Misery: Are the Four Realms United Today?

Let's talk about the results first. It can be seen that the author designs the plot carefully and wants readers to see his sincerity and heart. However, sometimes what the author wants to write is not what the readers want to see, so it is very bleak to follow. I have been reading this book for a few days. Every day I read it, it is either the first or the second. As a puppet show fanfic, let alone dual protagonists, the results of books about incarnations are far inferior to those without incarnations. Incarnations are poisonous points, so there is no need to talk about multiple protagonists, even if it actually conforms to the creative logic of a puppet show, the main character is scheduled. Emotional lines don't matter, each has its own audience and can be ignored. As for the theme of puppetry, Pili is the most popular, followed by Golden Light, and the remaining ones are pure roadside. The opening of the new century itself also screens out many potential readers. The overall story line is very traditional, and at the same time it is also a very old way of writing puppet shows. It's not that it's not good, it's not that it's not good, it's that it cannot keep up with the development of the times. Writing a book itself is a matter of making choices. What is the story that the writer wants to write and then persuade readers to read it? Or do you write a story that readers want to read and the author feels uncomfortable? Or seek a balance between the two? This book is undoubtedly the first, the most laborious and least effective. Are the author's regret, the audience's regret, and the fan reader's regret the same thing? No. So it will cause all kinds of problems. Anyway, let's write it first. If you can't finish it, go find a great master. This is the tradition of puppetry.

My writing is too bad and I cannot express the pictures in my mind and the feelings I want. I have been looking for a solution these days. I accidentally tried to generate a video using AI, and the result was completely beyond my expectation. I have to sigh that the current AI is really powerful. It's so powerful that I came up with the idea of ​​presenting it as a video, but I'm still trying it now and I'm not sure if it will work. As for the novel, I will temporarily stop exploring and switch to video. If the result is that the effect of the video is not as good as the novel, I will continue writing.

After reading this article, I have basically understood that the author himself wants to write a good story. Although he said that it is his first time to write an article, the writing style is very comfortable to read. Puppet Opera Fans To be honest, what Taoist friends value is not the writing style, but more importantly the flavor of the puppet show. The first male protagonist Xuanming has a shortcoming in his character. He starts from this and slowly grows up and develops entanglements with other people. This writing method is a very traditional kingly writing method. It's just that nowadays online literature is all about fast-food literature. If there is no explosive point in each chapter, it is easy to lose a follow-up update. The traditional writing method does not have so many deliberate mysteries, and the plot develops step by step, which makes it more suitable for careful reading, but it also means that most people who are used to fast food literature do not have the patience to follow it. I also agree with what another fellow Taoist said in a post. If the author writes for the sake of convenience, this kind of writing is very unflattering, and subscribing will definitely not be ideal. But if you are just doing it for love and just want to write a good book that you want, then believe in yourself and continue writing, carefully polish the plot, don't destroy the character, don't casually overwhelm the protagonist and villain of the original show, and don't deliberately step on the original character in order to elevate the protagonist. From the beginning, this article is destined not to be a common cool novel routine, so there is no need to make the protagonist smooth sailing from beginning to end. Appropriate setbacks and mood swings will make the protagonist's character more full. As for multiple protagonists, it is right to focus on one Xuan Ming first. Multi-line description is not suitable for a 3,000-word web novel. If one line only has a thousand words, how much plot can be carried out? Focus on one main line, and after it develops to a certain level, you can jump to another main line when you need time. In the end, the world merges, and the integration of the four lines is a test of skill, but you can definitely practice hard in the early stage! Come on! Don't pay too much attention to fellow Taoists who give up on writing. Everyone has their own preferences for radish and cabbage. Some fellow Taoists like invincible cool stories, some like beautiful women hugging each other, but some like ups and downs of story plots. There are people who like every type of writing!

What are the three golden chapters about? I am afraid here and there I am afraid of being as timid as a rat, like a quail 😅😅😅

