The Legend of Gold Repair

During the Jiajing period of the Ming Dynasty, the dynasty was in turmoil after the "Renyin Palace Incident". The "dragon-patterned sacrificial vessel spontaneously cracked" incident occurred in Jingdezhen Royal Kiln Factory, which was regarded as a "bad omen from heaven". The Ministry of Punishment investigates the case, and the "Lu family" of the Jinzhi family is falsely accused of "using the art of goldzhi to practice witchcraft", and the whole family is exiled. The youngest son of the Lu family, Lu Qingci, escaped from exile and entered the Jingdezhen folk kiln "Smashing Snow Kiln" incognito as an apprentice. He inherited his father Lu Shenyan's "three skills" - identifying fetuses, mixing paint, and tracing gold, but he did not dare to reveal his identity as a fugitive. Jiang Xueyin, the mistress of the broken snow kiln, bears the hatred of her father. She runs the kiln on the surface, but secretly investigates the truth that led to her father's death in the "sacrifice case". The two met because of a smashed Yongle sweet white glaze Guanyin statue - Jiang Xueyin recruited skilled craftsmen with the promise of "repairing famous artifacts handed down from ancient times", and Lu Celadon stood out with her unique gold repair skills. At the same time, Yan Song's father and son were in power, and Yan Shifan was fond of ancient porcelain and actually "asked for bribes" in the name of "offering treasures." Xu Wei, the director of the Ministry of Industry's Maintenance Office, was ordered to supervise Tao and secretly investigated the old affairs of the "Sacrificial Vessel Case". In the process of repairing pieces of broken porcelain, Lu Celadon gradually discovered the truth behind her father's frame-up - the self-destruction of the dragon-patterned sacrificial vessel was not a natural disaster, but was artificially aged; in order to cover up a major corruption case in Jiangxi Province, Yan Dang hid the account books in a Chenghua color chicken cup. The process of gold repair is not only the rebirth of artifacts, but also the reappearance of evidence...