[Lingyue]i Think It's a Good Book

The world is not black and white, just like this society is not full of people who live on their own. There is a group of people who earn meager wages, walk in the darkness with sweat, tears and blood, and work hard to maintain social fairness and justice. It was they who made me believe that as long as there is light in the heart, even when walking in darkness, it will illuminate others. Because people who have been exposed to darkness yearn for light more than anyone else. From the initial resistance to the identity of a police officer, to the confusion and struggle in the middle, and finally to the brightness and dignity of a police officer, Yu Zui becomes more and more reassuring. The novel is not so much a police story about Yu Zui, but rather uses Yu Zui to redraw the image of a group called "police". They are bitter, they are tired, they complain, they are vulgar, they are cruel, but once something happens that crosses the legal bottom line, they will immediately rush to the front line. Life is a process of constantly committing sins. The more serious you are, the deeper the sins will be, until you are so deep that you can't get out or extricate yourself... (Source: Zhihu, @haoo.)

《恶魔法则》属于一个从小认为是白痴走向成功的青春励志类小说。前半期其中将现代科技带入古代确实蛮有创意的，后半期与前期开头的一些政治言论都是从现代引进并加入跳舞自己的感想。 此书我认为的亮点很多！ 其一，情节曲折，从白痴到魔法师又转到天才的理财家、机遇家以及商人，到最后的政治家和魔武双休，武技巅峰，不得不说情节很多，并且故事中有着大起大落，从不可感知魔法元素到对魔法的超级天赋，实属幸运，当得到神器之后的空前强大，又有强大失落到不会魔法，但身躯堪比神级，最后到及时身躯不死却也有致命的弱点（两位神附体后的结果）。 其二，《恶魔法则》中没有永远没有敌人，这一点尤为重要！很多小说中敌我分得太清楚，而《恶魔法则》却没有那种恶到极点的人，只有互相利用的阴谋，这让我想起来德国铁血宰相奥托·冯·俾斯麦的经典名言：没有永远的敌人，也没有永远的朋友！《恶魔法则》其中有很多人亦敌亦友，例如罪民、精灵王落雪，也有先敌后友，例如白河愁、赤水段、也有杜维的敌对：女神和神教。 其三，丰富的政治手段，政治上还是比较有意思的，从跳舞小说中看到跳舞对人的描写很多，揣摩也很多，人物各异，有不同情感与心理，人物几乎包罗万象，有聪敏之人、有自作聪明之人、有奉承之人、有冷酷之人、有执着之人等等。而这些人对政治上勾心斗角，情节复杂，不乏某一章的手段让人拍手称快！ 其四，《恶魔法则》不缺乏异想天开，各种搞笑的情节以及网络流行语使文章生趣，比如我们的QQ大人，黑珍珠号，加勒比舰长，麦当劳舰队，格格巫，黄金圣斗士，高达等等确实够逗的。 （来源百度贴吧_恶魔法则吧_@风华圆舞。） 比起其他奇幻小说，这本书更像史料一般，通过不同的人的视角，给我们描写着罗兰大陆的一切。前面有杜维1 再前面有阿拉贡 再往上还有诸神之战 再往上还有魔族的崛起 这是一个多么宏达的世界观 是一个多么精巧的架构！ 可惜 跳舞没有好好写啊！ （来源知乎，@张松塬。） 没好好写都已经封神了，好好写岂不成了金庸级的大能？ （来源知乎，@百年不合。） 准确来说是烂尾吧，这结尾有点对不起宏大的世界，包括《天骄无双》也是各种被砍。 （来源知乎，@阿啦啦啦滔天巨兽。）

早在他《鬼》将要完成的时候，他就说，要出一部新作品，想写一些阴暗的故事，所以就有了《贩罪》的胚胎。 与《鬼》相似的是，《贩罪》的特色仍然是各种在“异能”上的想象力，以及他的特色吐槽——但是《贩罪》是一部大纲作品，可以说，大纲在一定程度上限制了他的发挥，依靠他的推理布局能力完成了这部作品，这就导致这一部的想象力丰富度不如《鬼》。 《贩罪》是一部阴暗的作品，从第一卷就可以看出来，到了第二卷开始，作品里就开始弥漫血腥的色彩，从第三卷开始，阴谋就逐渐登场。 《贩罪》到底是写什么的，其实既不是私欲也不是牺牲。 《贩罪》写的是孤独——主角天一有着人类无法企及的高度，短短百年整个大陆的变化，都由他一手操纵，他看着人类纵情释放自己的私欲，但他只是略施伏笔，就将整个世界控制在手里，顿时那些各领风骚的人物，都失去了色彩。 他孤独到什么地步呢，看到一个人有可能成为自己的同类，甚至迫不及待的将自己的老底和盘托出，希望留下对方——成熟到可怕的人，感情揭露的时候也跟顽童一般。 如果要读懂这本书，需要理解的是——阴暗与光明，原本就是人性的两极。 这个故事所有的阴暗，本身都有光明可寻，包括开头的好几起碎尸案，每一起背后都能找到人类本身的可取之处——天一烧掉他们“心之书”的时候才会满面嘲讽。 但是这本书，三天其实已经开始拖沓文字，在故事性上要略逊于《鬼》，但是就大纲而言，三天做大纲的能力可见一斑，这本书已然叙述了一个非常整体的故事。 （来源知乎，@徐湘楠。）

