Mudslide in the Book Promotion World

Moving Mountains, 7.4 Points The trouble caused by Douzi is a painstaking work. The whole book is well-conceived, suspenseful, pitfalls must be filled, and the theme is quite ambitious. The characterizations coexist with highlights and mediocrity, and there is also something to chew on in the discussion. Unfortunately, Douzi's writing power is limited, and the writing is grounded. There is no fairy spirit in it, and in some places there are many discomforts caused by the poisonous transformation since Xiaoxian. The connection between the beginning and the transition of the whole story is also a bit stiff. However, in the fairy-xia cultivation world filled with mortals in Naocan, it is still a good work that does not hide its flaws.

Evil Wind Song, 7.4+0.1 Points (reason for extra points: representative work of historical cultivation) The historical significance is greater than the actual level, so it was pulled up to this position. Combining history and cultivation is a groundbreaking attempt. After the combination, it can basically follow the historical line of development, and there will be many novel ideas and interesting settings, which is not easy. Besides, the writing style of this book is pretty good. As for officialdom, underworld, war, etc., Although it is also nonsense, it is still much better than the little white pigs like San Ye, Rotten Tomatoes, Feng Ling Dog, etc. Who talk about their own strategies and social knowledge all day long. There is no problem in fooling the newbies on the Internet. PS: The online version of Xie Feng Qu is a little biased, so it is recommended to find the physical version.

Tomb of the Gods, 7.5 Points The advantages and disadvantages of God's Tomb are equally prominent and distinct, and the author's talent and bad taste are fully demonstrated in this book. On the three important indicators of characterization, writing style, and ideological quality, Tomb of Gods is considered to be up to standard. Therefore, there should not be any dark spots in Tombs of Gods. However, Chen Dong's weird and inconsistent lines and the shocking Nao Can in a small number of supporting characters do seem to be inconsistent in the whole book. In addition, in the later stages of Tombs of Gods, he was caught and bitten by a mad dog Hei when he was driving high and low. It has to be said that it is a very tragic thing to deny the shining points of Tombs of Gods. The most valuable thing about this book is that the passion in the Tomb of the Gods comes from true feelings. There is no rhetoric or obscenity. It is not like a certain gentleman who cannot be upgraded to become the main god and ties himself up with chains. He is hysterical and self-abuse and wants to bang his head against the wall. It is also not like the "son of "Bitch" Sir Fenghua is like that while he fucks himself to destroy the sun and sucks the beauty, he thinks that his blood will be hot after shouting a few words. The common plot of immortality in the second grade is also well suppressed in this book. Most of the time, the blood of God's Tomb is rational and sincere. "It's been a dream for ten thousand years. Now I wake up, leaving behind the sea of ​​three thousand memories, and forgetting all the love and hatred in the world. From now on, I will never look back. I will look up to the sky and roar, and fight for the way of heaven..." The emotions in it are condensed and want to be gushed, and cannot be matched by an ignorant and shallow pen. In my opinion, the reason why Chen Dong couldn't help but write Nao Can is not because he can't write strategy well, but because it is very satisfying to write his opponent as Nao Can and then beat him to death. The same goes for the protagonist who talks loudly about women to gain pleasure. Chen Dong needs to suppress his bad taste before he can make a breakthrough and truly transcend the Tomb of Gods. Tomb of the Gods created the ancient war stream and had a great influence, but most imitators only learned the dross. For example, the horror of Tiancan Tudou, who doesn't pretend to be sexy for a day, as if his mother has been raped, is obviously the Naocan version of the various over-the-top shocks in the later period of Tomb of Gods. Although Huangfu Qi is a dungeon, he is not too bad after his ascension because he has learned the explosive aura of the God's Tomb.

