Travel Through the Condor Shooting and Obtain the Secret of Immortality at the Beginning

The greatest charm of Lin Yuan is not how high his martial arts skills are, but that he has always been that "programmer who enters the world with a system engineer's thinking." He can reduce the dimensionality and attack, but chooses to use systems, ideas, and governance models to "crush" the world. From the political and economic reforms of the founding of the Ming Dynasty, to social security in the robot age, to the decision-making model of a scientific society, to the cooperation framework of interstellar civilization - what Lin Yuan used his golden fingers to leverage was not personal force, but the paradigm of the evolution of the entire civilization. This kind of "rational cultivation of immortality" gives Shuangdian a depth.

Start the Secret of Longevity and be a nanny in the world of ejaculation.

Guo Jing was obviously having dinner with Huang Rong, but then another Huang Rong appeared and was having dinner with the protagonist. There are also many places where the author just made things up.

Integrating martial arts, fairy tales and science fiction, guarding China across time and space, creating an eternal legend. This book is worth reading👍👍👍

The most valuable thing about this novel is its sociological analysis and value judgment of human history, as well as its analysis of a super-intelligent future society. Some ideas are the first of its kind in the world so far.

This is an "alternative" time-travel epic that coexists ambition and sincerity. It takes "Secret of Immortality" as a guide, but it is not intended to pile up personal force, but explores the depth of civilization evolution and institutional construction. Lin Yuan's time travel was not to dominate the world, but to start from the world of vultures, personally end the weakness of the Southern Song Dynasty, and establish a "scientific society" spanning the earth and the sea of ​​​​stars. The most unique thing about this book is that it uses the framework of "rational cultivation of immortality" to respond to profound questions about governance and civilization. From the proper resettlement of the non-employed population in the era of super automation, to the institutional design of Mars immigration and galactic diplomacy; from the complete elimination of nuclear deterrence, to equal technology exchange with alien civilizations - the author's thinking on social science and the destiny of mankind can be seen everywhere. It allows "Goldfinger" to serve the survival of civilization instead of simply crushing it with force. The novel's compensation for the "difficulty of settling" history is also quite warm. Li Qingzhao no longer had to sigh "miserable and miserable", and Lin Daiyu was able to escape the fate of the poor life. Those talented women who had ill-fated in history and literature found another life here. This kind of compassion that transcends time and space adds a layer of deep affection for cultural protection in addition to the excitement of the story. In terms of characterization, Lin Yuan's calmness and determination, Huang Rong's intelligence and transparency, Lin Min's innocence and vitality, and Weaver Girl's gentleness and tenacity are all impressive. The family narrative of the six generations of the Lin family is not only the continuation of the bloodline, but also the transmission of the fire of civilization. Those character dialogues that have been repeatedly revised and carefully polished have finally taken on the vivid charm they have today. With a length of 500,000 words, it ranges from the martial arts world to the world of immortals, from the industrial revolution to interstellar civilization, from a corner of the earth to the center of the Milky Way. Its grand layout and natural integration are rare in works of the same type. When the semi-saint Lin Yuan put down his tea cup on Peach Blossom Island and looked at the sea of ​​stars, what the readers felt was not the end of the story, but the infinite possibilities of a civilized path. It is not a cool article, but it is more moving than a cool article - what it allows readers to witness is the affectionate projection of the Chinese civilization's concepts of "harmony in diversity" and "the world is for the common good" on a cosmic scale. This is not only a time-travel novel, but also an ideological epic written for Chinese civilization. Although the pace is too fast, its ideological depth and humanistic warmth are enough to make it shine among similar works.

Yang Tiexin and his wife were more than rescued. Guo Xiaotian's death was due to the two of them, which made Li Ping miserable and helpless throughout her life, and she died early

Jin Yong invented a large number of people such as Guo Jing, Huang Rong, and some high-level ordinary martial arts, so that Guo Jing unexpectedly improved his martial arts skills so that he could defend Xiangyang in the future. Guo Jing, Huang Rong, and his family died in Xiangyang, and Xiangyang fell, but it made Guo Jing famous as a hero. This new book "Shooting the Condor" fictionalizes modern time travellers, and also fictionalizes the longevity secrets of higher-level martial arts. The author asks the time travellers to practice the longevity secrets so that they can fight against the Mongols and build a glorious Chinese civilization in the future. The time-travelers have gone, changed dynasties, wiped out the Mongolian army, and recovered millions of square kilometers of their homeland. Then it occupied Nanzhou, Dongsheng Prefecture, Southeast Prefecture, etc., Totaling more than 40 million square kilometers, and vigorously developed modern technology that led the world for more than 300 years. Later, he also traveled to the Milky Way and established a cooperative relationship with advanced civilizations, making the Chinese civilization an interstellar civilization and leading the earth's world by more than 500 years. One is a failed defense of civilization, and the other is a glorious civilizational transition. Different and interesting, complementing each other

Jin Yong's writing style is much better, and the vision and layout of this new Condor are far better than Jin Yong's martial arts.

