People Cultivate Immortality Behind the Scenes in Tokyo

I have read both the previous book and this one. Is Tokyo Behind the Scenes polluted? The protagonists are all real people from Zifu. They have followed the golden elixir path of Zifu to cultivate immortality. They also have to do ghosts, such as the big monster, the two-faced Nuo, and the Inari God. They have tasted too much. Is the desire to perform so strong? It is too clownish to train the disciples one by one to help give them medicine to help them break through. Isn't it too clowning? Directly establish the Zifu Jindan Dao, and wholesale the exercises all over the world. Now the cultivation is just popping up one after another, and I don't know how efficient it is. Thinking about it, I wrote it earlier if I could. Without this ability, I could only write according to the formula. In the early stage, I couldn't express the feeling of improving the immortality of the Purple Mansion Golden Pill. The protagonist's plot was replaced by a system that exchanges emotional values ​​for the abilities of the Naruto Pirates. There is no sense of violation.

Don't be reluctant to die for supporting characters, especially the supporting characters on the government side. The government camp is inherently more powerful than the ordinary people's camp. If the extraordinary characters in the government camp are not allowed to die, it will easily create the feeling that the author is a Japanese activist.

Do you think the author has no idea about the number of people? The number of people killed in zombie incidents is too unreasonable. Are you serious if tens of thousands of people die in just one night? On the Somme battlefield, the famous meat grinder of World War I, Maxim showed his power for the first time, and 70,000 people died in one day. You zombies are more efficient than machine guns 😅

Investigation report: "Number" - 642 Investigation target: "A Man Cultivates Immortality Behind the Scenes in Tokyo" - Male Protagonist - [Imataru] Investigation Result: [Reincarnation] Judgment Basis: Abnormal Characteristics: A time-travel investigator, as the name suggests, is a profession that investigates and records the time-travel situations of travelers. It aims to let observers (that is, readers) in all the worlds know in advance the time-travel situations of travelers in this world, and volunteers to provide observers with fast time-travel information query services If there are any fallacies, I hope to correct them ——All Souls Feast Zhenjun Stay on May 13, 2026

Reading Tokyo Behind the Scenes, I haven't seen many normal officials (either American or Japanese). The descriptions are full of prejudices and stereotypes (especially the descriptions of the operation of power and social operations), but this one is actually quite normal. (There are too many bad books on the market. When I suddenly see some well-written ones, my first reaction is that they are well written.) Then there is the male protagonist, who is also relatively normal. It may be because he still needs to practice, so practice is the first priority, instead of going around watching and eavesdropping, and then having to make up the settings based on other people's guesses.

The plot is very embarrassing. I am fighting wits and courage with the air.

I have read Chapter 40 so far, and I feel that the extraordinary characters you wrote lack some charisma. The strength of one's own strength should come from the strength of the heart. For example, the villain commits evil to the end and refuses to repent. Pious people gain strength through faith and use faith as a sword and shield to resist all external forces. The righteous character still sticks to his true heart after experiencing the ups and downs of the world. That crying guy is too messy. Does this kind of character deserve to have power?

Shouldn't the number of cultivators be used to stir up the spiritual atmosphere? Why does it feel like the protagonist always performs by himself 🙂

After reading Chapter 24, I am ready to delete this book. I feel like the behind-the-scenes articles about Tokyo that came out later didn't capture the essence at all. You have to know that we who read the book are little people, and we will naturally be brought to the bottom and civilian identities. What we want to see is the ants at the bottom gaining extraordinary power to resist the darkness at the top. This is essentially jjdz. This is the greatest pleasure of behind-the-scenes writing. Instead of watching you wield the butcher knife at the bottom and the common people. I don't know what you think, but I don't feel comfortable seeing those innocent, hard-working low-class people and civilians being mowed down like grass by the protagonist. What I want to see is resistance to the upper class, revenge, and a better ending in the book for the darkness that cannot be changed in reality. Even if the ending is death, the upper class must be eliminated.

Is it because I haven't watched Xuanjian? Although the scene is quite big, I really don't have a sense of immersion. After fighting for a long time, I am still thinking about who this person is and what each person did in this conflict.

Like the title, the first few golden chapters are all used to set up the setting, and the settings are all obscure and made-up words. It seems that the readers have read another book by default, so new readers click in and read a large section of the setting. The problem is that they still can't understand it. I'm chovy. It's good for you to ride on the popularity of other books. Are you writing this to attract traffic to other people's books?

