Do You Call This Apocalyptic Wasteland a Fairy Tale World?

The conditions for activating the golden finger are too harsh. The protagonist should never survive at the beginning. Without the golden finger, the protagonist cannot survive at all. If the monster attacks the protagonist's workplace, the protagonist hides in the corner and the monster does not come in. At dawn the next day, the protagonist picks up a small corpse of the monster and activates the golden finger. This is much more reliable than the author blindly writing at the beginning that the protagonist can survive a crisis where death is inevitable.

Dear readers, dear brothers. I have noticed that many comments are discussing related worldviews, which I feel are not very reasonable, such as the issue of the night watchman system, or the policy of Dizhu City towards the outer city. It may seem a little unreasonable now, but I promise it is all foreshadowing, and all of these foreshadowings will be recovered at the end of the first volume. Thank you again dads! Please collect again! Please recommend! Kneel down and thank you!

Humanity is almost extinct, yet it still does this. Extinct long ago

One is the attack of the white-striped spider It seems to be a normal plot: the monster appears to show a strong sense of oppression, the protagonist is chased into a dead end, the companion backstabs in a life-or-death crisis, and a desperate fight to kill the monster In the end, two monsters appeared. The small cub has no plot at all in the "monster appears" and "pursuit" stages, and the big white-striped spider has no plot at all. After driving people to the marching road, he also became invisible From the perspective of the monster, this is: When I first appeared, I ate one of the three protagonists in one bite, and chased the other two into a dead end. The alley was too small for me to enter. At this time, the author said that you are not alone. Let's put your baby in and take a look. OK, let's put it in. Why did the baby die and they only had this one exit? I don't know, it's daytime, I have to leave, and then I left... In addition, during the attack, there was a backstabbing plot of the protagonist's companion, which completely destroyed the character in just a few chapters You must know that the companion had asked the protagonist before, hoping that he would bring his sick daughter with him when he entered the main city. At that time, the protagonist also had "others are interested in him." "His talent chooses investment, and he does it for family affection" and other ideas And here, when the protagonist is carrying him, the companion pushes the protagonist to the white-striped spider in order to survive, obviously putting his life first This is very fragmented. A person who loves his daughter very much, a person who asks for help, faces him who comes to support him who is injured. When the protagonist agreed to take care of his daughter, he chose to live by himself... There was a feeling that a person who was supposed to be a good person actually acted like a villain. Of course, the protagonist still bought the daughter of this companion... I don't know what the author wanted to express here If you want to describe the kindness of human nature, you can Write about a companion risking his life to save, the protagonist is moved, and takes his daughter with him when he goes to the main city If you want to describe the selfishness of human nature, then don't write that the companion has a request, you can explain his sick daughter, the protagonist intends to help after hearing this, but chooses to give up after experiencing a backstab Maybe it is to reflect the kindness of the protagonist? "Even if you want to kill me, I will still fulfill your request?" There is no doubt that this will dissuade countless readers I actually really want to see a kind protagonist. Nowadays, many books advertise "killing decisively", but actually "disregard life". I am quite helpless. The character of the protagonist needs to be supported by the supporting characters. If the supporting characters are bad and the protagonist helps him, then the protagonist is the Virgin. The supporting characters are a bit annoying, but the protagonist helps him and the supporting characters have changed, which makes people feel comfortable. The supporting characters are good, but the protagonist is indifferent and I don't like watching it either. Back In this book, the author created a character who considers his daughter in a cruel world. I actually hope that the supporting character will match his words and deeds, and love his daughter more than himself. This kind of "true love" is worthy of the protagonist's kindness, and when he wants to survive, his "for The emotion "for the sake of my daughter" is no longer valid, and the protagonist's kindness seems abnormal Finally there is a very small point After the attack plot, the protagonist awakens Goldfinger and comes to the black market to buy the companion's daughter. Why should I buy it here? The author says that the caretakers of the black market regard the local low-level people as their own slave goods, which is too interesting... First, why is there such a setting? I am a lower-class person with a father who also has a job. Although I am sick, I will not lose my freedom and become a slave. Now I want to leave here. Why do the lower-class people have to pay ransom fees like slaves? The second is that since people want to buy freedom, isn't the previous verbal request even more clownish? I have a sick daughter. I beg you to take her with you when you enter the main city, even if you want her as a servant... What I lie to you is not actually a simple effort, nor is it a maid given to you. You have to spend your own money to buy it. It will be more expensive if her father is alive. Why are you saving money to buy World of Warcraft corpses to awaken Goldfinger? I don't know, just buy this mute and send her to the main city, or just ignore your request to die for me...