The departure of the two fleets is a landmark national strategic action and civilizational transition milestone event in "Crossing the Condor, Obtaining the Secret of Immortality at the Beginning". It clearly appears for the first time in Chapter 39 "Double Fleets". It is the core practice of the Ming Dynasty's transformation from a land-power empire to a sea-power-air-space-interstellar composite civilization. This operation is not an isolated military deployment, but a systematic project with the Art of War written by Wu Mu as the strategic core, the Nine Yang Manual and the Dugu Nine Swords as the technical base, and the Immortality Secret cultivation system as the talent guarantee. It embodies the governance philosophy of "using Tao to control weapons, using literature to support military affairs, and putting people first" under the leadership of Lin Yuan. Its essence is to elevate the chivalrous spirit of Jianghu in the cold weapon era to a cross-dimensional civilizational collaboration paradigm. The fleet materializes to carry out the four major functions of cultural output, resource allocation, technological radiation and interstellar diplomacy. It forms the main narrative axis in the story from "recovering Yanyun" to "new home in Xinghai". In Chapter 34 "The Prosperous Age·Ocean", the first appearance of the two fleets is treated as an anti-climax: there is no horn blasting, no crowds of joy, only "Lin Yuan stood on the dock, watching the ships gradually go away, with a calm expression." The camera focuses on the details - eighty three-masted ships "carved with dragon heads on the bow and phoenix patterns on the stern", Guo Jing's "tanned face", Huang Rong "gently holding his hand". This kind of restrained writing dissolves the traditional heroic narrative and sublimates the voyage into a conscious choice to normalize civilization. It implies that the two fleets are essentially a people's livelihood project rather than a military showoff, and provides a rational footnote for its subsequent policies such as "agricultural tax exemption" and "compulsory education". The two climaxes are mirror images of each other: in Chapter 144 "Space Leap", the spacecraft's "blue light is getting stronger and brighter. Then, the spacecraft disappears", showing technological breakthroughs with a visual spectacle; in Chapter 155 "Earth Messenger Flying to the Star Sea", "eight golden lights slowly rise from the podium... So that the media have time to take pictures", which strengthens civilized confidence with a sense of ritual. The former is a silent breakthrough in the laboratory, and the latter is a grand declaration to the world. Together they constitute the node of qualitative change for the two fleets from a technical entity to a symbol of civilization. What is particularly noteworthy is that no hostile forces appeared during the two voyages. The climax stems from the expansion of the boundaries of human capabilities, which is in line with the core values ​​​​of "do not make enemies, only build" in the original work. In Chapter 166 "Xindi No. 2 Immigration Application", French college students "want to see the grassland of Xindi No. 2", German engineers "want to fly by themselves", and Italian agriculturists "want to grow wheat ears bigger than the earth there". These simple appeals resonate strongly. The media called it a "dimensionality reduction strike," but Lin Yuan responded, "It's not for profit, it's for the fire of civilization" (Chapter 166). When European youths overflowed the servers on the registration website, the twin fleets had transcended the concept of country and become a concrete carrier of a community with a shared future for mankind. Its emotional power stemmed from respect for universal humanity - regardless of skin color and nationality, the right to look up at the stars is equally precious. The promotion text of Xiaoxiang Academy is too long, only one-fifth is copied here

The feeling of "a hammer in the east and a stick in the west" comes from the extreme crossover of themes. From the Condor River to the founding of the Ming Dynasty, from the world of cultivation to interstellar diplomacy, from super automation to a cultural power, from the Tang Dynasty to the civilization of the Milky Way - each section alone can support a full-length novel. When the author crams them into a book, it will inevitably appear "messy". But from another perspective, this "messiness" is also a feature of this book - it attempts to build a fantasy world where "everything is possible", where martial arts, fairy tales, science fiction, history, social systems, and cultural heritage are all melted into one pot. This kind of grand ambition is rare in online articles. The positioning of this novel is not an "exquisite literary sketch", but an "ambitious civilization epic". It accomplishes far more in breadth than in depth. If you like to roam in a grand fantasy world and enjoy the refreshing feeling of "the process of civilization being infinitely accelerated", this book will be very suitable for you. If you are looking for delicate characterization, rigorous plot logic, and profound theme exploration, you may be disappointed. Advice to book lovers: accept its positioning and don't measure it by the standards of traditional literature. It's not "A Dream of Red Mansions", it's a "Hitchhiker's Guide to the Galaxy" type of imagination - just in a different direction, it's funny about aliens, it pays tribute to history and civilization.

First, the writing is too streamlined. Combining martial arts fantasy with science fiction can easily be nondescript. The plot is all about a hammer and a stick. There is no crisis and no goal Second, the protagonist is like a human machine, the dialogue is very white, the characterization is terrible, and the harem is not understandable, all the words are copied and pasted The writing is all nonsense, it is not as good as a simple article without thinking, and the plot of the characters is written like a human machine. If I hadn't accidentally seen it and read a few chapters, I would never have imagined that it was so bad. The protagonist is invincible and can't be written in a pretentious and slap-happy way, and all the characterizations are like a template without any soul at all. Coupled with the NT introduction, it's completely ruined. The author can't even understand what he wrote.

It's so poisonous. Has the author seen The Condor Shooting?