I'm in Tokyo Cthulhu

Three works in one click! Like, vote, collect. Okay, I'm an old fan of Station B. The beginning of the book announces the beginning of the book with a second line, and the failure of issuing a good guy card confession is regarded as a turning point in life. Rebirth, or time travel! The only thing we can't live without is a certain orphanage. Yes, the protagonist is a member of the orphanage whose parents are still alive. I wrote it correctly, he, Su Qi, is an orphan with "both parents". Just for such a simple setting, "You can't see me, I'm afraid" and "If ghosts find out that I can see them, they will be eaten", the author can use words to write flowers, and the invisible conflict often makes readers smile knowingly and can't help but complain. The background of the story is Tokyo, a metropolis that can tolerate ghosts and Cthulhu. The protagonist's character; a handsome guy, a scumbag, a strange man with super high spiritual power who is unaware of the ghosts and monsters around him and is ready to insert his own eyes at any time. The details are used to lay out the weirdness, and the whole world is unveiled with the crazy value of San. There are many kinds of jokes in the text, and the points of ghosts and gods becoming Buddhas and sinking ghosts and gods are combined with modern industry to set the unique point of view. This is a new book by a potential newcomer, currently in Shangsanjiang. Therefore, it is generally said that I am a new up owner and a new author. Don't believe it. Newbies are all monsters!

Summary of discontinuation: Class T2. 460,000 Words, no updates. Work tags: Tokyo flow, Cthulhu, faith-like flow, folklore, light novels. Rating: A. The setting system with the deep sea as the core and including floating, diving, depth and interactive features is undoubtedly the primary focus of this book; B. The author's idea of trying to be inclusive and integrate the mystery and reality of a multi-cultural system may be a good one, but the execution effect... Is hard to say; C. The author's writing skills are excellent, which adds a lot to the book. A brief review in one sentence: The pinnacle work of a senior general manager, with online standards and never forgetting his original intention. 1. Introduction The scumbag traveled to modern Tokyo where ghosts and gods are everywhere. Ghosts and gods exist in the deep sea, so they cannot reach mortals above the sea. However, the scumbag's diving speed is comparable to that of a free fall... 2. Plot, characters and writing level The story roughly consists of two plot lines, light and dark. The bright line is about the protagonist improving himself to deal with the ghosts and gods crisis he is currently facing, and the dark line is about exploring the ultimate truth of the mysterious system. The author obviously put a lot of effort into character design, but the actual effect can only be said by different people. The author's writing skills are truly top-notch in the field of online literature. The fundamental reason why he still achieves amazing results after repeatedly entering the palace to open a trumpet is precisely because of his outstanding writing ability. It is a pity that he has good writing skills but has been cleansed repeatedly. 3. Highlights The author's insistence on the implementation of the setting is worthy of recognition. The underlying rules of interaction that can only be seen are implemented throughout. Powerful ghosts and gods are mostly dealt with by cutting off the anchor to make them sink or restricting the eating logic. Villain organizations or careerists do the opposite, making the deep-seated terror float up by establishing anchors. The author has a wide range of knowledge, and can easily pick up Eastern, Western and Japanese mystical legends. The story contains not only relatively serious humanistic and social theories, but also brilliant ideas from imaginative fantasy literary works. As the plot develops, new elements are always added to attract readers' attention, such as the three angels of the concrete/hydrocarbon/haze industry, the God's Canteen, the black box confession room, etc. The key to the mysterious confrontation in the book is to compete for public recognition. Compared with the traditional direct combat mode of fist to flesh, it is more maneuverable and interesting. The protagonist's several methods of controlling the reversal of public opinion can be said to turn his hands into clouds and rain. In the information age, appearing in front of people is undoubtedly a top-notch refreshing/immersive experience. 4. Questions ①The biggest and most critical problem in this book is that there is no more below. What is more hateful than the Riddler is that half of the riddle is gone; ② The grass-roots team in the story is everywhere: the Tokyo Secret Team, which is synonymous with waste, the Black Gate Club, the top pig teammate cabinet official, the Metropolitan Police Department that outsources everything... It can only be said that in order to make the simple organization built by the protagonist with scraps bigger and stronger, the author had to bring everyone down to the same level; ③The author has a strong desire for expression and is full of confidence, especially in character design. If readers don't buy it, they must not understand my painstaking efforts. I can only interpret it in a single chapter... ④The stitching elements in the book are many and complex, and the author also has the ambition to raise themes and reflect reality, so the reading experience is a bit nondescript.

[Pick it next time: 200 likes] This book is a world view of the Cthulhu mythology, which is biased towards the fundamentals. The intensity of a person's inspiration is compared to the "deep sea", which is divided into different levels. The deeper a person with stronger inspiration sinks into the "deep sea", the more terrifying the anomalies and ghosts he can see. It can be said that in the eyes of highly inspired people, the world is a feast of ghosts and gods. Most "ghosts and gods" are chaotic, blind, and ignorant, unable to control their rising desires and greed for flesh and blood. Only those ghosts and gods who have sunk extremely deep and are extremely powerful can control their instincts with reason. Ghosts and gods sank in the endless deep sea, maintaining a fragile connection with the human world that could not be completely severed. They were forgotten and lost in the abyss until they were remembered. People's worship, beliefs, rituals, and even the power of simple cognition can become anchor lines, pulling them up from the deep sea and up to the real world. The male protagonist is reborn in Tokyo, Japan. He has a high level of terrifying inspiration at the beginning. Everything he sees is a hundred ghosts walking in the night. He tries his best to control himself and struggles to survive in the terrifying world that only he can see. He unexpectedly encounters the mysterious organization "Black Gate" of the order camp and joins it to explore the mystery. I think one of the highlights is that the horror atmosphere is created very well. Creating an atmosphere is both a highlight and the biggest difficulty in supernatural works. The difficulty lies in grasping the human heart, stimulating the reader's imagination to the greatest extent through words, and guiding or even controlling the reader to follow the protagonist's thoughts and act as if they are immersed in the scene. The author handles this very well. He not only has a strong ability to create an atmosphere, but also pays attention to the relaxation and relaxation. The reading experience is excellent and not blindly tense. Fat Dragon and Air Conditioning ("I Have a House of Horrors") are undoubtedly the best in this regard.

I'm currently reading Chapter 34, and when the world view unfolds later, I feel like this book is going to become a god, but the beginning of the plot... It's really hard to describe in one sentence... I feel that a scumbag who cheated and harmed his family, and whose memory lasted less than 100 words, really doesn't deserve to live such a good life. No matter if more space is spent to supplement the character or the protagonist's overthinking, the perception of the protagonist will be much better. There is definitely no problem with the rhythm of unfolding the world view, but the change of mentality of the protagonist, what the song card is, why he suddenly transferred to the law firm, and the atmosphere of the daily elements of the protagonist's real life in this world all feel like it has stopped abruptly, which is a pity. Overall the quality is quite good, at least give me some grass jelly-