Game Nine

Ten years after the nuclear disaster, the remaining humans huddled in the federal main city sheltered by high walls, suffering from a lack of resources and intensified conflicts. In order to appease the restless people and select elite combat soldiers, federal officials publicly launched a cruel live broadcast fighting project - Game 9. In each issue, tens of thousands of contestants with different identities will be airdropped into abandoned areas that have been completely lost and turned into zombie nests. Mutated zombies and deformed beasts roam among the ruins. Water and supplies are extremely scarce. Communications are mostly paralyzed. Only the official bracelet worn on the body can mark the number of survivors and the ultra-micro cameras in the eyes can watch the live broadcast. The rules of the game are straightforward and cold: there is no time limit, and the ten people who survive in the end will receive permanent residence in the main city, high material rations, and even be directly incorporated into the federal regular combat forces; everyone else will be buried in this dead city forever. Some are desperate low-class refugees, some are prisoners carrying charges, some are mercenaries eager for fame and fortune, and some are young soldiers who volunteer to join the war. They not only have to fight against the endless influx of zombies, but they also have to beware of similar people stabbing in the back and snatching ammunition and food. As the camera beautifies the blood and gore, the contestants gradually discover that Game 9 has always been more than a survival competition. The truth about zombie mutation that the Federation deliberately conceals is hidden in the city. The game itself is just a cruel experiment to screen war weapons and cover up disaster plots. In a desperate situation, should they kill each other for survival, or join forces to tear apart lies? In the abandoned city, the game of life and death has just begun.