，谁能想到只是为了守护一个女子的理想。疯女人李云睿狠辣无比算尽性命，只为了证明有些事她比男人做的更好。还有很多。 庆余年就是这样一本书，在无比现实冷酷的时环境下，却上演着一幕幕带着浪漫主义色彩的戏。 （来源知乎，@王程远。） 先说明白，我是来黑的。 因为是特地来黑，所以只谈缺点。 1，情节拖沓句子啰嗦废话很多，很多时候连看几万字都没什么重要内容，环境描写气氛铺垫可以有，但老猫你详略很有问题啊！而且每章都不厌其烦地写这些细枝末节，主线都给淹没了，这算高级水文吗？ 2，你特喵贴个穿越的马甲实际全是在写官斗宫斗！武侠玄幻个屁啊！ 3，主角很烂，老猫自己也承认不太喜欢这个主角，但我说他烂是因为主角根本都人物崩坏了——本是一个重症肌无力的老处男，穿越后直接成了官场老油条，天天这里冷笑那里一怔，家里有个没血缘的穹妹立了那么多flag居然还是没娶（老猫你有病，得治）。 更关键的是主角自诩是新世纪新思想的年轻人，天天批评陈腐，可这个王八蛋做得最多就是权争宫斗冷笑杀人，手段陈腐得和官场老人们如出一辙，以及出现了无数句的“女权主义”和“你不过是个女人”，自己打自己的脸还打的有滋有味。（所以这穿越的马甲还不如不要） 4，究极boss是皇帝——主角亲爹故意害死亲妈——一口逆血！关键那个亲妈叶轻眉也是穿越者，之前写得绝世聪明又性情极好宛如神仙中人，皇帝性格多疑简直是个神经病……这两个人也能凑配？作为本书智力巅峰的叶轻眉居然看上了这种人而且还被干掉了让我对她的评价瞬间下降，连带全书智力下降——因为我又仔细思考了下——作为终极boss的皇帝……果然是个智障神经病。 5，这个诗仙之名来得简直智障，因为老猫举的诗都不应景不应情。 （来源知乎，@sixgodeater.）

《放开那女巫》这本书最好的地方就在于“博采众长”。 我在里面找到了三种主要爽点： 一是临高启明式的爽点。 主角的团队在落后的世界种田建设工业化社会，然后通过土著居民的视角对这种奇迹表示惊叹。 二是奥术神座式的爽点。 这个世界的魔法可以通过学*数理化知识来提升，而主角却是一个21世纪的理工高材生。 三是日轻人外娘式的爽点。 女巫在这个世界被当成怪物、遭受迫害残杀，她们都因为主角“不将自己当异类”而对其感激倾慕。 当然，这一切都是建立在作者文字功底过关的基础上的。 （来源知乎，@居士说。） 《放开那个女巫》是起点近几年来难得一见的好文，体裁新颖，文笔流畅，人物生动，情节紧凑。最为可贵的是作者理工出身，不仅逻辑严密而且文笔好过许多文科生，知识面也很广博，对世界的架构非常严谨，又在故事背景中融入大量经典的奇幻设定，可以说是博采众长。 （来源知乎，@易安。）

-1-架构 《间客》是网络小说猫腻的三部曲第二部，个人觉得和第一部《庆余年》相比更加恢宏。 这本书的背景很宏大，也很有趣。作者先从三林星系切入，引出联邦制度。联邦的创始人是第一个来到这片星系的“五人小组”，他们将仅剩飞船的中央电脑改造成了联邦电脑，确立了联邦制度和宪章，每一个出生的联邦人必须在颈后植入芯片，以接受宪章的保护和监管。这也是主人公诞生的地方。这里科技先进，崇尚平等和自由，却也有像七大家这样的隐世家族，悄然掌握国家命脉。 之后是帝国，帝国实行帝制，皇帝和大师范领导帝国，皇族黑发黑眼。他们科技落后，却依靠着高效的制度保持着和联邦的战争。 联邦和帝国的战争导致了他们世仇的关系，黑发黑眼的主人公就出生在联邦。 这是一个很有趣的设定，读者轻松看出来有趣在哪里，但这一切放在了宇宙之中，却给人一种不可名说的美感。 -2-人物 康德说“在这个世界上，有两样东西值得我们仰望终生:一是我们头顶上璀琛的星空，二是人们心中高尚的道德律。”这一句刻在许乐手链上的他嗤之以鼻的文艺话却成了贯穿整个故事的核心。 作为一个小人物，许乐的一生传奇得理所当然，因为猫腻将他刻画成了一个每个人心底最想成为的模样。快意江湖，恩怨分明，有自己的道德准则，怕死又不怕死，直接的性子如同东林的石头一样又臭又硬，却不乏哲学家的明思。 他可以直面友人的生死，也可以为陌生人的公平赌上生命。他在多变的却也永恒黑暗的政治中走出了一条英雄主义的路。虽然也是个悲剧性的人物，但不可不说的是他的一根筋轻易牵动了我的心。 主角的性格用他自己的一句话可述之：“既然如此，我只好坚持我自己所认为的正确道理，和正义无关。” -3-我喜欢它 “好的故事是一张幕下的星空，不论你的幕布怎么换，星空深处的感动始终如一。” 我喜欢这个故事，不仅仅是因为人物的有血有肉，也不仅仅是因为他关于政治斗争本质的透彻论调，而在于它的紧凑。作者以认真待我，我以认真待他的作品，整个故事没有什么废话，每一个看似无意的交代最后都会换来惊叹。它就像加西莫多的小说，穿越时空近人灵魂。(来源：网友李瞬生的点评） 给人本质感动的东西其实始终如一，那夹在字里行间的情怀其实就是猫腻一直想表达的，那是一种小人物的情怀。 （来源知乎，@初晴后雨。）