Infinitely scary, 7.5 Points Between it and the Tomb of Gods, considering that the Infinite Stream created by Infinity is more influential than the Ancient War Stream of Tomb of Gods, it ranks before Tomb of Gods. Zhang Heng's painstaking work, for the first time in online novels, wisdom warfare is used as a term. Although the strategic perspective is serious and there are many bugs, it also successfully achieves a strong sense of plot pleasure and plot conflict through the confrontation between wise men. However, it draws more from the two comics "Slaughter City" and "Fire Phoenix", so the groundbreaking nature of this book is not as high as some Infinite boasts. Because the author's writing style is not good and his emotional intelligence is not high, there are a lot of pain points in the characterization, so those with low thunder resistance should be careful not to enter. In the author's opinion, the value of the concept of infinite horror as an idea for integrating multiverse settings far outweighs its value as an entertainment setting. However, almost all of the infinite flow works take the route of catharsis and conquest, so the author is very disdainful of the so-called "infinite flow".

Lingshan, 7.7 Points Xu Gongzi Shengzhi's pinnacle work wins with excellent settings, which completely explains his understanding of cultivation and the structure of the immortal world. On the basis of seeking truth in Taoism, Xu Gongzi integrated Buddhist and Taoist practices, coupled with historical figures and events, and outlined in detail an almost real practice system. If you read it carefully, you can't help but be impressed by the author's rich knowledge of Taoism and Eastern philosophy. However, apart from the setting, there is not much that stands out about this game. The plot structure is rigorous and complete, but because it serves the setting too much, the conflicts are weak and weak, the twists are not surprising, and the climax plot is dull; the writing style is simple and unpretentious, and it is full of ancient meaning on the surface, but it is more clumsy than simple, taking the shape of ancient prose without getting its meaning; the characters are flat, and the facial makeup is severely distorted. Although the image is clear, it seriously lacks complexity. One of the protagonists has a slightly stronger portrayal of Qingfeng, but the onset of literary youth disease and excessive pornography ruined the image. In contrast, other flaws, such as Mr. Xu's misrepresentation of certain historical figures and the male protagonist's repeated self-inflicted behavior, are only minor details. Generally speaking, "Lingshan" has many flaws, but its basic skills are still very solid. Fortunately, it is "stable", but it also loses to "flat", resulting in a level that is neither high nor low at the bottom of the list.

Humane Paradise, 7.7 Points Jing Keshou is the culmination of many years of writing. He writes under the guise of science fiction to cultivate his family, govern his country and bring peace to the world. The book contains his insights from writing and reading over the years, and has a complete world view. It is Jing Keshou's pinnacle work. Jing Keshou, like Mr. Xu, wins with settings. For example, "The Last God of War on Earth" proposed the concept of "igniting the divine fire" and became the ancestor of the magic-modified DND. The leader has many flaws, such as the protagonist who is dedicated to seeking enlightenment but prefers to write harem stories, and the characterization is not strong, etc. However, because there is always blood and passion in his heart, Jing Keshou's book looks slightly more refreshing than Mr. Xu's book. The words in the book "Human Paradise" are gentle and smooth when they are peaceful, like a humble gentleman; when they are fierce, they are like a sword drawn from its sheath, cold and dazzling. The early stage of the plot is unremarkable, but in the middle stage it begins to have ups and downs, exciting conflicts, rich settings, and strange viewpoints, all of which are worthy of praise. Although this book is science fiction, it actually discusses classical politics. The author's thoughts are rather extreme, and he is suspected of being in the law of the jungle and having incorrect views.

Tomb Raider Notes, 7.8 Points A classic ghost blows out the lantern creates another classic tomb robbing. The third uncle of the Southern School has excellent writing style, and the plot of the whole book is cleverly conceived. Compared with ghost blowing out the lantern, tomb robbing attracts more readers' attention. The mystery and horror elements of Ghost Blowing Light make the readers feel tired. It is with this in mind that the third uncle of the Southern School has made the whole book engraved in people's hearts. But after all, he has never actually robbed a tomb, and the life accumulation of the third uncle of the Southern School is far less than that of Tianxiaba Sing, so he does not have the ability to imagine the system out of thin air, and many things imitate Gui Blowing Lantern. If you haven't seen Ghost Blows Out the Lantern, you can go see Tomb Robbers.

