The Man Behind the Scenes: Transforming the World Starting from a Dream

I saw a lot of comments... They said it was the nanny, they said it was the Virgin, they said they didn't kill enough, they said this and that... First of all, the protagonist has traveled through time, he is no longer a psychopath! Don't normal people have no stake in it? If I'm in a good mood, I can take the initiative to help you? Are there interests involved and interests come first? The things my protagonist does, he can't even be considered a good person... As for the nanny, brother, it's modern times and China. Not to mention other issues with the police and the government, don't you have a good idea about your life safety? As for the issue of layout, can we not use the settings of other books to discuss it with me? The protagonist himself almost can't survive. If you ask him to shout "I don't eat beef" to the world, what does he gain? Sometimes it's really strange. There are unfair ones and unfair ones on the Internet, but a generation of people who have come to power have gone so far that they don't even care about human life. Some of the comments and suggestions I deleted, such as "battle royale", "millions of people competing for a living spot", and "more blood sacrifices", I had question marks after reading them. These days, everyone's life is under a lot of pressure. I understand, I am also under a lot of pressure. I work overtime for free and don't have much money, but it won't be like this if I relax and read a novel...

The content is a bit confusing and the main thread is unclear. He actually wants to conduct an experiment and then arranges for people to stop him. This is considered a split personality.

The protagonist travels through a parallel modern city and is trapped in a dream dimension. Through information input, he gradually affects the real world and weaves the extraordinary. I have read a lot of articles about this kind of extraordinary behind-the-scenes work. But in the early stage of this book, looking at similar themes, they all belong to the outstanding category, which can make people's eyes shine. This is probably because the general works of extraordinary weaving are essentially my own. I just give them a cheat code and start making random changes. Readers who accept Goldfinger by default will look at this theme element calmly, without any surprises. On the other hand, in this book, the protagonist is trapped in a dream dimension and struggling to survive. He accidentally opens up to the real world, letting the dream energy leak out and distorting the real world. Only then is he gropingly weaving a world of extraordinary transformation. The logic is self-consistent and in-depth. It is a small surprise for Lao Bai or fans of setting parties. Overall, the main plot of this book lies in the deductive nature of the protagonist weaving rituals or practicing methods to bring the world to extraordinary recovery and then flourish. It's just that the writing was a little crooked in the middle and later stages. The plot lost the feeling of steady progress. The protagonist was hidden and all the words were focused on the growth of the supporting characters. Ordinarily, in a behind-the-scenes story, the main perspective should be that of the supporting characters, otherwise it wouldn't be called a behind-the-scenes story. But in fact, the purpose of writing stories about supporting characters behind the scenes is to see the big from the small, outline the traces of the main line advancement and plot deduction, and then use a story line to connect multiple characters in series, and write a group portrait-a bit similar to the feeling of control in playing chess. But what about this book? After several stories of supporting characters, the supporting characters have grown up, but what is finally revealed is only the interaction between the dream dimension and reality, and the improvement of some setting details, rather than describing the advancement of the main plot from the side. The writing is a little crooked, making the reader feel lonely after reading it. After all, what readers ultimately want to read is the story, not just the setting. I have to wait and see if the author can adjust it later and grasp the priorities - if not, then it will probably be cut.

I still haven't found out what the protagonist's purpose is?

The recent plot was too long and delayed in development, which made some brothers feel uncomfortable watching it. I admit that this is because I didn't arrange it well when I wrote the outline, and I didn't grasp the plot well enough, so the writing was longer than I thought. I thought about it for a long time, and there are several solutions, such as deleting this plot and rewriting it, but I feel that this is not feasible. How can I let book friends bear the consequences of my problem. Therefore, I decided to code the words when I get home from get off work today and add more updates until this part of the plot is completed. These word counts do not count as a normal update, and I will continue to update normally tomorrow. I also hope that brothers will see Shitou's good attitude in admitting his mistake and stop removing the book from the bookshelf. It will be stored upside down. My heart is bleeding. It would be great if you can cast a monthly vote, recommend a vote, and give a reward. It is estimated that the remaining plot words will start at 10,000 words and can reach a maximum of 20,000 words. The chapters will be divided into two chapters and sent out. They must be completed today! Stone bows down here!

Some parts are a bit awkward and unbearable. You can just go with the flow but insist on writing a script. The more you write, the more mistakes you make. I really don't believe that the author's IQ is the highest among all heaven and man. It's perfect. There aren't many movies that are masterpieces. How can I make everyone believe me by writing a script casually?

Some of the plots in Chapters 50-60 have been revised. Counting the 10,000 additional words, my brain has been overheated. Please give me a vote. If you are willing to go back and read it, you can go back and read it. A lot of things have been added.

The writing is smooth, the logical thinking is clear, and there are no explosive points. My personal problem is In the first 20 chapters, I thought it was a mysterious and strange series (because the protagonist's abilities are obviously superpowers or rule-making), but later it was changed directly to Chinese mythology. Myths are just myths and involve foreigners. Especially the group dream battle in the 20th chapter made me feel embarrassed. In my opinion, the mystery of the protagonist is gone.

The person in the mirror can do it, but the art of building a country later stretched my hips, and then I saw Wutong Shen and a group of supporting characters in the dream, which was embarrassing to death. The author doesn't know what he was thinking. He originally wrote about the Man in the Mirror in a weird style, and then kept creating all kinds of mysterious beings like the Man in the Mirror who have no intelligence but have mechanisms. This is definitely a good book. Obviously you can write about "cunning martial beings" like the Man in the Mirror. The author just writes the protagonist running to teach martial arts. These have been written down by many works, and you can just pick them up without understanding them. The correct way to write this book should be: the protagonist uses his strength to create an existence like the "man in the mirror", and then people in reality explore its essence, and finally it is completely contained, controlled or swallowed by the protagonist. I hope the author will keep a certain style in the next book. He will write about weird existences in the front and not other martial arts, gods and ghosts in the back.

Very good, the content is exciting and interesting, and the events are clear. I hope the author will continue to work hard