
Reborn in 1981: I Sling My Hunting Rifle and Head for the Mountains
重生1981:背起猎枪去赶山
- Status
- Completed
- Length
- 66k Words
- Genre
- Urban
- Subgenre
- Urban Life
- Updated
- 5mo ago
- Source
- Qidian
No longer available on Qidian since 6 Oct 2026. This page shows what we last saw there.
Synopsis
28Chapters
0Votes
8Recs
0Fans
More by this author
Readers also read
1955: A Personal Think Tank of Experts
Reborn in High School, but the System Thinks I'm Seven?
The C Student Doesn't Want to Be the Top Gaokao Scorer
You Went to Military Academy, So Where Did All Those Certificates of Merit Come From?
What Do You Mean the Streamer Really Is Cynthia?!
Three Kingdoms: Liu Bei and I Pretend to Be Mortal Enemies
Reborn in 1999: Starting with The Palace
Late Ming: I Pose as a Descendant of the Jianwen Emperor
Born to Be an Immortal Seed, Starting to Grow Spirit Plants in a Demonic Sect
1991: From Sailor to King of the Seas
Honghuang: In the Jie Sect, I Prove the Dao by Collecting Corpses
1999: Starting Out as the King of the Rich List
Reborn in 1981: Rifle on My Back, I Head for the Northeast
Reader comments 1
Translated by Google Translate
Evaluation of the first chapter (purely personal)
The bad is greater than the good. Let's talk about the advantages first: You wrote an interesting shell, but the meat in the shell is very minced, and the advantages are buried among the disadvantages, which are almost invisible. Let's talk about the disadvantages: 1. The sense of age is not enough. In the first scene of a rebirth period novel, there must be a sense of age that comes from the beginning. This sense of age depends more on the scenery and the description must be detailed. Talking about a movie, "Charlotte's Sorrow", Charlotte rushed downstairs, came to the street, looked around, and felt a sense of age. Why did the director arrange for him to come to the street? There is no motivation for the character's behavior. My personal feeling is just for the sense of age. 2. Saliva. This chapter is almost entirely filled with dialogue. The dialogue content accounts for about 3/4, I don't count, it's just based on feeling. It's not that most of them can't be dialogues. The premise is that the dialogues must have flavor, but your dialogues have no flavor and are straightforward. It's not that I can't write straightforward narratives, it's that the first chapter is not suitable for straightforward narratives. 3. What about conflict? There is a conflict in what you wrote. The aunt wanted to borrow money, but she didn't pay it back in the end. The protagonist needs to stop it. Question 1, why didn't he come forward directly? But go to the eldest sister first? Question 2, the conflict is resolved in the first half of the chapter, what about the hook you give the reader? Question 3, the hook you left is that the protagonist went to chop wood, but the reader knows that he has been reborn, so he is sensible. This hook does not work. Question 4, what's next? Readers are used to the days of straightforward narration, so they read novels to enrich their inner lives. 4. Where is the hook? You might say that the aunt will come back later. No, no, no, I want it now. I, a person who comes to read your book specifically, can't finish reading the first chapter. How do you get readers to open the second chapter? No follow-up = no hook. No matter how good your subsequent writing is, readers will not read it because you discouraged them from reading it in the first chapter. Clear? To summarize, you need to have a picture in your mind first, and then you can write the picture. Do not slobber throughout the article, and the slobbering does not show enough emotional tension. To put it bluntly, the uncles playing chess downstairs in my community were more noisy than the first chapter you wrote. Finally, I would be honored if my comment helped you. If my comment makes you stop writing, that is not my intention. Come on! 😡