Tokyo: Popular Voice Actor Fell in Love with Me

I feel that the focus of this book is still on the "love" in the title. The part about voice actors is more like a tack. Although the protagonists have not officially become voice actors or even started, but you can also write some side stories about the industry to deepen your impression of the subject of voice actors, right? After all, it would take hundreds of thousands of words to become an official seiyuu, and the age setting is too young.

I didn't feel like I wanted to continue watching it, it felt very ordinary. I keep writing about how popular the male protagonist is, and I'm getting a little tired of it.

It's rare to see a book about voice actors. I still remember how I felt when I first read the book about voice actors. It seemed that it was called Songgang's only god or who.

Come on 🙂 The writing is very good

Let's add a bookshelf first and see if it will work in the palace.

It's been a while since I saw a voice actor article, come on 👍

Those who are trying to sell dogs over others are basically just daily emotional lines, there are almost no voice actors, and the protagonist is not worthy of a single work.

With Kotori Yurikka, I wonder if there will be Tashou Sanae? I quite like this guy's looks, and his figure is also great.

Is seiyuu no longer a niche track?

By the way, according to Japan's admission time, Amamiya Ten and Sakura should be in the same class? (August 1993 and January 1994)

I don't know anyone. I only know Kana Ueda and Maaya Sakamoto. If you don't tell me about the dubbing roles, how would I know about them?

Amamiya Ten

I rely on voice acting and writing, or the old voice acting 🙂