Missing Moon Sycamore, 7.6 Points "The Moon-Walking Wutong" may have many climaxes in parts, but overall it is difficult to make your blood boil. Its writers hope that you will read it with an attitude of understanding society. As a public figure, the author tries to create a feeling that values ​​reality, but unfortunately it coincides with the idea of ​​"kneeling in reality" and playing the flute to cheer up the green and purple sun. The sloppiness of the motif and the extreme extremeness of the author result in a lack of vitality in the characters of the work, and the paradox of gangster martial arts cannot be reasonably resolved; the low emotional intelligence results in almost no female protagonists in the book. Going out of your way to show darkness always relies on lowering the IQ of the public. The author feels good about himself but cannot make the slightest improvement on the street, just like Rosen who wrote King of All Realms and The Story of Broken Star after finishing Alibuda. The best character in this book is not the protagonist Wang Tianyi, but Zhang Gaochan, the martial arts god who is the best in the world. The God of War, who wanted to be a good guy but also wanted money and fame, gradually lost his innocence as a chivalrous person and acted shamelessly in an innocent way. Finally, he got the farmland, mansion and beautiful family he wanted, as well as the world's famous reputation. However, he lost the freedom and ease he once had as a bachelor, was threatened by his family, and was tricked and killed. It has to be said that it is extremely ironic. From here, we can also see the author's resistance to the force-only theory of traditional martial arts novels. However, it has to be said that neither Zhang Gaochan nor Wang Tianyi's transformation can be said to be natural, and the process is a bit stiff. "Walking Moon Sycamore" was a little sloppy in the early stages, but after entering the middle stage, the plot turns wonderfully, and the fighting is hard-core and powerful, making people feel like they are immersed in the scene. This is its advantage, so I am willing to give it a place on the top list. But that's all. It's not easy to recall. Having said that, this work still touched me a bit. In any case, it has a stream of ideas and its unyielding to the classics of the Jingu era, which is worthy of appreciation.

Humanity Forbidden Island, 7.6 Points The author breaks the forbidden fruit. Known as the "yy version of Robinson Crusoe", it reflects on society and people's hearts under extreme circumstances. The author has geographical knowledge far beyond ordinary people, and the utilization rate is high. Fresh and concise writing is very rare in military fantasy genres. The endless lines of witty sentences such as "Don't let children see from an early age that it is easier to be a beast than a human being and eat meat." Which greatly improves the readability of this book. The disadvantage is that the closed first-person perspective can easily make readers who lack curiosity feel boring. Other military literature recommendations: Wild Gun, 7.6 Points The quality is far superior to that of wolves, and the military fantasy theme is written with a cinematic feel. The author fully grasped the balance between entertainment and military iron-bloodedness by imitating Hollywood movies, and successfully created special heroes who are vivid on the page. The story of Chinese soldiers engaged in special military operations overseas has long been preceded by books such as "Wolf Pack", but "Wild Gun" creatively unfolds the story against the background of the two protagonists with unclear grievances. It successfully breathed a fresh breath into this already written subject. The revenge of the Spade Team against Blackwater in the second season can be said to be a brilliant stroke in the Internet literary world. In the author's opinion, Wild Gun's breakthrough in plot conflict is a guiding light for the development of military fantasy themes. Unfortunately, the heyday of military and literary talents has passed, and He Chuwu lacks ambition. He just wants to write a story about "a major thing that Chinese soldiers have done abroad." For an aspiring author, is there anything more regrettable than being lucky when your talent is at its strongest?

