
The Wedding Dress
嫁时衣
- Status
- Completed
- Length
- 698k Words
- Genre
- Ancient Romance
- Subgenre
- Classical Alternate History
- Updated
- 14y ago
- English
- Request a translation
Synopsis
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In booklists 25
See allA Bookworm’s Smorgasbord
A laid-back list maker who updates whenever the mood strikes. I'll gradually add new books and revise my comments on existing ones. Feel free to drop by often. I'm an older reader with eclectic tastes. I read male- and female-oriented fiction, cultivation, fantasy, historical romance, magic, family intrigue, sci-fi, farming stories, anime-inspired fiction... pretty much anything. Rather than following new books as they come out, I prefer the satisfaction of reading a whole story in one go. So
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Reader comments 19
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It's well-written, but what I don't understand is why the female lead's transmigrated identity seems so useless. Usually, having multiple lives is meant to prepare the female lead for more skills, at least giving her a marketable skill. But while she clearly recognizes book titles, she can't read in class and lacks basic life skills. So what's the point of this transmigrated identity?
The female protagonist transmigrated to become an observer of the story.
Actually, the author's writing is alright, but trying to weave too many stories into the narrative makes it feel like the female lead's role is being neglected. Many of the smaller stories also feel disjointed, ultimately relying on epilogues to fill in the gaps.
I dropped the story halfway through, mainly because the male lead wasn't to my taste. I dislike the "jumping out of a window" trope, especially in historical romance novels. I could accept it if the characters were already engaged. (Spoilers ahead.) In the chapters I read, the male lead was portrayed as a traveling merchant who frequented the female lead's house.
These are just my personal thoughts. Please don't be offended if you disagree. Thank you.
I'm checking in after finishing the entire book. This is my first time reading a female-oriented novel. Well, the author wrote quite well, but the plot felt a bit disjointed, and I didn't quite grasp what was happening at the end. First, the time-traveling identity wasn't used; the ending mentioned compromising with the times, which I felt was completely unnecessary.
The age of twenty is considered the age of adulthood. Shen Jing was already that old when the female lead was three, yet she accompanied eight-year-old Zhao Lü to school. That's so awkward!
There's a misused idiom at the beginning of Chapter 31... "" (Bù rěn zú kàn) is incorrect. The original is "" (bù rěn zú dú), and while changing it to "" (kàn) is acceptable, the meaning is "the writing is so good that I can't bear to finish reading it," which doesn't fit the context of the text.
I really like the author's BL (Boys' Love) works, but why has the romance style become so... Indescribable...? This story features a completely local female protagonist, so why is she wearing a time-travel veneer?
The writing is excellent; I was hooked from the very first chapter. The rest of the story unfolded smoothly and gradually, making it a very enjoyable read. The female lead is somewhat naive and innocent, knowing nothing and living a very ordinary life. I really dislike the recurring scenes where the female lead seems to have something to say but can't quite remember it.
I couldn't continue after reading more than ten chapters. It was a waste of money to subscribe to the whole book. I need to change my habit of ordering books based on titles alone. In the first ten or so chapters, the princesses and other women in the book were a bit frivolous, saying whatever came to mind regardless of the situation.