Let Me See Your Entry on the Difference Between Entertainment

The current direction is that of screenwriters and producers. 😄 If there is a suitable role, there is a chance of starring in it. 🤔 If it is a variety show... If this book can survive until then, let me know if anyone wants to read it.

New books are still in cold start, relying entirely on the collection and reading of book lovers to support the flow. Follow-up reading means reading the latest chapter on the same day as it is updated, without complicated operations. If you like the story, please read it and I will update it steadily. Thank you for your support. 🙏🙏🙏

But the results are too poor. It may be because the title and introduction are not good enough, or it may be that the emotions and sense of involvement are not enough. I will think about it again when I go back, and I will probably start directly from Shishi next time.

The appearance of the male protagonist is that of a big black bear like Ma Dong-seok (a big man with fat and muscles), and may change moderately in the future.

Fan Zifeng [The Golden Lock of My Fair Princess] She rose to prominence in 1998 with the role of "The Golden Lock" in "My Fair Princess", but this role was both her starting point and the label she has been trying to break away from for more than ten years. There are still viewers who only remember "Golden Lock" and do not remember any of her subsequent roles. [Oriental Porcelain Doll on the Cannes Red Carpet] In 2010, she appeared on the Cannes red carpet wearing a "dragon robe" look and became famous in one shot. Since then, the "crane costume", "Chinese porcelain" and other styles have become a topic of discussion year after year, becoming one of the most recognizable oriental faces in the international fashion circle. However, due to the insufficient thickness of her works, she was questioned by some public opinion as a "vase that only walks on the red carpet" - even though she personally turned the "vase" into a weapon of her own. Advertising Money-Making Queen In 2011, she was endorsed by more than a dozen top brands such as Cartier, L'Oreal, Nokia, and Mercedes-Benz, and her commercial value ranked among the top among mainland female stars. She is the earliest practitioner of the independent studio model in China. In 2007, she formed her own team and became a capital trader. [The Centrifugal Force of Business and Art (Blue·Negative)] Her name is also ranked second in the Forbes China Celebrity List and first in the voting for "The Actress Most Hopeful of Being Revised". There have been so many commercial endorsements that her face covers every consumer scenario - skin care products, mobile phones, drinks, cars - but her acting skills have so far lacked a truly convincing masterpiece. She needs a drama that will make the audience forget that she is "Fan Chong" and only remember the character itself. [I am a rich man (Lan Zheng)] When she said the sentence "I will not marry a rich man, I am a rich man" in 2010, she was already running her acting career with an entrepreneurial mindset. She invested in Tangde Film and Television, built her own studio, and cultivated a core team. She is no longer a simple "star", but a businesswoman who is learning the content of business. But this road has just started, and she needs a work that both stars her and can be filmed by herself to verify the transformation of this identity - from "traffic star" to "content boss".

Yang Siwei [Fan Congcheng's Publicity Director] Born in 1985, graduated from the Directing Department of Communication University of China. Since 2008, he has served as the publicity director of Fan Congcheng Studio. He once created the "Fan Ye" character for Fan Zhitong. He is recognized as a public relations wizard in the industry and is also the "character engineer" of Fan Zhitong's studio. Queen of Golden Sentences Good at changing public opinion with one sentence. Her core competitiveness lies in being able to capture an artist's most unique label in the shortest possible time and amplify it into a public memory point. "I don't marry a wealthy family, I am a wealthy family" is her handwriting. She knows that a good story can turn an artist from "blacklisted" to "remembered" and is eager to use larger projects to verify her "personality packaging methodology." [Fan Congcheng's Personality Engineer] She is not a passive executor - she is the co-creator of Fan Congcheng's public image. Behind every image transformation of Fan Zhitong, there is a communication strategy designed by her personally. At this point in 2011, any project that wants to cooperate with Fan Bingbing's studio cannot avoid her. And her personal value is no longer limited to the platform of Fan Zhitong Studio. [A trader who is not content to just be an executor (Lan Zheng)] Her ambition is more than just "Fan Chong's publicity director". Deep down in her heart, she wants to use her own "personality methodology" to operate more artists, more projects, and more diverse business models. Fan Zongtong is her first work, but it will never be her last. In 2011, she was accumulating experience and resume for her future independent entrepreneurship - what she needed was not a long-term meal ticket, but a case that could prove that her methodology could still be valid without Fan.

Yang Rong [Professional villain with a professional background] Graduated from the Performance Department of Shanghai Theater Academy with a grade of 1997, and is an old classmate of Yu Zheng. In 2011, she officially signed a contract with Yu Zheng Studio, starting a long road to becoming the second female lead. Her first attempt at a villain role in "The Palace Lock Bead Curtain" was a great success, but she was labeled a "evil woman" because of it. [A rough jade favored by great directors] When she was in her junior year, Zhang Yimou invited her to audition for "Happy Time", but she was four hours late for the filming and missed the opportunity to become a "Mou Girl". When Zhao Baogang was filming "Like Fog, Like Rain and Like Wind", she was notified late at night to audition for the leading role, but she declined because it was "too late." She also declined an invitation from Hai Yan's "Jade Guanyin" because she thought Beijing was too far away. The supporting role unexpectedly became Sun Li. [A Buddhist actor who neither fights nor fights] In the impetuous entertainment circle, she is an alternative - she goes home and hides after filming, and can not contact her agent for half a month. Don't speculate on scandals, don't participate in meaningless social interactions, and don't compete for roles. She didn't bother to attend the award ceremony, and the industry recognized that she "takes acting as a part-time job." [The Actor Trapped in the Villain's Cocoon (Blue·Negative)] Her performance has the precision and aura of a professional, which can make the audience "hate the villain to the bone". This is the embodiment of her superb acting skills. But success is also a villain, sleep is also a villain - since the introduction of "Palace Suo Bead Curtain", all the books sent to her are homogeneous evil female characters. She was locked up in a cocoon called the "Professional Villain House". Her acting skills became more and more mature, but her acting career became narrower and narrower.

I hit a bruise on my thumb while typing on the keyboard😂