My Ten Thousand Years

New people need love and care. Don't be harsh. Writing a book is not easy. I am not just passing by Tuochun.

I once thought about writing a novel in the same direction as you, but I still have too little knowledge to dare to write it. Now that I have seen this book, I like it very much and have collected it. I hope it will always be as good as this one. Come on! [Fn=2_3]

The writing is very good, the writing style, concept, plot, and characters are all very good, and because it is a hegemony style rather than a practice style, the author has well arranged the "group travel" setting, which is actually very difficult (at least I firmly dare not write about group travel). The writing is very good, but, having said that, what scale does the author intend to write? According to the author's current progress, primitive society would have cost several million, right? What about other civilizations? In particular, what can be written about the subsequent industrial civilization and interstellar civilization is much more than that of primitive civilization? If we want to truly describe the majestic feeling of industrial civilization (especially if it involves World War II), we might have to write more than 5 million words. In this way, the scale of the book will be difficult to control? Does the author intend to write more than ten million?

Take a look first, it looks interesting : D In addition, the troll who said you piracy might as well put it on the top of the page and hang it up

The most taboo thing about writing novels is the sameness. When you write about time travel, all kinds of time travel will happen. You can wear it while walking, wearing it while talking on your mobile phone, and all kinds of wear. In fact, the form of time travel is not important. It doesn't matter whether you are constipated on the toilet, holding back your strength to poop, or wearing it through the sewer. The key is the plot after wearing it. Surprise, writing what people don't expect is the master. It's like taking an elevator. The moment the elevator door opens, you don't know whether the person coming up is a beautiful woman or a weak man, whether he is curved or straight. This is called the plot. Many authors make a lot of noises, which are actually like the old jokes in movies and TV series: why do the bad guys die? Talk a lot. It doesn't matter if you talk too much, it's about what you want to do and what plot you want to develop. Readers already know it. Seeing the screeching villain holding a pistol to the director's head, who will die in the end? This is the sameness, this is clumsiness. This book is also a novel. I will only talk about the interest of the third chapter: When the protagonist saw Zheng Jing, his mind wandered, thinking of Zheng Chenggong, and Prince Yanping... It was normal, and it was also the historical skill of the leader. If so, the next step would be traditional routines, changing history, etc. However, the leader changed his style here, and the little girl Qiao Jing frowned and thought: "Let me think about the Tang, Song, Yuan, Huai, and Luo people... There is no Ming Dynasty..." Writing a parallel space means letting go of one's hands and feet, and writing very openly. This is the novelty, unexpectedness and inspiration of the plot.

I haven't seen such a creative book in a long time. I hope the author will keep up the good work. In addition, I actually feel that the protagonist's authority in the tribe is not enough and he needs to be made more awesome.

The writer wants to write, innovate, and write something that other historical novels don't have. The quality of the final novel lies in the author's mentality at every stage. Don't forget your original intention.

I hope to find the Vulcan emblem quickly, but I know the leader won't be so quick. . . . . It was unpleasant to see Lin Yuan being laughed at by others. . . . Support Hou Yi! ! ! ! Hahaha

[Fn=2_4]Although I don't know which naughty friend is manually promoting my book everywhere... But thank you very much! However, I still hope that friends who come for return visits can post advertisements here, because posting them outside will affect the normal book reviews. Thank you very much! In the future, any return visits posted outside this building will have a high probability of being strangled by the moderators. Please be patient and apologize first. [Fn=2_7]

Although I have been busy recently, when I have time, I will still carefully read the chapters that I have not finished the book. From the current point of view, the plot of the book has gradually gotten better and started to become exciting. The author writes relatively realistically about the migration process of the entire tribe, especially the two chapters about the battle against wild wolves. The rhythm is well controlled, and the ups and downs are full of excitement. It makes people feel mentally shaken and unable to stop. The most important and powerful suspense attracted me tightly. I can't wait to know what the other fourteen civilizations are? Who established them? However, according to normal story logic, these civilizations will be shown one by one in the later stage, so that they will look good. Because everyone is in the initial stage now, and they all need time to develop. It would be meaningless if they collide too early. And facing the vast wilderness, a small tribe of about a thousand people is too small. When the tribe becomes stronger in the later period, it will definitely take the route of expansion. When everyone expands to a certain point, strong collisions will inevitably begin... Although this process may take a million words, I still feel nervous and looking forward to the situation under which the author will start to contact the civilized country established by the first time traveler. Among them are the protagonist's opponents, or allies... Perhaps all of them are enemies. From the information revealed in these details, we can still roughly understand some of the author's layout and intentions. The main line is grand enough, the scenes are definitely not small, and of course the number of words will be quite a lot! ! ! (I'm just glad that I can read a long novel again.) In the author's simple words, we can slowly come into contact with a new and magnificent world, showing a vast wild picture in a seemingly insignificant paragraph, and revealing a huge structure in rigorous logic... The author's "ambition" is not small! But it is precisely in this way that a book becomes so good that you can't bear to put it down and look forward to the author's different stories, different worlds, and different novels...

This novel is refreshing for me. Most novels nowadays are written according to old routines. I haven't seen any innovative novels for a long time.

When I first saw other time-travelers, especially Qiao Jing and Anna, I felt like they were in a mindless harem and made the fatal mistake of wearing too many clothes... Unexpectedly, she was decisively slapped in the face. Qiao Jing teleported, leaving only Anna. Anna also had an obvious character - kind but not strong enough in principles, and had her own little calculations. However, after a series of events, she still chose to follow the protagonist... It seemed more real... Moreover, Qiao Jing's near-death teaching means that the heroine can be reasonably changed in another era in the future - don't underestimate this, many novels cannot give such a reasonable reason when changing the heroine. As for the plot of the character Zheng Jing, the protagonist is saved by him at the beginning. Although he and the protagonist eventually parted ways due to leadership issues. But this seems to have a more atmospheric feeling - who can really understand the rights and wrongs of grudges?