True Knowledge: the One Who Knows is Nameless (Behind-the-scenes Boss Article)

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. In the United States, while working as a copywriter and a mastermind behind the scenes, he revives a mystery and creates a supernatural plot that shocks the world. It has the traditional pleasure of a copywriter having sex for free and pretending to be a fake, but also the pleasure of being unique in the mysterious resurgence of the information gap between the mastermind and the supporting actor. It can be said that the scripts for the revival of mystery in the early stages of this book are very well chosen, with a sense of substitution and are very interesting. If we maintain this quality, we can become popular even if we talk about Fengshen. But the author must have exhausted the outline he carefully conceived and prepared before starting the book, and he ran out of ideas and didn't know how to write in the future. In order to keep updated, the style of painting began to collapse from the London zombie plot into Uncle Nine. The key author also likes to copy the word count of the original movie plot instead of making magical modifications based on the original plot, which seems clumsy and awkward - after all, this book is not infinite, the key lies in the interactive plot of the mysterious resurgence that affects the world. In short, open high and close low, then finish hastily. But this kind of subject matter is indeed relatively new, so you can read it if you are interested. After reading the first few scripts, if you feel impatient when Uncle Jiu appears, you can jump directly to the finale (there is a twist in the ending, which is okay as a finale and makes people feel a little interesting).

. With the background of the strange resurgence of folk customs, the protagonist Goldfinger can fabricate powerful objects to deceive the world into a fictional underworld. The biggest highlight of this book lies in the folklore elements. It's hard to say how folk-custom and authentic it is, but it does have a bit of folk-custom flavor, and it has a certain sense of reality, or is grounded, making it easier to immerse yourself in. Secondly, there are enough updates, and the main plot is not written crookedly, highlighting a large amount of content. However, the author's writing skills are indeed somewhat inferior. The writing is smooth, but the specific way of promoting the plot seems a bit archaic, and can even be called cliché. Then, the overall structure of the work does not reflect the author's sense of control. It does not feel like a hasty and gray line. It is more like a make-shift feeling of beating the head every day to figure out the plot and deducing it on the spot. For example, the fictional underworld organization, on the one hand, lacks sufficient foreshadowing, and on the other hand, it looks like a lone wolf in the early stage, which is a bit abrupt. Fortunately, the main plot has not been written crookedly so far. Although the content of the story may not stand up to careful scrutiny, as long as you read it quickly, it can still be said to be a large amount of content. The only thing that's a bit depressing, or rather unpleasant, is that the protagonist's combat power is suppressed and the protagonist is not allowed to develop cheats efficiently. At the same time, the supporting characters will occasionally be promoted by suppressing the protagonist. However, if this type of novel does not collapse, it is necessary to balance the overall combat power system and establish a main line that can be developed in the long term. Otherwise, the protagonist will be invincible every minute, and the rest of the plot will be nothing to write about. So from this point of view, I still understand the author's behavior of suppressing the protagonist. But for the current plot, the underworld organization has been fictionalized and the foundation has been laid. I hope there will be a wave of rapid development and expansion of the underworld organization.