Fang Xiang's new book still has a calm, kind and hard-working protagonist. Goldfinger is a sword embryo, and it feels similar to super speed thinking or subtle state... Just think of it as a controllable buff. None of this matters. What's important is that the story is very interesting, the plot doesn't have many new ideas, and there aren't any particularly big ideas or settings. The writing is smooth, the outlook is correct, and the rhythm is just right. There are endless funny little jokes and cool points. It is indeed a source of food worth reading. The cute sand puppet and the super funny top student are simply the best supporting characters in this book... Let's talk about possible poison points: The protagonist has a fat man who has a life-long friendship. However, when the protagonist and the fat man entered the academy at the beginning, they took away almost all of the protagonist's money... Causing the protagonist to be impoverished at first. The article did not mention how much the fat man needed the money, and he still took it without asking. There is not a hint of irritation in the protagonist. Although it was later explained that these two people had a fatal friendship on the battlefield, I still felt that the beginning of the story was very poisonous. (Source Dragon's Sky, @junhongbill.)

The world is not black and white, just like this society is not full of people who live on their own. There is a group of people who earn meager wages, walk in the darkness with sweat, tears and blood, and work hard to maintain social fairness and justice. It was they who made me believe that as long as there is light in the heart, even when walking in darkness, it will illuminate others. Because people who have been exposed to darkness yearn for light more than anyone else. From the initial resistance to the identity of a police officer, to the confusion and struggle in the middle, and finally to the brightness and dignity of a police officer, Yu Zui becomes more and more reassuring. The novel is not so much a police story about Yu Zui, but rather uses Yu Zui to redraw the image of a group called "police". They are bitter, they are tired, they complain, they are vulgar, they are cruel, but once something happens that crosses the legal bottom line, they will immediately rush to the front line. Life is a process of constantly committing sins. The more serious you are, the deeper the sins will be, until you are so deep that you can't get out or extricate yourself... (Source: Zhihu, @haoo.)

《恶魔法则》属于一个从小认为是白痴走向成功的青春励志类小说。前半期其中将现代科技带入古代确实蛮有创意的，后半期与前期开头的一些政治言论都是从现代引进并加入跳舞自己的感想。 此书我认为的亮点很多！ 其一，情节曲折，从白痴到魔法师又转到天才的理财家、机遇家以及商人，到最后的政治家和魔武双休，武技巅峰，不得不说情节很多，并且故事中有着大起大落，从不可感知魔法元素到对魔法的超级天赋，实属幸运，当得到神器之后的空前强大，又有强大失落到不会魔法，但身躯堪比神级，最后到及时身躯不死却也有致命的弱点（两位神附体后的结果）。 其二，《恶魔法则》中没有永远没有敌人，这一点尤为重要！很多小说中敌我分得太清楚，而《恶魔法则》却没有那种恶到极点的人，只有互相利用的阴谋，这让我想起来德国铁血宰相奥托·冯·俾斯麦的经典名言：没有永远的敌人，也没有永远的朋友！《恶魔法则》其中有很多人亦敌亦友，例如罪民、精灵王落雪，也有先敌后友，例如白河愁、赤水段、也有杜维的敌对：女神和神教。 其三，丰富的政治手段，政治上还是比较有意思的，从跳舞小说中看到跳舞对人的描写很多，揣摩也很多，人物各异，有不同情感与心理，人物几乎包罗万象，有聪敏之人、有自作聪明之人、有奉承之人、有冷酷之人、有执着之人等等。而这些人对政治上勾心斗角，情节复杂，不乏某一章的手段让人拍手称快！ 其四，《恶魔法则》不缺乏异想天开，各种搞笑的情节以及网络流行语使文章生趣，比如我们的QQ大人，黑珍珠号，加勒比舰长，麦当劳舰队，格格巫，黄金圣斗士，高达等等确实够逗的。 （来源百度贴吧_恶魔法则吧_@风华圆舞。） 比起其他奇幻小说，这本书更像史料一般，通过不同的人的视角，给我们描写着罗兰大陆的一切。前面有杜维1 再前面有阿拉贡 再往上还有诸神之战 再往上还有魔族的崛起 这是一个多么宏达的世界观 是一个多么精巧的架构！ 可惜 跳舞没有好好写啊！ （来源知乎，@张松塬。） 没好好写都已经封神了，好好写岂不成了金庸级的大能？ （来源知乎，@百年不合。） 准确来说是烂尾吧，这结尾有点对不起宏大的世界，包括《天骄无双》也是各种被砍。 （来源知乎，@阿啦啦啦滔天巨兽。）