Comic: I Am Making History

This book has a very serious flaw: it contains too much nonsense and inner thoughts. To be honest, we readers are here to see you, the author, write stories. Instead of looking at the author's inner thoughts when writing about the protagonist. What matters is the advancement of the story and the wonderful plot, not the psychological activities of the protagonist in the article. To put it bluntly, we readers don't actually care much about the psychological activities of the protagonist in the article. After all, this is just an online novel, not traditional literature. We can use large blocks of writing to describe the thoughts and feelings of the characters, but we don't have the patience to understand the characters' thoughts in detail. We readers prefer to watch the plot rather than the psychological activities of the protagonist.

Investigation report: "Number" - 592 Investigation target: "Complex: I'm Making History" - Male Protagonist - [Kushi Yuichi] Investigation Result: [Borrowed Corpse Resurrection] Judgment Basis: Abnormal Characteristics: A time-travel investigator, as the name suggests, is a profession that investigates and records the time-travel situations of travelers. It aims to let observers (that is, readers) in all the worlds know in advance the time-travel situations of travelers in this world, and volunteers to provide observers with fast time-travel information query services If there are any fallacies, I hope to correct them ——All Souls Feast Zhenjun Stay on March 24, 2026

After thinking about the setting, the author can take a look Izanami's curse is: "My dear brother, because you behave like this, I will strangle a thousand of your countrymen to death every day!" Izanagi responded: "My dear sister, if you are like this, I will build thousands of five hundred delivery rooms every day!" Therefore, a thousand people must die in a day, and a thousand and five hundred people must be born in a day. Izanami is the lord of the underworld, and the appearance of the ghost king Muzan can be her revenge (perhaps also Tsukuyomi Ming, who broke with Amaterasu because of the killing of the god of food, Twelve Ghost Moons, Breath of the Moon) The meaning of the country is that Amaterasu gives power in order to maintain the order of life and death and its own Shinto orthodoxy. It is inheritance of land or inheritance (bushido), so the most likely combination of the Breath of the Sun is that the Tsukuni clan is a branch of the royal family (perhaps also the power of Susanoo, the Demon Slayer Corps, and the village where the Nichirin Sword is made are all named after steel or iron) The Usanyashiki (meaning delivery room) clan is the descendant of Tsukuyomi, which means calendar, and was later corroded by the underworld and cursed by the sun due to the appearance of Muzan. And protection (the strange thing is that a girl does not have to die when she marries and changes her surname at the age of thirteen, so there must be protection), thus stimulating the power of the moon god in the blood to obtain unstable predictions of the future and the support of the priest family (otherwise, why would a group of short-lived ghosts allow the priest family to marry?) The priest family is the blood and power of the gods who have been worshiped by the gods in the past, so they can neutralize the erosion of the underworld and the curse of the sun br> The blue Higan flower is the opposite of the red Higan flower. The red Higan flower is the flower of death, so the blue one is the opposite flower of life, the miracle flower of resurrection from the dead, so it can solve the shortcomings of ghosts The failure of the breathing method is because with the tragic death, the gods withdrew the power to maintain the extraordinary. As for why the transcendent disappears, it is because Liu Bowen cut the dragon vein and caused the second Jue Tian Di Tong.

After reading Chapter 8, I have a lot of things on my mind. I don't even understand why the protagonist committed suicide. He saw the sun and was affected by it? And what's the situation between the protagonist's sister and him? Why is one named Zhou Fang and the other Kuze? There is no main description that should be mainly described, and there are too many unimportant psychological activities.

Che Zhuluan talked about it in a roundabout way, let's just talk about the part where the protagonist goes to the shrine. Chapter 50 to 60, ten chapters. How much of the plot did you advance? What character was created? It only makes people think that the protagonist and Yuzhen's mother-in-law. I wonder if you simply gave AI an outline and asked AI to expand the number of words into ten chapters.

It's not interesting. Daluolu keeps talking about it, but he just doesn't push the plot forward.

After reading a few chapters, the psychological activities and plot descriptions are just like the AI ​​I play. AI can push plots faster than you

💩, A bunch of meaningless nonsense and psychological description, which is inexplicable and causes the rhythm to be extremely strange and abrupt.

I originally thought that the AI ​​used by the author was the only one that could write this kind of full story about the wheel, so I couldn't get it right in detail. As a result, I checked the comment area today and realized that this is an old problem. It is better to use AI to streamline the text after finishing writing. How far has AI developed? Does the author not even know how to use AI? Don't you know how to use it?

I don't know what the author is thinking. If something like "Jiguo Yuanyi" is unreasonable comes up again, you should consider whether you have an outline or a detailed outline. If you are unable to promote the plot, you have to keep repeating nonsense to deal with updates. If you treat updates as a burden, you will probably have a day off one day and let go of the idea of ​​hydrology, and then you will never want to write again. Unless the author thinks carefully about the story he wants to write, and reduces the nonsense part. If he wants to write nonsense, don't write it over and over again. Every few chapters, he writes Jiguoyuanyi. How awesome and inhuman it is. I'm tired of reading it even if you write it. Nowadays, I feel like I write whatever comes to mind, and there are not many words that come to my mind every day, so I can only fill them up with settings, explanations and mental activities.

After reading two chapters, to put it simply, criticism is more important than culture

Che Luolun talks about things over and over again. The plot doesn't advance very much and it's all about inner activities. The dialogue is too motherly.