Bullet marks, 7.6 Points The novels of Dancing Enchantress, whether "Bullet Marks" or "Strange Thorns", are full of highlights in details, but there are also many pain points, and when you look at the whole novel, you will feel like you have seen a ghost. This is also the reason why I still dare not go to see the Fifth Unit. The action scenes are like fantasy, the characters are like martial arts, and excessive incitement makes the book feel seriously distorted. This is a huge flaw that cannot be ignored for military literature. It can really be said that style determines everything, because most of the human nature involved in the book is relatively sophisticated, and the bloody courage and unrestrained reverse thinking can never be called hypocritical. "Bullet Marks" is good, but the highlights are average. The warrior song goes from childish to mature, from soldier to general, and every step of the development is wonderfully and fully written. Perhaps because too much enthusiasm was expended on "Bullet Marks", "Strange Thorns", which is also a literary novel about growing up, was written by Feng Yinglou in his childhood, which is more appealing than the war hero song, and the strategic level of the whole book is even more explosive.

Legend of Wushan, 7.8 Points The story about a younger brother controlling a female lead uses twin siblings to introduce disciples from the Twelve Peaks of Wushan Mountain, and it also has a lot of malicious intent and cuteness. The author Fulan is a professor in the Department of History and has a rich accumulation of folklore, history, myths and legends, and poems at his fingertips. Therefore, this book is called "the most beautiful martial arts". However, in fact, Fulan's writing style and writing power are not enough to support elegance, so there are many irregularities in the book, which are often clumsy. The author is a female dick and tries to write about a goddess, which also makes the protagonist Ji Yaohua have a temperamental separation. According to Mr. Longqiang, it is probably much more reliable for a female to write a story about a male protagonist. But overall, although the plot is not strong, the density of twists and turns is high, and the story is innovative. This book is more suitable for female readers at home. Men may be less interested in reading it. There are many side stories, and the total number of words is more than the main story. If you are interested, you can go to Jinjiang Shang and watch the complete works of Fulan. If you don't watch it, it won't make any difference.

Ruzi Emperor, 7.8 Points Bing Linshenxia's first work to give up commercialization is a tribute to "The Fifteenth Year of Wanli". It has the advantages of "The Fifteenth Year of Wanli", that is, the novel perspective, but it also has the fatal flaw of "The Fifteenth Year of Wanli", that is, it is the butt first. The Fifteenth Year of Wanli is recognized by the historians as using arguments to find arguments, and it is an inferior work of Western Sinology. This makes the idea of ​​"The Emperor" not much worthy of scrutiny. The so-called more innovation in the display system is reflected in the subject matter, not the story. Fortunately, "The Emperor" is a novel and not a history book, so this point is not important. The story of "The Emperor" is Binglin's best. It has a certain degree of relaxation and excellent rhythm. Sometimes the writing is like a divine aid, and it is quite legendary. The small is the big, the finishing touch is the key, and the story is thousands of miles. Binglin has done it unprecedentedly well, but too much white space has exceeded the capacity of the text. It cannot be called a bad ending, it can only be said to be a structural problem. The excessive emphasis on legend has also led to the collapse of many key characters. The madness of Shangguan Queen Mother may be circulated as the lower limit of Binglin for a long time.

Zhibeiyou, 7.9 Points The graceful Luo Si knows the way to the north. This book has been updated intermittently for 9 years since 2004. It has been considered to be a eunuch three times. The author Luo Yediao has no moral integrity. His parents and himself have been hospitalized for a long time or died (claiming that he lost his father and mother as the reason for discontinuing the update). But now it's finally barely finished, and I don't have to say "beware of this" anymore. The representative work of Internet Fairy Tales. In the beginning, due to the nature of Luo Ye, there was a serious sense of sexual intercourse. In the middle period, due to the author's exquisite use of rich knowledge of Buddhism and Taoism, excellent character portrayal, emotional drama, plot twists, and fantastic imagination, the quality of this book was greatly improved. However, the author's sense of pattern was weak, and he could not fully control even a small pattern. After entering the climax, he felt weak, and he kept updating and filling in water, and finally ended unfinished. PS: The author's completed book "White Fox World" is also a masterpiece of urban supernatural beings. It has an ingenious concept and a wonderful setting. It has a thorough description of the cultural atmosphere of various countries in the world. The plot is full of interest, and the emotional description is also gorgeous but not obscene. It can be called a classic. After reading "Journey to the North", readers can go to see White Fox. PS: Luo Shui refuses to admit that his master is a wild fox under the tree and believes that his strength is not inferior to the wild fox. His fans are clamoring and touting him all day long. The end of Zhibeiyou has made everyone see that Luo Shui's ability to grasp the plot and field control is indeed only among the top rankings, and is not enough to compete with the master.