. The protagonist travels through a parallel modern city, trapped in a dream dimension, and gradually affects the real world through information input, weaving the extraordinary. I have read a lot of articles about this kind of extraordinary behind-the-scenes work. But in the early stage of this book, looking at similar themes, they all belong to the outstanding category, which can make people's eyes shine. This is probably because the general works of extraordinary weaving are essentially my own. I just give them a cheat code and start making random changes. Readers who accept Goldfinger by default will look at this theme element calmly, without any surprises. On the other hand, in this book, the protagonist is trapped in a dream dimension and struggling to survive. He accidentally opens up to the real world, letting the dream energy leak out and distorting the real world. Only then is he gropingly weaving a world of extraordinary transformation. The logic is self-consistent and in-depth. It is a small surprise for Lao Bai or fans of setting parties. Overall, the main plot of this book lies in the deductive nature of the protagonist weaving rituals or practicing methods to bring the world to extraordinary recovery and then flourish. It's just that the writing was a little crooked in the middle and later stages. The plot lost the feeling of steady progress. The protagonist was hidden and all the words were focused on the growth of the supporting characters. Ordinarily, in a behind-the-scenes story, the main perspective should be that of the supporting characters, otherwise it wouldn't be called a behind-the-scenes story. But in fact, the purpose of writing stories about supporting characters behind the scenes is to see the big from the small, outline the traces of the main line advancement and plot deduction, and then use a story line to connect multiple characters in series, and write a group portrait-a bit similar to the feeling of control in playing chess. But what about this book? After several stories of supporting characters, the supporting characters have grown up, but what is finally revealed is only the interaction between the dream dimension and reality, and the improvement of some setting details, rather than describing the advancement of the main plot from the side. The writing is a little crooked, making the reader feel lonely after reading it. After all, what readers ultimately want to read is the story, not just the setting. I have to wait and see if the author can adjust it later and grasp the priorities - if not, then it will probably be cut.

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. A horror world that combines a variety of weird elements. People who see ghosts will be eaten by ghosts once they are discovered. The protagonist can see ghosts that other people, even other extraordinary beings, cannot see. To be precise, in the eyes of the protagonist, this world is full of ghosts. Highlights: It combines the relevant settings of the world of novels and comics such as Lord of Mysteries, Mysterious Resurrection, Cthulhu, Foundation, Japanese Supernatural, Visible Girl, etc. It is a self-contained system. Coupled with the author's own knowledge reserve in occultism, the settings of this book are exquisite. Not only colleagues can watch and refer to it, but writing enthusiasts who are aspiring to create a career can simply take a look and take a quick look, and maybe they can give themselves some inspiration. It's just that pure readers need to pay attention to the eunuch in this book, and the author is also the author of "The Earthly Lord".

. A fast-paced book that relies solely on imaginative gimmicks. It can be regarded as behind-the-scenes + mythological revival, with some ideological elements and so on. The protagonist has a script system, and what is written down will happen, including directly acquiring skills. To put it bluntly, it is to sell his imagination and use a supermodel-like gimmick to stimulate the curiosity of book lovers. However, the setting in the later part of the book, where the two camps are the past and the future, fighting across timelines, is not very strong, but this kind of setting is indeed rare, and it is somewhat innovative. However, the subtext that is purely based on imagination is not very good in writing. As for this book, I wouldn't say that the writing is not fluent, but I often repeat one sentence over and over again, so the writing is really poor.

. This book tells the story of a world where monsters are rampant. The protagonist, a time traveler, can create new monsters and then be involved in the story of the confrontation between humans and original monsters. In my opinion, the setting of this book is lovable, weirdness is the embodiment of rules, only weirdness can fight weirdness, and weird rules are imperfect and can be used or fought against, but weirdness can complete the rules and become more and more difficult... In short, for setting enthusiasts, this book will make you feel happy after just one glance. However, the author's writing skills are average and the settings are too mixed, which leads to no obvious and outstanding selling point in the end. In terms of plot, several plots were dealt with in a hasty manner and failed to unfold, causing the plot style to change several times. The author is quite self-indulgent and has a bad temper. His self-promotion led to conflicts with others in the end, which directly led to the failure of this book, so I won't say more about it. But readers who are interested in supplementing these settings with weird rules can still take a look at this book~

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Awaiting comment Accompanying the author's "The natives of this world are so ferocious"

