Yangyangxing

Introduction to the work "Yang Yang Xing" Shen Yuan is a cultural relic restorer at the G Palace Museum. He is twenty-five years old, a man of few words and a steady hand. In his first year of employment, he accidentally touched a nine-thousand-year-old bone flute and was involved in a strange experience called "spiritual retrospection" - touching a real cultural relic can "see" the most spiritual moments of the era of its birth. From the carbonized rice in the Jiahu site to the Qin bamboo slips in the Sleeping Tiger Land; from the divine emblem on the jade cong in Liangzhu to the gatekeepers under the Shimao Stone City. Shen Yuan returned to the historical scene again and again and became a silent witness: the boy who played the bone flute after the flood, the woman who planted the seeds in desperate circumstances, a letter from home that has been gone for more than two thousand years, and a musician who sounded the chimes on the night when the city was broken. He went from disbelief to gradually understanding that he was not "seeing history" but "remembering those who should not be forgotten." Those names that were not recorded in history books and those moments that were crushed by time came back to life in his consciousness through each artifact. Zhong Yan, the old master of the bronze group, handed him one ticket after another leading to the ruins. Tibetans, cultural relic dealers, and a hidden thread spanning thousands of years emerged. But Shen Yuan did not become a hero. He just returns to those moments at the peak of civilization over and over again, bringing the stories back to the world for those nameless people. "Yangyang Xing" is not a history about princes and generals, but an epic about "nameless people" - seven thousand years of civilization, 1,400 stories, each of them saying the same thing: voices can live longer than people.