Zichuan, 7.9 Points Comrade Lao Zhu's eight-year war of resistance. This book comes from Comrade Lao Zhu's passionate outburst, and his youthful spirit bursts out. Therefore, the conflicts and turns of the plot are very sharp, and the characters are also very sharp-tongued, which makes it a strong pleasure to read. In terms of ideology, it is close to the angry youth, but the incitement is also in place. It is by no means comparable to the "Ascension" that can only create "dung green". The war is extremely unprofessional and poorly finished, which are its shortcomings. PS: In the early days of writing this book, I was influenced by the early novel "Naked Orchid", but I quickly got rid of Yu Jin's stupid style.

Ignore the book, here is the continuation of the review Hui Ming. Although the plot conflict of Hui Ming is not weak, it is not much stronger, and the ending is very weak. This is because the era chosen by Yue Guan was an era with relatively few major events. Yue Guan extensively consulted the information at that time, effectively connected the clues in history books, unofficial histories, and notes, and added strategies and details, and carried out his own rewriting to create an effective conflict. Next, Han Youniang saves Yang Ling at the execution ground and touches the world). After entering the strong historical twists and turns, there is a strange battle of wits and courage. However, when it comes to the rebellion of King Ning, because the historical King Ning is already weak, the plot is also soft. The final Mobei expedition is all kinds of nonsense because there is no real history for reference. However, if Yueguan were asked to choose an era with strong historical conflicts, would it be possible to write it well? Obviously not. In the big world, there are so many heroes. With Yue Guan's characterization ability, he is just unsatisfactory in writing a cheerful and righteous character. How to grasp the position and relationship of the real superiors? How to deal with the conflict between monarch and minister? (In "Step by Step Lotus", the protagonist directly kills Zhao Er and becomes the emperor himself, but Zhao Er's ability is weakened to a B, and the plot of killing Zhao Er is also written very stupidly) Yueguan's plot construction ability is not good, his strength lies in details, so if he is allowed to modify history on a small scale, he can do a good job, but if he is really allowed to squander it on the basis of the big world, it is bound to make a mess. To be fair, "Hui Ming" is a good book, but it is difficult for me to like it. Yue Guan's emotional intelligence, classical writing skills, daily details, political and military history skills, and miscellaneous knowledge accumulation are all above Mao Ni, but the level of "Hui Ming" is not as good as Qing Yu Nian's. If we talk about ignoring it, in fact Mao Ni also likes to fly from H to flying, so the problem with Yue Guan is probably not just a matter of ignoring it, but also a problem with the writing consciousness.