挺好看的…… 更正一下，我说的是香蕉本人挺好看的…… （来源知乎，@流浪的蛤蟆。） 文字节奏保持的非常好；相对的，更新速度非常没节操。 我非常喜欢香蕉写作的态度，以及主角宁立恒的人生态度。 主角有智慧，有担当，更有血性。 文笔和主角宁立恒一样，拥有一种温文尔雅的智慧，以及突闪一现的暴戾。（高潮部分总会出现一点戾气，我表示我真的很喜欢，很真实） 在一片升级打怪流的主角里是一个彻彻底底的凡人，凡人的思维，凡人的苦恼，凡人的真实。 在龙空发现很多对《赘婿》嗤之以鼻的评论，我也能看的进去并且有一篇值得认同。 就像角色一样，有优点值得爱，有缺点值得改。 总之，香蕉，加油啊！ （来源知乎，@萧半兼。）

[Drinking ice for ten years will hardly cool your hot blood. ] About this novel: Actually, what I want to say is that when I wrote the second book, I already had a strong feeling that this was no longer a novel. I always feel that there is a world that has been formed somewhere else. Because I typed on the keyboard, the world slowly grew and developed, and the characters in it began to have souls of their own. I discovered a very interesting phenomenon. As long as you first create a scene, such as heavy rain, and put these characters into this scene, they will go to their respective seats and do what they should do. I can't reverse the positions of any two of them, because that would cause irreconcilable dissonance. Even if I forcibly reverse the behavior of two of the characters, I will be at a tea party in the future. Who speaks first, who speaks last, who will liven up the atmosphere, who is wandering, everything has been decided. I didn't have to think about anything, I just looked at them and knew where the storyline was going. They really live. In the very long writing process that followed, I changed from a writer to a bystander. I observed everyone's actions from God's perspective, and slowly, I could even see the origins of many of their slight emotions and behaviors, which were some of their childhood experiences. For example, I can really see everything about Fatty's past, his pain, his vicissitudes, and everything about him through his movements when he shakes the ashes of his cigarette. One flower, one world, one tree, one Tathagata. I can constantly reverse and repeat a scene, observe it from any angle, and even see the psychological activities of everyone present, and the emotions of several people pass through my heart at the same time. I think few people can appreciate this kind of pleasure. When I was writing the "Havoc in Heaven" section, I felt as if I was in a private room of the Crescent Hotel. I seemed to be able to walk from upstairs to downstairs, watching the chaos among the people around me. In the midst of the flying debris and the fighting crowd, I paused everything at any time, reversed time at any time, stayed close to the characters' hearts at any time, and experienced all the emotional changes in their hearts. I can slowly push everything in front of me forward at a slow speed of one second and one frame, and then squat on the ground and watch the expressions of the characters inside slowly change. The entire world in this book felt real to me. Every detail of him is real and cannot be changed. What I have built is as solid as reality. Although I am the creator of this novel, when everything fell into place, I began to have extreme respect for the world of this novel. (Excerpted from the postscript of "Tomb Raiders Notes".)

