Cultivation in Myths and Legends

It's a good book, but it turned out to be a eunuch!

How can I read it when there are so many missing chapters? I feel confused when I read it.

It's a pity that the author left this book unwritten and decided to write other books... As a result, both of them collapsed.

Brother author, I added your book to my bookshelf today and will continue to pay attention to it. Write well! I started reading your book from the first chapter, wanting to fatten up before killing it. When I saw the chapter "The Mortal Imperial Master" some time ago, I immediately crossed the line and didn't want to read it again. I started reading it again today and added it to my bookshelf. It's because this book is indeed attractive. In today's time when poisonous weeds are prevalent, it is really difficult to find a book that suits your appetite. Now I want to talk about my opinions and some problems in this book: First, first of all, why I made a cross before, the main reason is the issue of national sentiment, because the history of the Song Dynasty involved in White Snake is a historical control. Everyone who has the dream of time travel must first change this history, although this is the world of immortals and it involves the issue of destiny. Isn't it said in the Northern Song Dynasty and Qing Dynasty that if the Qing Dynasty is defeated, there will be no rebellion, and the chrysanthemum will be used to set the electric drill. The same was true in the Northern Song Dynasty. The reason why I added it to the bookshelf today is because the idea and writing method of this book about traveling through the world to practice immortality and Taoism are very novel, the writing is also good, and the story is told well. Second, every time a dog is slaughtered in a righteous manner, a scholar will be unlucky and unlucky. Those who practice immortality and Taoism are not human beings, and those who become Buddhas and ancestors are not human beings. The reason why the cultivation of modern immortals is getting worse and worse is because they are either full of gangsterism, killing people to seize treasures, or destroying everyone. Or they don't know what it means, have no sense of humanity at all, and kill their wives and children. Also, the life and death of others have nothing to do with me. I will become an immortal or a Buddha. What's more, the gods are holy and all living beings are ants. Wait, wait. Countless. Cultivating the Tao, cultivating the Tao, people are also the Tao, and if you can't even do it well as a human being, you are still practicing nonsense! This is also one of the reasons why I made a cross on that chapter. In the world of Journey to the West, the protagonist was angry because the tiger spirit killed people. In White Snake, he saw the Chinese people suffering like him but did not react at all. He was schizophrenic. The mortal world is vast, and if you don't experience it, you won't have this heart. What I want to say here is that since the protagonist has no sense of belonging to the world, there is no benefit in fighting for the White Snake, so what's the point? Third, there is the issue of the concept of destiny. The destiny of destiny is not the established flow, but the gathering of all things to achieve the final result. Taking the Prehistoric novels as an example, the rise of the human race is not because Tiandao said from the beginning that the human race should be the protagonist, but because the human race itself continues to struggle and conspire to allow its own people to join the major sects and become the backbone. To win over and attack, it took countless efforts and sacrifices to push the human race to the leading role. Therefore, you have to fight for your destiny by yourself. Take the book White Snake as an example. The protagonist is also of the Yanhuang lineage. If you enter the situation of competing in the world and stir up wind and rain, although it is dangerous, the harvest will be equally huge. Whether it is cultivation or life, or studying science in our lives, working hard, etc., They are all inseparable from bravery and fearlessness. From the beginning, the protagonist has an attitude of drifting with the crowd, not knowing what is meant, and having no pursuit in life. Although he has set a goal in front of the ancestor, he still has no responsibility and ambition. As time-travelers, we can speculate whether it is because they have ideals, goals, and strive for them that they are easily affected by destiny and luck. So I got good luck. Fourth, author, you are very good at threading, which proves that you have a strong sense of thinking. However, the confusion at the beginning of the book and the connectedness of the stories show that the author's logical thinking is insufficient (this deficiency will not be finalized yet). This is not suitable for novels that tell one thing and describe it in detail, but it is suitable for stories that are based on whims. To put it bluntly, author brother, you are suitable for writing about Liao Zhai, but not suitable for writing about Journey to the West. I mainly write short stories with jokes, otherwise I wouldn't be able to write infinite time travel novels. Infinite is very suitable for authors who are good at writing episodic novels. But cultivation is really a continuous process, an accumulation of wisdom, not an accumulation of strength. This requires story continuity. Therefore, be careful not to write whatever you think of, and to write as you think of them. There is no outline plan, there are many contradictions in the context, and the power system is chaotic. Fifth, pure complaint: What the six-eared macaque and the tiger spirit did in Journey to the West was really a waste of experience. The tiger spirit is successful in cultivation, but also covets human flesh, and his wisdom and IQ plummet in front of the protagonist. This is really a taboo if you want to write a good book. The six-eared macaque's revenge is also very brainless. The protagonist also has problems dealing with this. Since there is no possibility of communication between monsters and humans in the world of Journey to the West, what else can the protagonist have to talk to?

😃Does the author have a group?😄😄😄😁

In the movie version, it seems that Yan Chixia has reached the Yuanshen realm.