Return to the Ming Dynasty and become a prince, 7.9 Points Comrade Yueguan actually has no moral integrity. But as a literary youth, he tried to pretend to have some integrity. This is the so-called literary and artistic masturbation. However, Comrade Yue Guan, a literary and artistic man, was able to write "Hui Ming", which is worthy of the local rankings. On the one hand, Yue Guan's writing skills, custom accumulation, historical level, military and political cultivation, emotional intelligence, strategy and other elements are all of a good level. On the other hand, it is because of "Hui Ming". After all, the book "Ming Dynasty" relies on the historical line. Although historical events are trimmed and reversed, since Yang Ling has always been a loyal minister of the Ming Dynasty, the deviation from the historical line is not very large. Basically all the plots are derived from real historical events. Yue Guan, like one of his idols Huang Yi, likes to write long stories without an outline. "Hui Ming" has no outline, so he uses real history as an outline, which barely makes the plot ups and downs. However, it is stupid in the early stage and weak in the later stage, but it is also an undeniable fact. Later, Yue Guan's several books that significantly reversed history can only rely on the harem to promote the plot, and the reasonableness of the plot is fed to the dog. From the beginning to the end of the Ming Dynasty, it can be said that the elegance is consistent. There are wonderful descriptions and imitations of the clothes, food, daily life, and customs of the time, but it is far from being consistent. Why? Yue Guan reads more notebooks and admires the style of ancient scholars. Therefore, the protagonist's courage depends entirely on the author's words. Although he often comes up with clever tricks, it only causes the separation of temperaments and does not make people feel how good and wonderful the protagonist is - the talented scholars in the ancient notebooks, such as Xu Xian, Liang Shanbo, and Ning Caichen, for the most part, has an unattractive face and is weak and weak. This is caused by Confucianism being emasculated by feudal rulers for a long time after the Song Dynasty. However, Yue Guan does not feel that he is stupid, but feels that he is elegant. Therefore, he can only write a weak and accepting male protagonist with no heroic spirit. No amount of skills can change the impression that this guy is a weakling. In comparison, although the male protagonist of Mao Ni is also a scholar, Fan Xian has a cold and sharp temperament besides being pure and beautiful, and the two temperaments are well combined with little separation. As a philosophical Fan Wenqing, Mao Ni is different from the ancient model Wen Qing Yue Guan. Even if his emotional intelligence is not enough, his grasp of human nature is much deeper than Yue Guan. However, Yue Guan has a high emotional intelligence and is good at writing about daily life. However, while the male protagonist is terrible at writing, the female protagonist is also powerless in various ways. It cannot but be said that he really likes to take charge. The ancients wrote harem novels and all kinds of back-chasing dramas, which were originally the mindless obscenities of the study losers. As a contemporary author, Yue Guan did not realize the limitations of the ancients, but also deeply admired them, so he decided to return to the Ming Dynasty.

Guest, 7.4 Points "Jianke" is a turning point in Mao Ni's moral character. It is a low-level work among Mao Ni's works that is worth watching but also seriously stupid. Although the sincerity of Mao Ni's writing can be seen at the beginning, and the shocking and black humorous beginning is more exquisite and touching. However, as Mao Ni can't control the plot and gradually goes crazy, Jian Ke's deliberately silent later period seems extremely inconsistent. Talker is a rare Star Wars Mecha masterpiece in the online literary world. In fact, there is not much problem. Although the setting in the article cannot withstand scrutiny, it can be seen that Mao Ni has put a certain amount of effort into the material to fool ordinary readers. The relatively ethereal writing style and environment combined with the scientific setting and social setting also create a good science fiction atmosphere. The combination of the martial arts internal power setting and the mecha setting rarely feels inconsistent, which is something that the skeleton elves can't write. Although Mao Ni Zai Jian Ke's Chinese literary style is not as refined and smooth as Ergou, it is also very warm when it slowly unfolds the life scenes in every corner of the future society. Although the ethical issues and scientific issues covered by Jian Ke may be clichés, the integration with the story is commendable. The mecha battle is also more impactful than Qing Yunian's grandmaster battle. Overall, there are quite a few highlights. It's a pity that none of these can cover up the fact that Mr. Mao's emotional intelligence suddenly dropped. I don't know if Mao Ni has overextended the theme of justice. At the beginning, the protagonist's innocence is still admirable, but in the middle and later stages, he seems to call himself a messenger of justice. He does everything in the name of justice and is extremely disgusting. It's like a mad dog that bites everyone in sight after Nietzsche's rebirth. The female protagonists have no sense of moral integrity and repeatedly hit the wall, which is completely contrary to the theme. In order to highlight the greatness and righteousness of the protagonist, they often shock the world and sell acid, while the whole world kneels down and licks the protagonist, but it is quite joyful. This stupid practice makes the character portrayal full of sensationalism, and almost ruins seven of the adult characters in the book. Only one character is alone. There is something to be said for the character statues of Mr. Shi and the uncle who are very independent. I guess Mr. Mao has lost his rationality at this time. He is humbling himself while shouting "Young Master, I am the shining starry sky" to solve the problem violently. No matter how the layout breaks the situation, the military common sense seems extremely childish and ridiculous. The rhetoric is indeed the same for a time. It can be said to be a model of being a bitch and building a memorial. In other words, the role of Xu Le is a hysterical indulgence of Mr. Mao's heart. From now on, I don't know who the king of heaven is. It is expected that Jianke will write the night in that birdlike shape after finishing the novel. When it comes to "Jiang Ye", Mao Niu is even more talkative, kneeling and licking all over the place, his improper outlook on life can split the sky, his mindless imitation of Wen Ruian's writing style hits the wall, and his crazy indoctrination, it is also difficult to watch directly. However, the layout of the plot, the collection and release of clues, and the characterization of the characters also have occasional highlights. The later "Zhaotian Ji" is completely a fast-food novel that reaches a climax by showing stupidity and hitting the wall.