1. There is no heroine in this book, and there is no love drama related to the protagonist (the love in the original work will definitely be involved). The focus will be on family affection, friendship, monarchs and ministers, confidants, etc. These characterizations in the original work are very touching 2. I have obsessive-compulsive disorder and pay great attention to the rationality of plot logic. I will try to find ways to round out the bugs in the original work, but the actions of the protagonists I create have internal logic. However, I am a pure novice and have no experience in writing, so I focused on character creation, the causes and consequences of the story, and the presentation of the story's ups and downs. That is to say, there is a lot of foreshadowing, and the pace is slower than normal novels. It may not be suitable for book lovers who like fast pace. 3. None of the four protagonists in this book are Long Aotian-type cool protagonists. They all have some flaws, and their set abilities or force values ​​are not the kind that push everything equally. They are growth-type protagonists. 4. The original intention of creating this book is to redeem the regrets in the original work, so the ending must be happy, but the process will not be so exciting. After all, we have to take into account whether the original characters are OOC, the story logic, etc. 5. This book involves four series of puppet shows. At first, I wanted to imitate the multi-line narrative method of puppet shows. However, after I started writing it, I found that I was too good at it and really couldn't control it (ಥಥ). Scenes are frequently cut, the character information is too much and too confusing, and the integrity of the story cannot be guaranteed; there are too many lines, causing the progress of each line to be too slow. In the end, I decided to present it by switching the protagonists in stages, just like the first volume, which is about the puppet show of the new century. When the plot here reaches a certain point, I will switch to another series. This is not to sell dogs on sheep's heads. I also hope that book friends will know more about other puppet shows (which can never come out from the bottom of the pit). Some of the characters in them are really, very, very charming

I set the four protagonists not to attract attention, nor to be too ambitious. I decided on this after thinking about it for a long time. The main reason is that different series have different plot highlights. In the new century puppet show, I personally think the most eye-catching ones are the portrayals of the Soul Burial Emperor and Yue Tianji. These two people combine the three important elements of teacher and student, monarch and minister, and close friend. The original work also draws on the deeds of Liu Bei and Zhuge Liang to focus on depicting the friendship between the two. Just because of the poor management of the company, this story has no ending, and it is stuck in the most uncomfortable place (angry｀Д´anger) (anyone who has watched Taoism should know it, so I won't spoil it here) What is outstanding in the puppet show of gods and demons is the shaping of love, especially the shaping of the relationship between master and disciple. Basically every named protagonist in the original work either has an apprentice, or is someone else's apprentice. Especially when Brother Yi learns from Qianqiu, his heart is broken because of his two miserable apprentices, but as a result, one apprentice ends in tragedy, while the other apprentice has no ending. The most outstanding part of the Golden Light Puppet Show is undoubtedly the battle of wits. The Kowloon Transformation can be called the pinnacle of the Puppet Show's wits. Pili puppet show has been around for the longest time. It can be said that the outstanding features of the above three series can be found in Pili, so my understanding of it is diverse. I once thought about a model with three clones of the protagonist, but in the end I found that such a model was not suitable for this novel. I created this novel because I wanted to change the ending of the original characters. Golden light is the pinnacle of wits, but it is the grave of wits fan fiction. I don't think the plot of the wits I created can surpass the original work in sophistication. Especially when the story has complete causes and consequences, it can affect the whole body. The slightest move will make the character's subsequent behavior completely untenable. Either all the characters will be changed, or they will not be changed at all, otherwise it will be difficult to escape the curse of OOC and intelligence. The way I can think of to break the situation is to have a single-minded protagonist with a high force value. After deciding what to do, he completely ignores the considerations of the wise men and the practical difficulties, and does his best to achieve the goal, and by the way destroys the plans of several wise men. On the side of gods and demons, the first brother can be said to be the ceiling of combat power in the existing plot, so there is no shortage of high-powered thugs in terms of the situation. In addition, there is no ending, and the rationality of the second creation is greatly reduced, so here we use wisdom to break the situation. New Century and Gods and Demons also use wisdom to defeat the situation. Perak's side is more balanced. Depending on the situation, sometimes it is defeated by force, and sometimes it is defeated by wisdom. Speaking of this, readers may have discovered that according to my opinion, the character background of the protagonist Jinguang is young and frivolous, not knowing the heights of the world, and never looking back even if he pretends to be a wall. In Gods and Demons and the New Age, the protagonist's character background is smart and prudent, calm and steady, able to assess the situation and be flexible. The protagonist of Pili is an all-rounder, but he is not as good at a single aspect as others who are good at it. The character backgrounds of the four protagonists I need are completely different and even conflict with each other. I can't think of any reasonable way to make these four into one person.

Oh my God! I feel that every time I let the AI ​​generate it, it is like opening a blind box. Sometimes it is better than I imagined, and sometimes it is completely wrong, or even worse. I'm temporarily stuck on my position. I can't connect the positions of the previous screen and the next screen. It's really difficult. This is one of the more interesting ones in the near future

Writing about Tianyu in a difficult situation is deceiving my brother.

Once you see this way of writing, or read the first few chapters, you will know how to write later. How many episodes are there in Pili Puppet Show? Does the author know? You can say anything. Or just copy it. Just take a chance and pick up a few girls, or exchange a few words with others.