A Transmigrator’s Life as a Widow’s Maid

This is a novel that was delayed by the title. When I saw the title, I thought it was the kind of raven novel. However, there has been a recent shortage of books. When I opened it and took a look, I found that it was not. Haha pretty good

I have read it several times and I really like this type of heroine who is happy-go-lucky and faces reality when things happen. She is very down-to-earth and does not use cheating. She does not complain about others, is not extreme or cowardly. She just lives her own life and does not think about unrealistic things. She lives in the present. She is kind, simple and free. It is a good one. This is a novel. There is nothing better than looking at those trivial things to understand life. The so-called money, rice, oil, salt, sauce, vinegar, tea, these are life, and life is reflected from these things. Be at peace with the situation and the years are quiet. When facing anything in life, you can go through life step by step. This is good.

The heroine time-travels in the body of the maid Chuntao, and is entrusted by the serving lady to escape with the young master. Then she lives in the countryside as a widow and makes a fortune in order to live. The first part of the plot is not bad, but then there is an emperor's time-traveler Chai and a national security soldier. The human time traveler male partner Tuoba, and the spy he wants to capture, the female time traveler Rouzi, crosses a man's body and becomes the head of the Lan family, a reborn female partner Xue, a Lan family aristocratic fortune-telling and soul transfer, a monk who understands everything, etc. Adding these to the story is a bit boring and unsightly.

The background of this book started to change after the Tang Dynasty, not the Song Dynasty, but the Zhou Dynasty! In other words, history has taken a turn from this point on, so here comes the question: Xue, the concubine of the rich man Zhou's family, is also a time-traveler like the protagonist. She once reminded the protagonist that the hero will die in the battle, and she also knew that the drought would last until October (the trajectory of historical development has changed, how did she know in advance?). Is this treatment considered a failure? Logic error?

The front is quite nice. Farming and raising buns will lead to harmony and prosperity. Later on, I found it unsightly. Each child was arranged to have a mystery of his life experience (Yu'er's biological father, Wenxuan's mother's life experience), and then there were multiple time-travel rebirths, some top male protagonists, etc. It felt like it was biting off more than it could chew.

Now that I've read Chapter 24, I can't help but complain: the heroine assumed the fake identity prepared for someone else, Wang Linshan's wife, and she also had a "son" with her. The strange thing is that no one who knows Wang Linshan, including his uncles, aunts, uncles and brothers who live in the same village, has the slightest doubt or surprise at the sudden appearance of Wang Linshan's "wife and son" whom he has never met before. It seems that it is normal for Wang Linshan to quietly marry a wife and have a child! Sky! Even if this kind of thing happens in modern times, it will make people's jaws drop, right? Not to mention that in ancient times when family values ​​were very important, getting married and having children, what kind of things could be hidden from relatives? This can be done without any help! This setting is too arbitrary

The way to distinguish a male duck from a female duck is that the female duck can quack and make a loud quacking sound, while the male duck cannot quack and can only make a clicking sound like his throat being pinched.

Every time I read Chapter 55, I laugh until my stomach hurts!

Who said we can take a bath during confinement in this time and space, we were suddenly represented by the heroine. 🙂🙂🙂

I have read hundreds of chapters. Let me tell you my feelings. The beginning was actually good, including the management part, but to be honest There is no sense of conflict. It does not mean conflict for the sake of conflict, but the solution to the biggest crisis that the protagonist should face is almost always a response to big thunder and small rain... She has no blood relationship with the child, and she was a former slave. The heroine did nothing, just let nature take its course, and waited and waited. She didn't have to do anything. Others just entrusted the child to her. She didn't have to do anything. The old lady saw clearly that everyone else was a bad person, so she took the initiative and didn't want to rush to take care of the child. Son, there was no need to do anything. The old lady just let nature take its course and regarded the heroine of the former slave as the only choice to take care of the orphan... Without doing anything, she found out that, oh, she had been freed from slavery before. What kind of fate was this? There was no need to do anything, everything. It's all in your best interest to move towards it... To use an analogy: It's like you know someone wants your life, you are just panicking, but you haven't done any actual back-up measures. The other person is dragging you along, and you think forget it, and they don't have to kill you, forget it. May I ask? From an emotional point of view: the couple of the male and female protagonists and the couple of the dead lady are both men who fall in love with the woman first and have unrequited love. Without describing what the woman thinks about each other or even taking the initiative to avoid being suspicious of each other, the wife's pair is even more exaggerated. When the other party doesn't know much about you, they have done all the great things and then broke off the engagement. It's because you are deeply passionate and have trouble with your family. The woman knows these operations when she is completely unfamiliar with you. She is not disgusted at all, but is moved to death, and naturally likes you? If you don't like it, aren't these actions of the man suffocating and disgusting? The same goes for the male and female protagonists. The male protagonist himself has unrequited love. Without any change in the female protagonist's mood towards the male protagonist, the male protagonist forcefully kisses the female protagonist and the female protagonist falls in love? If she doesn't like the other person, isn't this action harassment?