Back to the ’90S to Make Special Effects, and the Whole World Thinks They’re Real

This is the most reasonable routine I have ever seen in a special effects movie. Other special effects flows are either system tricks, or the protagonist builds a fake special effects team to cover up. Even next door is a special effects studio in the name of AI. In order to explain the source of special effects, the protagonist tells lies one lie after another. And this book is really the best solution for special effects movies. AI uses the simplest and most economical method to teach the protagonist how to do special effects, and the protagonist follows it. With such a simple routine, the protagonist can act like a saint in front of others, and can also explain the origin of the special effects.

AI is used as a system, and even rewards are given.

The design was very good at first, but the problem was that the protagonist was too young. He was an 18-year-old Hollywood director, lighting engineer, and had studied at the University of Southern California. This thing was too dramatic. In fact, the protagonist just writes 23, and 4 doesn't have much impact on the overall situation. The design was originally designed to be as reasonable as possible, but in the end, the age made people feel weird.

The author wanted to introduce it in detail, but he didn't do it right because it was too wordy, and 3/5 of it was useless.

A very sad book. It feels good, but the author said that the writing was messed up and he couldn't continue writing. This book is finished.

Because my memories of my two trips to Hong Kong are not very good, I can no longer read the novels that started there.

Didn't you say that it was straightened out and reissued?

The gap between the original Bleach 2 and the original work is too big, mainly in terms of concept. Although the original work has "God", it is essentially death caused by accidents. You have involved too many gods and ghosts. It can be a battle between the two sides. One makes accidents happen continuously, and the other uses accidents to offset the previous accidents. For example, if an aircraft part breaks down, another accident will cause other redundant parts of the aircraft to break, and then just replace the function of the key component. Isn't this much better than the direct appearance of the King of Hell?

How can I put it, the design is pretty good, but the details are so disjointed that I couldn't stand it halfway through.

The idea is good, but the setting of the era requires at least some understanding of the background of the era, rather than writing based on the imagination of 2026. Also, the identity of the protagonist is too awkward. The author seems not to know what a green card is, nor does he know what his set of things is. The technology at that time was so awesome that Hollywood was begging you to use it, but it actually had to go to great lengths to trick Hong Kong film companies. Back then, it was a little difficult for mainland immigrants to go to Hong Kong, but it was just a little difficult. If you just wanted to work in Hong Kong, it was really not that difficult. It's totally not worth the protagonist's tricks.