It's outrageous. I don't know if it's the author or the protagonist who suddenly started to get sick. Although many people complain that the author always says one thing repeatedly, or that the protagonist's actions are strange, in fact, if you think about it carefully, it is actually quite normal. The protagonist's actions are based on the information he currently has, unlike many novel authors who do some taken-for-granted operations here and there. I really don't understand the recent battle. The protagonist can eat monsters to become stronger. This is indeed exposed, but there is no way. The protagonist wants to become stronger, so he must do this. If you become stronger so fast, others will definitely see it. But switching between the system and the world line can be said to be the protagonist's trump card. The protagonist relies on this comeback several times. In this case, you casually exposed such important information to Zhou Fang Youxi, and asked a question without trusting her. He is just a super hybrid. Even if it is strengthened, it can be regarded as an ancient dragon at most. This is when she is walking on the path of others. It is very easy for these bosses to read minds. If the protagonist is exposed to Zhou Fang Yuxi, then those bosses only want to read Zhou Fang Youxi's mind. Then they will definitely know the protagonist's trump card, which can be said to be the protagonist's lifeblood. The protagonist can reveal himself, not a human, not a dragon, or even the God Killer at the beginning of the third world line. Because sooner or later, someone will know, and those who are stronger, they probably know it, but why should the protagonist expose his trump card that no one else will know unless he doesn't tell it? This is really the protagonist's trump card. All the information changes when switching. This was the case when fighting the second-generation ghost king at the beginning. In the second-generation ghost king's view, the protagonist and he have a chance to work together, because once he dies, the protagonist will most likely be captured by humans. As a result, the protagonist directly activates the system to turn himself into a ghost, and then kills the second-generation ghost king and then directly switches the world line. The same happened the second time. The will of the world made it clear to the planet-level dragon that it was fattening the protagonist and then killing the pigs. It couldn't resist at all. But as soon as the protagonist switched world lines, all the opponents were confused. The protagonist directly became the God Killer, and the arrival of this monster was delayed. Then either the plot should be changed, or the protagonist should delete the memory that exposes the system and world line in the next chapter. Otherwise, I really can't think of any other solutions.

People who write novels need to write essays and babble. The Chinese teacher can beat you to death.

To understand what the main line of the story is, you need to push the plot under the inserted world view to obtain specific resources to increase power (the plot must revolve around resources), upgrade character cards to open the next world view, such as family, heroine, heroine, and some derivative settings of little significance. If it can be covered in one go without affecting the follow-up, there is no need to spend a few chapters to describe too much at once. Can't the plot be gradually inserted later What is the significance of capturing ghouls alive, obtaining evil ghost flesh and blood, and subsequent viewing and explanation of the essence of ghoul surgery? Simply explain the situation of the protagonist and the Ubuyashiki clan? But didn't Usashiki already say this before when he formed the CCG? And why isn't the useful branch line of the protagonist's grandfather, who has extraordinary powers, advanced? Is the change of perspective too abrupt? At the end of the last chapter, I was still in CCG and I ran to the shrine at the beginning of the next chapter With the strange sun still affecting the protagonist, nothing is as important as improving the combat power. Under the threat of death, there is still time to consider good and evil, good and evil, and use all the power you can. The plot settings of novels and games that exist in the memory of the protagonist's previous life can be used in advance to make the world form a favorable impression of the protagonist, thereby affecting the system insertion. The historical changes in the world view, the status of the protagonist's ancestors, and the power given to the protagonist, lock the results in advance For example, before the world view of Demon Slayer: Kimetsu no Yaiba is inserted, the protagonist promotes that the Kuze clan is the orthodox bloodline of the Fuso royal family during the Tokugawa period, and is recognized and recognized by most people. Then, when the system compiles the history, can Tsukuni Enichi be directly compiled as the son of Amaterasu, and can the protagonist's bloodline be directly confirmed to be the Amaterasu bloodline?

There is too much nonsense. I have to write five or six chapters for something that can be written in two chapters.

Chapter 110 is all nonsense. One thing is told over and over again, and it is not explained clearly.

From the plot point of view, the protagonist is not a time traveler, but a Japanese who has the memory of a time traveler. First of all, the name is still the original name, and the time traveler's own name is not mentioned. Finally, the most decisive thing is that the protagonist has a strong sense of identity with his own identity. He respects his elders and ancestors in his words without any grudge. On the surface, he is a time traveler, but his actual behavior and attitude are that of a Japanese.

The whole next chapter is just fucking analysis, it's disgusting

I didn't finish the first chapter, I only heard the author chattering. He talks to himself and doesn't know what he is doing.

Resurrect my author🙂

It's been eight days and the book has been changed again? Could you please give me a reply from the author?

You keep getting disconnected, what are you going to do next? Will it not affect future book signings? If you can't finish a long novel, you write a short story. There is a sword-wielding firefly who is always a eunuch, so he wrote a short story. Your book has an audience. There's a lot of scolding here, that's because you don't control reviews. I think your books are high-quality if they are empty.

Oh, don't stop it, you can just write it to the end.

This is 521 up front and 520 backwards. Come on, author.

Come on, author, I couldn't stand it a month ago, now I'm back to take a look. Looking forward to the author's next book

. What's going on? Why hasn't it been updated for several days?

No, buddy, are you a eunuch again?

Brother, please finish writing one completely. Why is it always like this?

Six days later, another eunuch. You should finish writing it at least.