The Legend of Suzaku 7.7 Points "The Legend of the Vermilion Bird" is Mao Ni's first complete work. It is called "roasted chicken" by book friends and highly praised by Prince Ma and Ning Cui Ya. Mao Ni brainlessly praised "Ocean of Stars", thinking that its down-to-earth style reflects the past youth, but in fact it is a big arrogance to belittle oneself. If nothing else, the daily life of "Suzaku" is much better than that of "Ocean of Stars". "The Legend of Suzaku" is slow to warm up and slow down, but it is actually not watery. It has 1.5 Million words and says a lot. Although there are many immature parts in the loose parts in the early stage, various hidden clues are also laid out, which burst out as the plot develops. The good thing about "The Story of Suzaku" is that the explanation is clear and transparent, and the analysis of Buddhism and Taoism is quite wonderful. However, the shortcomings are the lack of sense of substitution and appeal, and the characterization is also somewhat poor. People who can resonate with it will sigh deeply when they think of the "all life is miserable" at the end. If there is no resonance, then the evaluation of this book will inevitably be low. Finally, I would like to say that the immortal warrior/cultivation that can effectively integrate the city and mythology may only be a roast chicken. As for "Buddha Is the Way", the disconnect between the urban part and the later part is so serious that it is almost unbearable to look at it.

Qing Yu Nian 8.2 Points A leisurely time travel story full of political struggles, a pretentious yet enjoyable history of the ups and downs of a rich and handsome man. The writing is clear and beautiful, the characters are well drawn, and the plot is interesting. Unfortunately, compared to novels of the same grade, it has a little more water and is not compact enough. As a leisure novel, it is indeed a masterpiece. It is a novel that does not require too much thinking but can't help but lead you to use your brain to think. In addition to "Qing Yu Nian", Mao Ni also has "The Legend of Zhuque" and "Jian Ke" to read.

Yu Zui 8.3 Points This is the best book written by Chang Shuxin, who once single-handedly supported the starting point of a category. The writing is simple but not simple, it is market-oriented but not philistine, and it is rural but not dirty. The plot structure is close to the reality and therefore not coherent. However, the case design in each volume is very unique and ingenious. The content of the criminal investigation is plain but reveals a professional temperament. It is not exaggerated or artificial, nor is it curious and does not rely on heavy content to attract attention. What's more important is that his three views and thoughts are correct. He writes about the blackness of the police but praises the whiteness of the police more. He writes about the hearts of criminals but does not exonerate the criminals. It is rare in the world of Internet literature where the three views are wrong. It is a rare masterpiece in today's urban Internet articles. More importantly, Lao Chang is still writing, and his level has not declined, and there is no sign of abandoning his integrity. Prince Ma once said that Yu Zui is an excellent template for a criminal investigation TV series, and it will not be worse than Serious Cases Six. I think compared to Serious Cases Six, it is a bit more rigid, and Yu Zui will make people more approachable.