Qin Bone and Han Scale

The historical conclusion that Chang'an Juncheng, the son of King Zhuangxiang of Qin and the half-brother of King Zheng of Qin, died in the Tunliu Rebellion was just a carefully forged political death. Lu Buwei took control, Ying Zheng acquiesced, the clan changed lives, and the dead men protected him. The 17-year-old son named Ying faked his death and escaped, and escaped to Pei County incognito. He borrowed a branch of the Ying family and changed his surname to Liu, and became the idle Pavilion Chief Liu Ji of Surabaya in the eyes of the world. He holds the six imperial schools of the Qin royal family: Ba, Wang, Fa, Tao, Du, and Za. However, he has to pretend to be a rogue in the market all the year round, hiding his edge and staying humble, hiding in troubled times. Witnessing the First Emperor's eastward tour, what he felt was not envy, but the fateful scrutiny of his fellow clansmen; Mang Dang's snake-killing and the myth of the Red Emperor's son were all the identity cloaks he weaved through people's hearts in troubled times; the three chapters of the covenant, the forbearance at the Hongmen Banquet, and the struggle between Chu and Han, all were precise layouts educated by the emperor. The world only knows that the rogue Liu Bang became an emperor in common clothes, but no one knows that he shed his shell three times in his life, died as a king of Chang'an and became a dragon, and died as the pavilion leader Liu Ji. Finally, in the name of Emperor Gao of the Han Dynasty, he completed the ultimate transformation of the bones of Qin to the scales of Han, and the dragon's veins to be inherited. This book uses a jigsaw puzzle from the perspective of multiple characters to peel off the filter of two thousand years of emperors and restore the life of a hidden emperor who lived in a divided identity, endured loneliness, and made dragons in the world. [Disclaimer] This article is an imaginary historical novel. The characters and plots are fictitious. It only uses the historical background of the Qin and Han Dynasties for artistic creation and has nothing to do with real historical events and characters.