Tokyo: a Perfect Life Starting from Becoming a Voice Actor

I haven't watched it yet. Will I win the most beautiful face in the Eastern University session in three months?

The author's Wenqing disease began to attack. I feel like I can run.

I just want to have fun reading this novel. The early plot is quite light and interesting. Why do I keep writing about my sister who died in her previous life later on? Author, are you already immersed in your novel and unable to extricate yourself? Don't be happy with yourself

Um? Isn't it the Gold Finger God Rewards type? Why doesn't the protagonist brush up his skills at all 🤔

The first is the name. The protagonist is in Japan and his name is Lin Xiu. Then there is the fact that although it is a proficiency system, the experience does not seem to be gained much. Finally, the system is wrong. It cannot be called the Tiandao Rewards System. It is essentially an ordinary system. The experience basically depends on system tasks. To advance skills, you have to complete tasks. People's Tiandao Rewards is the kind that directly kicks breakthroughs to the curb through ordinary practice. This is an ordinary system, but the protagonist has a genius attribute correction, which is not bad 🙂🙂. If you remove these, the writing will be okay.

I don't understand why Dang Wenchao has to donate all the money he earns. I can understand if he donates more than he earns. Do we have to donate even if we can't afford a house?

There are 14 books, and none of them are finished.

But it still looks weird, Lin Xiu 😥, it smells like domestic urban literature. The name Lin Xiu appears very inconsistent with other characters.

If the protagonist can even spot Saori Hayami's mistake when copying a mystery novel, how can he pass the dean of literature?

Although we don't like to see the best seller (referring to Higashikata) when we recommend it, can you please stop staring at Higashino. It is impossible to write mystery novels without a lot of mystery reading. Voice actor articles are voice actor articles. You must copy them from mystery novels. If you don't want to copy them, just copy them from Higashino, which is badly written. If you like Higashino so much, why don't you copy his ski series?

The traces of imitation are quite heavy. I hope there is content you want to write.

I feel that getting high marks in exams, writing novels, etc. Are all very satisfying, but I have to hide them. Japan doesn't practice subtlety, so all the pleasant feelings are not expressed in writing. The voice actor part is also very average. Well, even if you look at the voice actor part, you won't even recognize it, but the overall feeling is just too average. No taste

It's so similar to Xiao Bai Long's book, full of literary talent, interacting with a bunch of female voice actors, don't just have no female protagonist or only one female protagonist in the end.

I don't quite understand why you insist on giving a Chinese name when you already wrote Tokyo-style. He also specially explained that some of the pronunciations are different, but they are very funny.

RT, after reading the experience of my eldest brother Xiao Bailong, I can't help but think of my eldest brother when I read the voice actor's articles.

Is there any Shennong? The title and resume give the impression that the plot is a bit cliche, and the only attraction is the voice actor element. However, looking at the resume, it feels like it is just a label, and the essence is still a copy of the text.

Limited exemption? ? ? Then what does it mean if I subscribe automatically😭😭😭

First, I read the description and saw that the paid part starts a little bit. To be honest, it's not bad. It's overall great, and the rhythm is excellent. A little bit. 1) The handling of genre text copying can be better, but the processing by Sound Master is not conducive to the understanding of those who have not seen the work, so Sound Master's broadcast is better, and this trend is also seen in places. 2) Several career lines seem to be a bit messy, and each line seems independent. I hope that the whole text copying masterpiece will not be completed in the future. I have had enough of that stuff at Persimmon Next Door hhh The following is a complaint about myself. Shushu, wow, when I look at seiyuu topics now, I will unconsciously compare with the three types. Due to the limited flow of the subject matter, the general poisonous points that do not match are obvious and dense and difficult to read. The ones that do match need to be compared unconsciously with old works. And online articles are the ones that cannot tolerate comparing rhythms and looking for substitutions. Everyone's rhythm is the same, so it is not smooth to read. Our niche subjects really long for pearls and are afraid of pearls. It's a pity and a bit sad...

"Meeting you is the real sign of success"

Can the author update hundreds of times a day? Don't want to follow up

Voice actor text? The author writes well, it's rare for someone to write a voice actor article

Collecting some opinions from everyone 1. Animations and characters that I hope the protagonists will dub, such as "Demon Slayer: Kimetsu no Yaiba" Tomioka Giyu, "JoJo Diamonds" Kishibe Rohan 2. I hope the protagonists will copy pure literary works, such as "White Night Journey" and "Jieyou Grocery Store" 3. I hope the protagonists will copy popular literary works and original comics, such as "My Youthful Love Story Really Has a Problem" and "Death Note" 4. Games and roles in which the protagonist is desired to be voiced, such as "Persona 5" Ren Amamiya 5. TV series in which the protagonist is desired to appear, such as "Ultraman", "Kamen Rider" and "Unnatural Death" 6. Substituting works and roles in which the protagonist is desired to appear, such as Lu Mingfei in "Dragon" and Zhang Chulan in "Under One Person" 7. Songs that are sung or copied by the protagonist, such as "Loser" and "Lemon"

The problem with this book is that it is too bland and not enjoyable.

Counting the fact that I have finished the third volume, if the main problem of the first and second volumes is that the shadow of White Dragon is too big, too many so-called tributes make me constantly compare, and the online text cannot stand the comparison. The third volume is still guaranteed, but the plot rhythm is completely out of control. The main problems are: 1) The career line is messy, there are too many professions, and there is no connection with the characters. The previous heroine knew that the design of a vest is not enough to connect. As a reader, I can't remember and don't care because of insufficient processing. 2) The character line is accelerated and the emotional line is overall out of control. The problem with the emotional line in the first and second volumes is nothing more than Miss Hidaka's backtracking. In the final analysis, there is a difference between the image of Miss Hidaka in my own writing and the image of Miss Hidaka written by others. I chose to trust others, or for the sake of stock trading. In the third volume, in order to give such a large number of female protagonists separate opportunities, everything got out of control. Main suggestions (although it may not be time to adjust in this life), 1) Design the relationship between career line and emotional line, painting and farming, voice and Sakura, daily life and little sister, and the hidden drama, radio and Hidaka, etc. The answer has been given Isn't it? 2) Control the number of female protagonists, and the answer is also given. Controlling about five female protagonists is a very reliable number. The one who is obsessed with the brain ruins the plot (the one who is obsessed with Li Shen is better), so the modern person is better than the ancient one ()

Sakura and Ito Mirai wrote too little 😭

"You are my junior"

Today's 5 chapters are guaranteed 🙂🤓

Speaking of which, should I combine the promise I confessed to Ultra and the promise I confessed to Mask as qualifications for participating in these two roles?

Dragon Boat Festival Health

Just watched it and it's free for a limited time. Wow wow wow.