. The demons of the old days have returned. The protagonist inherits the ancient mysterious organization "Human Religion", recruits a younger brother, kills demons and saves the world. Follow the trend of behind-the-scenes articles such as the Salvation Organization, make slight innovations, and change the creation of the organization to the inheritance of the organization. But in my opinion, in terms of reading experience, this book is more like a book about urban immortality than a story about the mastermind behind the Salvation Organization. The book's bonus point is that the plot related to the manifestation of the saint in front of people is well written. In other aspects, it can only be said to be unsatisfactory. In other words, the writing power has been continuously improving, and it is still acceptable. The main reason why I have this impression is that most of the behind-the-scenes stories are actually pseudo-invincible stories. However, the author of this book, in order to practice character creation, chose a protagonist who deliberately lowered the character of the protagonist and did not design it to be an invincible literary template. At the same time, the change from building an organization to inheriting an organization does not count as a spiritual recovery background. In addition to recruiting a few newcomers in the early stage, the latter is more about recruiting supporting characters who have their own strength. Once these two aspects are adjusted, the reading experience of this book will naturally be closer to that of an urban fairy tale, where you watch the protagonist pretend all the way, and then use the system to draw one-time props to kill monsters when you encounter a powerful character. But how can I put it, a high-level start may make readers feel fake; but a low-level start, such as the protagonist opening several vest trumpets and bragging about himself in the group, will make readers feel embarrassed. In addition, the setting is not natural enough and will appear a bit awkward. For example, while talking about monsters, prehistoric times, human religion, etc., On the other hand, I also use terms such as system and lottery. The two are mixed together, and I feel like there is an old groove stuck in my throat. Then the sources of information for the so-called "Human Education" organization turned out to be various ancient novels in the Internet literary circle. But the problem is that in the actual myths, legends and classics, there is no mention of "human teaching" at all. This kind of operation of treating the novel's settings as real historical secret information, and then using it to be serious and deceptive is really too subtle. It is not only confusing and embarrassing, but also a bit shocking. All in all, for lovers of urban fairy tales who like to see the protagonist pretending to be a saint all the way, this book can be a try; however, the protagonist and the "Human Religion" organization in this book are too down-to-earth, and the performance in all aspects really does not give readers a sense of high-level expectations.

. The low-profile version of "The Natives of This World Are So Fierce" tells the story of overlapping monsters invading the world. The protagonist obtains a salvation system, initiates a revival of spiritual energy, and establishes a salvation organization to recruit a trickster. Generally speaking, there are no big poisons but small ones. The early plot is sometimes so embarrassing that I want to scratch my feet. Then the pace is slow and there are many daily scenes, otherwise it would not have reached 4.2 Million words. Bonus points are that there are few emotional scenes and no ambiguous entanglements, just a female protagonist who is married to an official. Then the author's writing skills improved in the middle and later stages, and the scenes were expanded and he focused on the plot. There were no longer supporting characters whose IQs were difficult to judge and died without thinking. In addition, although the power system is a bit messy, it opens up a path to transcendence in a form similar to spiritual energy recovery, and it is still adequate in terms of imagination. I personally think that this book is generally readable, but the main point of difference lies in whether the early plot can match the brain waves. The actual reading experience of the early plot is more like a self-centered urban daily life. It feels like it has not yet entered the main line of the behind-the-scenes story of establishing a salvation organization and recruiting young men to fight monsters together. If you are a French-only audience and can get the author's brainwaves, you should be able to read this book. But for older readers who have no sense of self-centeredness and who have read for a long time, it is somewhat difficult to comment on the character of the middle-aged boy who is the protagonist of this book at the beginning. He reveals the existence of the system to his mother at the beginning, and brags in front of others without knowing anything. Including the protagonist system, you basically draw a lottery every day to obtain props, and then use the system props to advance the plot. The logic also seems a bit stiff, and it feels like a deus ex machina. The entire worldview and plot development and evolution are not very natural.

