I Went to the Ming Dynasty to Collect Ancient Books

The core ideas of time travel, cultural protection, historical puzzles, group portraits, and realism: using the fantasy setting of saving books across time and space as a carrier, it shows the rich history of the Chinese context's difficult survival in troubled times, interprets the core of "ancient books are not dead cultural relics, but living memories of civilization", and writes about ordinary people's persistence in cultural inheritance. World view 1. Dual time and space rules: The late Ming Dynasty copper "book guard ring" worn by the protagonist Chen Yan is a travel medium. Every time he gets hot, he can trigger travel. The landing point is fixed at Nanjing City in the 17th year of Chongzhen (1644). As the plot progresses, other important book collection places in the late Ming Dynasty such as Beijing, Suzhou, and Ningbo can be unlocked. The duration of time travel is initially 12 hours, and can be extended to up to 7 days as the energy of the book keeper increases. In the time travel state, the person is initially a "transparent person", unable to have physical contact with living people, and can only touch ownerless dead objects. Later, the temporary entity state can be unlocked, and a weak interaction can be had with a specific book keeper. 2. Carrying rules: Only paper ancient books and study-related items can be carried back and forth. Modern weapons, electronic products and other industrial products cannot be carried, and living objects, gold and silver jewelry from the late Ming Dynasty cannot be brought back to modern times. 3. Realistic background: In contemporary society, the current status of the ancient books protection industry is real and palpable: there are unknown restorers, rigorous scholars, antique dealers who covet rare books, the counterfeiting industry chain, and the real dilemma of the public not paying enough attention to the protection of ancient books.