This is to punish Japanese people as Japanese people.

Why don't you want to use the old one? Is it okay to use that one to renew?

Should Dongda also build a supernatural organization to join the battlefield, come to the Chinese Abnormal Society, the Year Beast, the Winged Tiger and Thunder Heng

I have caught up with the latest. Yuta Kimura and Director Arima are both very interesting characters. I would like to contribute my meager subscription to support the big boss. It seems that the police chiefs behind the scenes in Tokyo all have the last name of a certain horse. So far, we have seen that white horses have horses, bamboo horses, etc.

I have read a lot of behind-the-scenes articles, especially Tokyo behind-the-scenes articles, but it is obvious that the current behind-the-scenes articles have an obvious bottleneck, that is, the appearance of Chao Mohan has not changed anything, it is just a transfer of the routines from superhero movies. If this is the case, then why not create a behind-the-scenes flow of superhero movies?

Another one with lightning claws, and another one with big mouth. There happened to be a few people and servants behind me.

I recently rewatched the animation "K" and found that the "seven kings" in it are very similar to the up and down cultivation settings of Xuanjian/Wenchao's different paths. So I was thinking that if I used Japanese or two-dimensional techniques to write about Zifu's golden cultivation of immortality, I could also try to incorporate K's setting, and the style of painting might be more unified. Similarities: 1. Each path has one and only one upper position, which can only be inherited by the lower position after the previous one dies. 2. Those in power run the risk of losing control and falling. 3. The superior can promote the inferior at will. 4. You can change the path.

It's pretty good. I haven't seen this kind of behind-the-scenes leak for a long time. I see that the quality is pretty good now.

Bland, no big mistakes and no notable highlights. It is at an average level among other articles.

I remember reading a book before where the imaginary bear demon disaster was not as good as the real bear disaster. Could it be that you also wrote it

Damao, EU, ASEAN, Middle East, etc.

Why does the protagonist's name sound like a Korean?

It's a good behind-the-scenes stream and I finished it in one go.

Core setting: The protagonist adopts the yin-yang, five elements, seven rays and twenty-eight constellations system in Wenzhao Gong's "Guo Position Cultivation Stream", and the realm of immortality is divided by the Zifu Jindan Stream (qi training → Taoji →...). Supporting character design: Distinctive functionality: The supporting roles are divided into "chess pieces" (tools controlled by the protagonist) and "opponents" (resistance that promotes the plot). Interactive tension: The protagonist uses [Fruit Position] to create information gaps, allowing the supporting characters to become part of the plan without knowing it, highlighting the fun of behind-the-scenes manipulation. 2. Plot Tokyo background blend: Reality and fantasy are intertwined: the system of cultivating immortals is implanted in Tokyo city, and elements such as campus, shrine (religion), and underworld (realistic conflict) are used to build a world view. Plot rhythm and conflict: Fast-paced opening: The protagonist's abilities are shown at the beginning, and the plot is planned from the perspective of the supporting characters. 3. Writing style Detailed description: Real-life scenes such as gang fights and campus undercurrents are described in detail to enhance the sense of immersion; the battle of cultivating immortals focuses on the description of energy fluctuations and changes in spells, highlighting the differences in power systems. Narrative style: Calmness and restraint: In line with the obscure character of the protagonist behind the scenes, the protagonist's psychological activities are mostly shown indirectly through the layout of actions to avoid being lengthy. Advantages: It cleverly combines Wenzhao Gong's immortal cultivation style with Tokyo's behind-the-scenes style. The strength setting is novel and the story logic is clear. Potential shortcomings: The supporting characters may lack depth due to being instrumental, and long-term reading may lead to fatigue. Can the mid-term plot not collapse? Suitable for readers: readers who like behind-the-scenes battles of wits, cultivating immortality system, and Tokyo Kaitan.

The writing is too scattered, with a hammer in the east and a pickaxe in the west. After reading the latest chapter, except for Arima and Smith, I can remember a little bit, but I have almost no memory of the others. At most, I know there is such a person. To put it harshly, the current character arcs are terrible. We need to strengthen our character creation.

The writing is very good. The setting in the front is a bit messy, but the story in the back is very smooth.

I only read the free chapters. Does anyone know if Shen Nong is good or not? Is the status and thinking of the extraordinary person behind normal? Are there extraordinary people who kneel down and lick the powerful? Does the protagonist have any rubbish emotional scenes?