. In essence, it is an infinite stream + apocalyptic salvation stream. The protagonist provides a time and space tunnel to connect different apocalyptic movie worlds and cooperate to save the world. The protagonist is involved in the Lord game at the beginning, but because of a bug, he gets the golden finger of the space-time tunnel, which allows him to travel through multiple movie worlds. In the order of the book, they are "2012", "I Am Legend", "The Wandering Earth", "Pacific Rim", "Finch", "The Day After Tomorrow", "Interstellar", "Snowpiercer", "Mad Max" and "Moonfall". The protagonist establishes a parallel time and space mutual rescue association to unite various worlds, or various Chinese civilizations, to help each other and save the world together. For example, the beginning is to migrate the humans of "2012" to the world of "I Am Legend". Overall, the book's ideas, concepts, and perspectives are quite good. If you are interested in the plot of mobilizing national power to fight disasters and save the world, this book is recommended. The main focus of this book is its down-to-earth approach to disaster relief and saving the world. Although it is not particularly deep, since everyone knows the audit environment, it can write down-to-earth and detailed plots instead of simply relying on extraordinary power to save the world with words. This gives readers a stronger sense of reality and immersion. The relationship between various time and space civilizations in the book is generally reasonable. If you don't go into details and find faults, it will basically not affect anything. It can be said that the reading experience in the early and middle stages is quite good. However, the author lacked planning for the overall plot structure, or lack of control. In the middle and later stages, he began to repeat routines, which was aesthetically fatigued, and could even be said to be superficial. I personally think that in the middle and later stages of the book, we should turn to technology that integrates multiple worlds, let technology usher in breakthrough development, and then meet more difficult apocalyptic challenges, instead of simply repeating the plot routine of discovering new worlds and then continuing rescue and disaster relief. After all, this book still belongs to the branch of farming literature from a macro perspective. Opening new maps without allowing the old maps to achieve phased results will inevitably make readers feel lonely. In addition, the author's initial plan should be to gather the power of multiple worlds to join forces to fight against the mastermind behind the Lord game. However, in the later period, the plot was written crookedly, the performance declined, coupled with poor health, and the ending was hasty, the initial main line of the Lord game world had no sense of existence, and it was only barely filled in at the end. I can only express regret for this kind of anticlimactic ending. I recommend that book lovers who want to read it can skip directly to the second half of "Moonfall" to watch the finale after watching "Pacific Rim" or "Finch" World.

. Unlimited streaming + doomsday salvation story. The protagonist obtains the salvation system, fabricates the Metahuman Guardian Association, and travels through different apocalyptic worlds to save the world. The setting of this book is novel and the entry point is good. Let's see how the protagonist plays the role of a leader and guides human civilization to carry out self-rescue movements. In the process, the courage shown by some supporting characters in the face of the doomsday and other shining points are also quite touching, resonating with emotions, bringing tears to the eyes, and making people feel like they are on fire. Then different worlds have different civilizations and different doomsdays, including science fiction and fantasy. They are full of diversity and rich in imagination. Finally, after the protagonist saves the world, he occasionally recruits top talents to join his fabricated cross-world salvation organization. Not only does he have the pleasure of farming, but he also pretends to be good at it, which is quite refreshing. But the shortcoming is that, on the one hand, as an infinite flow, different worlds are different copies, the quality of each other is uneven, and the performance will not be particularly stable; On the other hand, as the protagonist's strength increases, the plot gradually becomes boring in the middle and later stages. Apart from aesthetic fatigue, it is also difficult to balance the logic of the protagonist's salvation and civilization's self-rescue. I personally think that if you feel a little tired of watching it in the middle and later stages, you can jump directly to the final chapter and it won't be too much of a hindrance-- It's probably about using readers to skip chapters vs. Authors updating their journals, lol. In short, this book has outstanding advantages and disadvantages. The reading experience is high and low, but the ending is quite good. It is worth reading. The author is more two-dimensional and has read a lot of Japanese comics. He has some habits in word usage and even plot development when writing, which means that the overall writing style is heavy on Japanese comics. If you are a reader who doesn't like the lightness of the day, you may feel uncomfortable with the writing style when reading this book.