[Feelings Book List] Once Upon a Time, it Was Difficult to Change the Sea, Except for Wushan, it Was Not a Cloud

[Classic] 3 points for storytelling, 3 points for readability, and 2 points for business reputation. Long board - writing style. Exquisite plot design, compact plot and strong sense of story. 2 Points. Shortcomings - The plot design, compact plot and strong sense of story are no longer refined in the middle and later stages. Minus 2 points. The total score is 8+2-2=8 points. Real work. If someone wants to try the Ice and Fire style POV experience, but is afraid that they won't be able to read it (no one will read it if they write it), then they must try the Witch style POV. Just like someone who excels in his skill, Ermu has learned almost all the interesting story elements from Ice and Fire, and there are even many story elements that are even more interesting than Ice and Fire, including the "witch-style POV". Different from the parallel lines of ice and fire, where everyone has the power to struggle and the opportunity to reverse, the Witch places the core of POV on Roland himself - either the brothers and sisters who are enemies of Roland, or the opponent camp that is about to declare war with Roland, or the various contradictions and conflicts in the city. The people who are waiting in difficulty to be saved by Roland, or... The terrified witches, are either those things we are afraid of losing, such as the Witches Mutual Aid Association's trip to the Holy Mountain, or the impact on the city or other places and the evolution of the situation after Roland gives the order, there is nothing we don't care about. The Witch has almost eliminated all the disadvantages of ice and fire POV, and replaced it with huge advantages - creating exciting points, revealing characters and leading out the plot. From this point of view, the second-purpose logical thinking is really strong enough. His level of storytelling has even surpassed all kinds of classic story principles. You can draw this conclusion just by looking at his perfect beginning and early rhythm. --However, in the middle and late stages, his storytelling skills were obviously insufficient, which also exposed some problems, that is, Ermu did not fully consider the outline. The decline in perception in the later period is also the most regrettable point of The Witch. The early rhythm of The Witch almost surpasses any work I have seen before. If he had written according to the rhythm that he should have in the middle and later stages, this would be a real masterpiece, and it might even become a "unparalleled" level masterpiece, but he didn't. The almost repetitive routines, the much slower pace than the previous period and the lack of suspense make us feel that Ermu failed to write this story well. Of course, even if he is criticized in this way, his level in the later stage of Ermu is still above the great level. The most commendable thing is his writing style. He knows what we're attracted to, and he knows what he should write about, whether it's puzzles, characterization, or contradictions. Therefore, the chapters he writes, even if they are minor POVs, can instantly catch our attention. No matter which chapter we jump to and start reading, we can quickly enter the plot. This is exactly the skill that 99% of authors do not have. Overall, this is a rare work for both readers and authors, and it is also the most impressive piece of online literature for me.

[A Thousand Times, or Classic] 4 points for storytelling and 2 points for readability. Long Ban - powerful character creation, unparalleled writing style, exciting plot experience, and philosophical sentences. Add 3 points; Shortcomings - extremely "high-end" POV switching experience, fragments that make people vomit blood. Minus 2 points. 6+3-2=Total score is 7 points, or 8 points (the idea may add 1 point, depending on the ending.) There are some stories that you can't stop watching, and you'll be left with endless aftertaste and melancholy after reading them, such as "Assassin's Creed: Secret Crusade". And some stories may be obscure and difficult to read when reading, but the feelings they bring to people increase dramatically line by line, so that no matter how long it takes, they can still think of themselves who are either shocked, depressed and angry, or so nervous that adrenaline surges, or because of the little devil's wit, they are so happy that they can't help themselves, and they are frantically looking for similar plots. That is the famous "Song of Ice and Fire". It can be said that in terms of the logical credibility of the plot and the intensity of various emotional feelings created by the atmosphere of the picture, everyone should give "A Song of Ice and Fire" full marks. I have never seen a work that immerses you in a wonderful and crazy world more than reading A Song of Ice and Fire. When reading, I even feel as if the person taking the risk is not the characters, but myself. When it comes to on-the-spot experience, I have to mention Mr. Martin's writing style, which is concise and precise. The atmosphere and picture jump between every word, which is dizzying. If the writing style of "Assassin's Creed: Secret Crusade" inlays shining gems on the easy-to-understand ceiling, it makes people feel that such writing style is the ultimate goal of every author. So "A Song of Ice and Fire", despite its magnificent and alienating writing style, can still be easy to understand and full of sense of substitution. This almost gave me a sense of despair that is difficult to achieve. But if I choose, I will still choose the writing style of Assassin, because it is simply not comfortable to read. Yes, the anti-human POV experience of A Song of Ice and Fire has been praised by others, and it is indeed a model of Love House and Crow. How much I love this story about the little devil and Se Xin in Ice and Fire, but I am still heartbroken by this damn broken chapter. You said those messy character POVs, skipping can't understand the plot, not skipping the plot is like sleepwalking through a bible, and in the end I still can't understand the plot. 0 Points for readability... Not unfairly given. . . In general, for readers, "A Song of Ice and Fire" is full of ups and downs and a gripping experience, which is very suitable as the spice of life. But the special narrative method sets up a very high threshold, and sufficient psychological preparation is required. For the author, if he can learn one-third of the storytelling techniques and writing style of Binghuo, it is enough to create a masterpiece. But don't imitate narrative methods that won't be popular 800 years from now. I've seen some cases where authors used ice-and-fire POV. The writing style is pretty good, but it's worse than a primary school student's composition. . .

[Legendary] 4 points for storytelling, 3 points for readability, 1 point for conception, and 2 points for long story: shocking plot experience. No shortcomings. 8+2=Total score 10. No one can deny the special status of this work in the Assassin's Creed series, but anyone who has not seen Oliver's "Assassin's Creed: Secret Crusade" should not call themselves a true fan of the Assassin series. Although the anti-human design and the embarrassment of no subtitles in the first-generation game are enough to deter 90% of players, players can still get a glimpse of the life experience of the Second Master (nickname) from this classic novel - from being a proud to being a master assassin who ignores discipline, being demoted to the lowest-level apprentice assassin, and then returning to become the leader of the assassins. The assassin gradually changed from arrogant and impulsive to humble and calm; from being proud of his ability to create death to understanding the meaning of life; from being obedient to authority and restless heart to respecting everyone's beliefs and thoughts. When Altaïr was about to complete his mentor's mission and regain his former honor, he gradually discovered that everything he once believed in was no longer what it was before. In terms of story and readability, this work has almost no flaws. If we ask literary works to have the readability and sense of substitution of online texts, many classics will be eclipsed, but "Assassin's Creed: Secret Jihad" completely achieves it. No one should not praise its powerful psychological journey, presence, pictures and dynamic sense, especially the wonderful depiction of sword fights and assassination scenes. I think no one can surpass it. Reading this book is as intoxicating as watching a real movie. After reading it, it feels like you have experienced another life, with feelings and shock lingering in your heart. (The premise is to jump directly to the chapter "Chapter 6" where Altaïr appears. The introductory chapter on Ezio's ship at the beginning is too boring, which is why this book is only "Legendary") For readers, this book is full of wisdom, reasonable worldview logic and excellent portrayal of two universal concepts (Assassins and Templars) that check and balance each other. For the author, this book is an extremely qualified model in terms of writing style, ideological conception, characterization, and story structure. Finally, I am very honored to have read "Assassin's Creed: Secret Crusade", and I am very honored that this book will be the first to be released in this list.