It starts from the beginning until Patriarch Subhuti completes the Dharma and then sends the protagonist down the mountain. . . . It all felt good, but later on I didn't feel so good. . . . Can't tell what's wrong

Ahem.. After reading so many posts, I couldn't help but post one too.. First of all, I really like August's book, and I hope I can keep writing it. A little suggestion~ I personally feel that since this book is classified as science fiction, it should not be limited to classical fairy tales. In the later period, it can develop into various fairy novels. Furthermore, in the later period, just like the White Snake and Journey to the West, we can also create a prehistoric era with a higher power system (I don't know if you think so...) (After all, if it is the prehistoric Bodhi Spiritual Qi Taoist method, it cannot be so weak) In August, you can refer to Infinite Stream for preaching in reality. Starting from the low martial world, the protagonist establishes a teleportation circle after taking control of the world, issues tasks like the main god, builds forces, collects beliefs, plane wars, etc... The power levels and systems of just a few fairy tales are not particularly gorgeous. They are wonderful and can make the protagonist's strength improve... I have written so many words, I don't know if I will see it at the August General Assembly. If I see it, can you reply?" I will be very happy~~~~

First, the division of realms: After refining Qi, refining Qi to transform into gods, refining gods to return to the void, and refining the void to combine with the Tao, you can adopt some Yuanfu and Xuanwei settings, Tianxian [there are five declines of gods and humans], Jinxian [same life span as the sky], Daluo [strictly divided into two levels of Taiyi Daluo, Taiyi Daluo is the same level, but the path is different, and the journey is different], Hunyuan [the level of quasi-sage and saint] Second, the settings of immortal gods: Personally, I feel like Zhao Gongming sees the problem at a glance. If the protagonist stays in the same world for a long time, or appears in front of a saint or quasi-sage, then the saint or quasi-sage should be able to see the identity of the protagonist [except for the protagonist who has achieved Da Luo]. After all, the Hunyuan fruit position is too disgusting for time travellers. [Zhao Gongming can be set as Da Luo. After all, according to the above realm division method, Da Luo has transcended the river of destiny, and it is not impossible to sense parallel spaces or something! Third, the system setting: Personally, I think it would be better if the author could imitate Yuan Fu and sublimate the Taoism of the Shinto and humane Nuwa, who have been ignored. After all, the protagonist travels through myths, not Taoist scriptures. According to folk mythology, Nuwa's recklessness is much better than the Three Pure Ones and Two Buddhas! [If the author has the idea of ​​​​favoring boys over girls, then he can directly sublimate Nuwa into a half-dead state like Hongjun, the essence of life. Personally, I think Yuan Fu did this very well!

It is almost equivalent to modern cultivation of immortality. It is recommended that the real world should not be the real world, but should be set as a parallel world. Otherwise, you won't be able to explain anything sensitive. Don't look exactly like a real country.

I rarely read articles on the main website these days. This is the only one. I won't say anything else, I recommend it! It's directed at Xiaoqing, who said our book also has Xiaoqing as the heroine! ! !

In fact, what I want to complain about the most is that after such a long time, I can only rub small fireballs. You should know the basics of invisibility, wall penetration, and five ghost transportation. It's time to upgrade, your experience points are overflowing, don't keep playing with fireballs in Novice Village.

The introduction feels a bit similar to that book, but I haven't read the content yet. But I admire the author's imagination very much, and it feels like he has a lot of imagination.

I feel like I can set up some kind of foreshadowing here, or connect it later.

Although cultivation is the foundation, means of subduing demons and protecting yourself are also indispensable. Yan Chixia from Liaozhai World is a swordsman, you can learn a few tricks from him

I don't think there is a lack of slow cultivation skills (I also feel that the progress is a bit too fast~), but the updates are a bit slow, but if you write seriously, you just need to keep updating. When it comes to cultivation, the Zhao family's demon removal section mentions two branches: 1. Drive away the monsters and never come back; 2. Bring the monsters up the mountain. Both of them can improve your cultivation level. Only the two monsters escape after a sneak attack. 3. If the protagonist thinks the matter is over, then it is settled. 4. If the protagonist cannot let go, the cultivation level cannot be improved. He has to calm down for a period of time before experiencing something (or calm down while experiencing it), and he will also have to settle with the monkey in the future. The author can refer to these 4 possible endings in the future.

Even if it's a flat low-lying area, wouldn't it be possible to avoid major waterways for three days? Is there really nothing you can do? I really can't think of what kind of flood can cover such a large area. All I can say is that this is definitely not Earth.

Where did the centipede spirit say that he wanted to kill the emperor?

When I saw Return to Earth, I felt completely sick. What's wrong with the protagonist going on a trip? As the founder of Bodhi, he is a boy with no eyesight and no brains. He also has a lot of causal entanglements with the world of Journey to the West. Then the protagonist suddenly abandons these causal relationships and returns to Earth. Even the ancestor Bodhi didn't say a word. I really don't think the protagonist will be able to enjoy the good fruits next time I go back?

The content of each mythical story should be richer, otherwise where would you find so many familiar stories to write about? Enrich each story and design more various plots so that the characters look fuller. The main characters in each story will not be like passers-by, and it will be over after 2 or 3 plots.

It is best to choose a mythological route. After all, ancient myths are contradictory. According to folklore, Zhao Gongming was born with a three-legged golden crow. It was not only Gonggong Zhurong who broke Mount Buzhou, but it was also said that it was Zhuanxu Jedi Tiantong who made Gonggong rebel. The Legend of White Snake chosen by the author is obviously adapted from the TV series version. Let's not talk about the original version. The TV series version of White Snake is also a bug. The pinching function in Fengshen only counts people and not oneself. Whether it is Yuanshi Tianzun or the disciples of Chanjiao Jiejiao, their disciples are all better than the others, but they can't calculate it before something happens to them. The TV series version of The Legend of White Snake is much more impressive. Whether it's Xu Xian or Bai Suzhen herself, she can figure out that the power levels and expressions of the two worlds are in conflict. The combat power of Fahai, who is not a Buddha, is almost the same as that of the immortals in Fengshen. And the immortals in Fengshen are thrown into Journey to the West, and there are also many monkey abusers... So it's best not to create a worldview...