This is a rare first-person masterpiece that combines the fast pace of a web novel with the pleasant atmosphere of a light novel. Incorporate emotion into the joy, and add thinking into the relaxation. Definitely a good book worth reading. (Source: Baidu Encyclopedia...) The protagonist is good at complaining, acting spoofly, being a middle-aged man at heart, tough in character, and arrogant in emotion. Moreover, the author's writing style is very good. The method of flashbacks and narrations quickly enters the theme while explaining the background and recalling the past. It effectively controls the length without affecting the main line reading and at the same time withdraws the foreshadowing. The author effectively handles the contradictory transition between joyful spoofs and heavy emotions, allowing us to experience a flesh-and-blood protagonist instead of a human plot propeller and narration. Let's talk about the shortcomings: strong taste. . . Yes, the taste is very important, so I say it twice. If you are looking for readers who are looking for profound meanings, beautiful sentences, exciting plots, and who are very resistant to spoofs, homosexuality, transvestites, and complaints about orthodox readers, this book is not suitable for you, so there is no need to read it. This book is aimed at people who are tired of reading novels for a long time but still like online articles to accept trendy culture and even spoof culture. This novel is full of happy spoofs. Finally, let's talk about the selling point. The reason why this book is so highly praised is that the selling point is, to put it bluntly, chuunibyou. Here, chuunibyou is not a derogatory meaning, but a kind of fighting spirit that is jokingly called. It is very difficult to control a protagonist who is both a spoof and a chuunibyou, but the author did it, so when we read this novel, we both gained joy and enjoyed a story of flesh and blood that can arouse emotional resonance in our hearts. In summary, this book is suitable for people who accept spoofs and secondary school syndrome. I use derogatory terms here. If you can't stand it at first glance, please ignore my recommendation. If you still have some difficulty, go read it. It will definitely be better than you imagined. PS: There is a yandere demon loli, and there are tentacles & dark elves at the beginning. . It's a classic play of being alone, deep behind enemy lines, being caught, saying no, convulsing all over, and begging for mercy tactfully. (Source Dragon's Sky, @locusttree.)

每次心情不好就开始看这本书，立刻就嗨翻了。 （来源知乎，@嗨怪。） 张小花的小说里，是生活细节描写是作为最丰富的，看他的书，似乎就看到了另一个人的生活一般。特别是史上第一混乱，真有那么一刻，我以为历史人物真如他书中描写的那般在“人间”生活。 无论是性格的变化，还是人物的揣摩，张小花在这方面的把握是我所知网文作者中最顶尖的。当然，张小花的书不是那种“爽文”，没有虎躯一震的霸气，没有各种不停的艳遇，算不上扮猪吃老虎的桥段，因为我们的主角真真只是一个小人物，但就是一个小人物，却活出了自己的精彩。 不得不说，小花写书的“落脚点”很值得深思。 （来源知乎，@Watieer.）

[I am lucky enough to meet you on that day, you are the most amazing person. ] (The following is about the selfishness of umbrella fans. From 1586 to 1587, let's talk about Ye Xiu and Su Muqiu.) Let's talk about it in detail. The feeling I had about Brother Umbrella before was that Ye Xiu had a partner like Su Muqiu, who later died. It's a pity and melancholy, but he still has to carry on with this friend's will. This is his burden, his sustenance, and his wish. Su Muqiu has been gone for ten years, but Ye Xiu still remembers everything between them, and is still carrying this friend's wish, and wants to write his account card into the history of Glory. This responsibility is why I like these two people. However, Ye Xiu took everything after Su Muqiu's death on his shoulders and regarded it as his own responsibility. In the previous chapters of Butterfly Daddy, Ye Xiu is a self-reliant person. His rise depends entirely on his own strength. Maybe the Thousand Chance Umbrella is a silver weapon that defies heaven, but Butterfly focuses on describing how Ye Xiu collects materials step by step to upgrade this weapon; maybe Chen Guo is a rare angel investor, but Butterfly focuses on describing how Chen Guo worships the great god Ye Qiu and helps Ye Qiu. Master Qiu's hard work and overdraft are heartbreaking and touching; perhaps having a partner like Su Mucheng gain a lot of bonus points, but Su Mucheng once "just wanted to be a sidekick"... Ye Xiu didn't rely on anyone for his return, he did it all with his own hands. But what is being brushed this time? The thing is, Su Muqiu has been dead for ten years, and Ye Xiu is still proud of him! He still regards him as the best teammate and opponent, and still gains unparalleled confidence and strength from him! "Brother has a friend like this who will destroy you for ten years!" In full-time, Ye Xiu was really powerful. His strength and confidence came from himself and rarely from elsewhere. Only this time, Ye Xiu's confidence and Ye Xiu's trump card came entirely from Su Muqiu! The strong psychological advantage, firm self-confidence, and even the proud counterattack despite Zhou Zekai's incredible operation and HP advantage all come from "I have a friend who plays particularly well in Glory." Only this time, Ye Xiu relied on Su Muqiu's past to fight. Not only is he so dependent, but he is also very, very proud. Brother Su Muqiu is not afraid, but is he afraid of you? So, the mutual admiration between these two geniuses and this pattern in battle made me start to rethink these two people. I saw a lot of people saying that umbrella repair has changed to umbrella repair, but when I think about it from Ye Xiu's point of view, I changed from umbrella repair to umbrella repair. These two updates give me a different feeling from the two previous Tomb-Sweeping Day routine grave sweepings. It's in the same vein as the 37-game winning streak, "I still have one game left." Crazy and sensible, ruthless and long-lasting. It seemed like I was just traveling far away, as if I was still somewhere in the world. So real, so vivid, so profound, so vivid. Reason has closed the attic, but emotion still has a window. It has been open for him for ten years. Waiting for a young man to climb through the window and enter. (Source LOFTER, @namespace.)

