Martial Arts: Forging a Saintly Body with the Sunken River Fist

First of all, the author definitely did not design the map or the distribution of forces on the map, nor did he think about what he was going to write. In the opening chapter, the protagonist is driven by several consecutive crises and runs all the way. It looks very tiring, and there is no sense of immersion or satisfaction at all. This is like playing a game that requires you to run the map, and you have to run the map as soon as you enter, instead of there being a treasure chest on the map, and you will get some rewards if you take the initiative to go there. Secondly: the issue of identity, the identity of the protagonist (dock coolie) + golden finger (liver proficiency) + theme (martial arts fantasy). If you are a fisherman, you can start by fishing, accumulate resources, gain proficiency, and gain upgrades. The identity design of this dock coolie is extremely rubbish, and there is no way to accumulate and obtain resources. Later, there is a plot where the protagonist goes to eat sewer. As you can imagine, if the protagonist is not given a way to obtain resources, I come back from get off work one day, and I am going to eat fishy sewer? The protagonist's strength increases, and then the old level 2 enemies don't know how to trouble the level 3 protagonist. The key is that something even more outrageous happens! Reveal the identity of the inner sect and the enemy is gone? It's so outrageous. The most important thing is that this driving force is actually the government. So what is this government like? Not sure! Because the map is covered in fog, what industries and gangs the entire city relies on cannot be seen, and the government seems to have a strong execution ability. How come the water bandits and horse bandits from external forces come in to destroy the stable environment that the protagonist has just improved? No! Writing like this, don't you feel pain? Don't you feel uncomfortable? The protagonist has no inner drive! Anyway, I have a crisis now that pushes me away! Can the crisis really be solved? No! The government really wants to arrest you? There's nothing you can do about it, it's just a small force in a region! If it were a big power, it would be even worse. It would only lead to a few chapters entering the inner gate of a big power, and it would collapse before even 300,000 words could be written and put on the shelves! The beauty of martial arts stereotypes is not how quickly the protagonist improves his strength! It lies in the carefully designed map and forces to achieve a fragile balance. The protagonist uses golden fingers in this balance, which is equivalent to walking on an invisible tightrope. He enjoys every step of surprise, enjoys being slapped in the face, and wants to walk the slowness of the novice village and the slow pull between some little people. In this map power, An Lan Tang has replaced the martial arts gym, but it has not replaced the role of the martial arts gym. It is useless as a place to hone skills, because the protagonist has not trained his skin, muscles, bones, and blood. Just learn how to box! After all, martial arts is divided into internal training and external training, as well as food and medicine. Why didn't you write it? Hehe, I didn't give the protagonist a way to obtain resources, and I can't think of it now! In addition, the protagonist's upgrade nodes are not broken down enough. I use cheats to improve my current difficulties. It's a little cool because I am accumulating resources to make others envious. It's a little cool because the people who bullied me before I accumulated strength provoked me. It's a big cool thing, and it's released layer by layer. Not here, you can only see a person charging, like a machine, and the people around you will only charge to a certain extent, just wow wow wow, exclaim!!! That's awesome! It's great! The map design lacks places like the gentry and landlord class that can provide harvest and improve their status. It is also necessary to bury the forces in advance that can destroy the protagonist's safety once he reaches a certain environment. The protagonist Goldfinger has improved. Hey, coach, I want to show off!!! Author: Broken! I have no design! How to deal with this? Is it a bit out of place to be next to a fellow sufferer? It seems that it's not possible to go to the inner sect brothers? If you go to the government, that will be even worse! Protagonist: I feel bad? Author: Me too! Why don't you feel comfortable writing? How about adding another pretense and slap in the face! Broken? This collection is not growing, and it keeps falling after reading! Author: Let me try to force another debt! Just press it and it might feel better! Reader: Neurosis in Geneva! What the hell are you writing! Go raise pigs! Abandon the book! Author: It's too difficult for me 😭 The most important thing is that the opening did not unfold the world view slowly enough, and it started with a strong crisis, which is seriously unqualified. The crisis of eight-part essays looked strong from the beginning, but in fact there was enough room for relaxation. This was done extremely poorly, so the book collapsed from the beginning. In the words of Mao Ni, the protagonist needs to take risks in a safe environment, rather than being driven by crises. Your protagonist is completely driven by the crisis. It failed to use interests to continuously drive the protagonist's actions. This was done very poorly. And why is the protagonist's golden finger of liver proficiency only used for liver boxing? This is unreasonable and boring, and Goldfinger is not expanded enough. It's all about force, so you can only design the plot around force, pretend to be cool, slap in the face, and upgrade to fight monsters. This is very poorly done. I probably racked my brains when I was writing it, but I couldn't come up with a satisfactory plot. It's obvious that the same golden finger, with different types of proficiency, can be used several times to enhance the plot and expand the world background. If you assume that readers all know the settings of martial arts eight-part essays, then you will not be able to attract new readers, and old readers will basically not read martial arts eight-part essays by non-great masters. Finally, the perspective changes very quickly, the screen switches frequently, it looks dizzy, and the basic skills are not solid. I pick up other people's eight-part framework and use it without making corresponding adjustments myself. Ignore the adaptive adjustments made by fine works to my own works. When writing, I feel that nothing is appropriate or wrong. To summarize, writing is the same as singing. You need to set up a corresponding stage, and make corresponding plot designs around the theme, golden finger, and protagonist's identity. On this basis, map forces are planned to allow the protagonist to take a breath and develop for a period of time in case of crisis. This section is also the most beautiful part of martial arts eight-legged writing and requires the most careful design.

If performing a set of movements qualifies as martial arts, then you might as well practice Wing Chun, Bajiquan, or Tai Chi. At least those are far superior to the so-called "Sinking River Fist" described in books, possessing either more subtle techniques like inch strikes and explosive power, or deeper philosophical implications. They are all much more sophisticated in every way.

Have you ever practiced martial arts? Just write 😍

The internal investment in this book has passed. Those who want to invest in new books should hurry up! 😍😍😍😍