读了异常， 读到了太多的感动。 老王那不切实际的梦想下聚拢的那群不分种族的人民， 小女孩失去父亲却为了整个魔王城而扮演自己的父亲。 团结坚毅，却生活在资源稀缺星球上的精灵 保留生命火种，在宇宙中流亡的飞船群 艾欧星球的女妖与她们的那位守护神 曾经慈祥而后疯狂的长子 忠心耿耿的守护者 为了找到自己爱人而死后化为执念却仍在寻找地狱第二层的男巫 在逆子的长剑刺进心脏却说出了，原谅他们的创世女神。 。。。。 太多太多故事，细节， 让我不禁感动着， 我想， 逗比是一种生活方式， 思想则是一种生活态度。 远瞳都有。 也许读完没有那种龙傲天的痛快， 却描绘了一幅更广阔的天地。 星辰大海， 如斯矣。 （来源知乎，@子云。）

【写标题时任意妄为， 刻画人物丧心病狂， 大纲都在脑子里呢， 拖稿属于正常现象， 写自己喜欢的故事， 我就是这样的写手。】 作品一部分亮点在于推理以及世界观的不断扩展。 推理过程是很令人赞叹的一处。首先，偏向于悬疑推理一类的小说，从推理过程中就可以体现出作者本人的文学功底、思维逻辑以及想象力等等。 而《惊悚乐园》中的推理，条理清晰，言辞犀利，画面感强，脑洞突破天际。它是层层递进，在读者脑海中逐渐深入，不会令人感到莫名其妙或者十分繁琐。 关于世界观，恢宏但不空洞，在表象之下隐藏了更多、更深层次的东西，会被一点点剖析在读者面前。 当然，肯定还需要读者自己动脑子去思索与分析，而不是坐享其成。 还有一些比较吸引人的地方，包括有书本里作者赋予一些事件独特的理解角度，理解方式。作品背景设定是在未来时期，但大部分又与现在十分契合，算是一种对“艺术来源于生活但高于生活”的解释。 喜欢冷门、猎奇的读者也可以考虑去看这部作品，因为整本书涉及到的知识和梗不存在烂俗的现象，多多少少都具有时代意义。 且作者不是仅限于“涉及”，也同时对这些梗进行了被允许、在合理范围内的创新。 关于文笔。作者“三天两觉”的文笔不走华丽风，而是富有画面感，独特，冷静，有力且一针见血。他的观点比大多数人都要鲜明，看得比大多数人都要透彻。 作者的文学功底真的很深厚。诗号、角色称号、角色技能观等一系列的专有设定，还有照明难忘的人物形象，引人遐思的世界观……绝不是随便找个有脑洞、有自我思想的人就能写出来的。 三观暂且不表，毕竟所谓三观正、三观歪，全凭个人，没有什么绝对标准可言。 总的来说，他(它)就是不属于随大流，但也不是给人灌输纯粹恶念的类型，只不过是阐述“自我”而已。 顺带一提作者还是个B站主播。解说风格嘛…看了再说。:) 对于这部作品营造的气氛，确实没有紧张感以及恐怖这类的气氛和感觉在里面。 不会给人非常压抑痛苦的感觉，但必要的体验还是有的。作品内有的地方可能第一次看觉得略微清奇，但是看*惯了会觉得，很有趣。 整部作品挺长的，慢慢来。 虽然《惊悚乐园》目前仍属于网文一类，但它的意义和给人的启发，绝对不限于网文。 以上，片面之词。 若有帮助，不胜荣幸。 （来源知乎，@悲灵笑骨。）

构思清新脱俗，人物丰满，脑洞极大的一本小说。 而且是日常生活番，轻松诙谐，绝对值得入手一览。 （来源知乎，@于二鹏。）