Rejection of Yingxue Began in the Northern Song Dynasty

Taking Taiping Year as an example, Feng Dao and Sang Weihan's lines at the beginning were very shocking, and the audience was full of praise. But towards the end of the show, the screenwriter created a Sima Fu. His lines sounded good at first, but the part where he pleads for Wang Quanbin's death and remonstrated was a complete failure, and he fell into complete preaching. The Little Red Book is full of weird articles about Sima Fu. The author should be careful not to die for the sake of admonition.

Before the Ming Dynasty, the emperor was not called "Emperor". In the Song Dynasty, he was mostly called "Guanjia", and in other dynasties, he was often called "Your Majesty". In the Ming Dynasty, the emperor was occasionally called "Emperor", and in most cases he was called "Your Majesty". After Kangxi of the Qing Dynasty, people began to be generally called "Emperor". Princes and princes call themselves: Princes in the pre-Qin and Han Dynasties can be called "Gu", and a few can be called "Ignores". After the Wei, Jin, Southern and Northern Dynasties, the title of "Ignores" gradually became exclusive to the emperor, and princes, princes and princes can only be called "Gu" or "I". Song, Yuan and Ming called themselves "I" or "I". Before the Qing Dynasty, princes and princes rarely called themselves "this king". Starting from the Kangxi year of the Qing Dynasty, princes generally called themselves "this king". In ancient times, women called themselves: "nujia" was a modest name for women after the Song Dynasty. Women in the Han and Tang Dynasties more often called themselves "concubine", and noble women could call themselves "I" and "I". Before the mid-Ming Dynasty, most dynasties used copper coins for daily transactions, with very little gold and silver. It was only in the mid-to-late Ming Dynasty that silver became the mainstream currency. -In the late Ming Dynasty, "meeting votes/deposit checks" appeared among the people. There were no unified rules. Most of them were deposits and withdrawals/exchange receipts from acquaintances or local circulation, and were not legal currency. In the early years of Daoguang in the Qing Dynasty (1823): Rishengchang Bank was established, and private banks began to issue standardized banknotes, focusing on cross-regional exchange. They were only circulated in Shanxi merchant trade circles and major commercial ports, and were not yet popular. In the third year of Xianfeng in the Qing Dynasty (1853): the official issued the Ministry of Revenue official banknotes (official banknotes), which were forced to circulate nationwide. At the same time, the network of private banknotes expanded to the whole country, and official and private banknotes ran parallel. The use of banknotes entered an explosive period and became the "starting point of popularization." ​ High-leg tables and chairs only completely replaced the low tables for sitting on the floor in the Song Dynasty. During the Han and Tang dynasties, people knelt and sat on the tables to eat and discuss matters. The furniture was mainly low tables and couches. The memorial system was only established during the Kangxi period of the Qing Dynasty. Officials in the Tang and Song Dynasties used "memorials", "tables" and "statements" when submitting memorials, while in the Ming Dynasty they used "memorials" and "memorials". There is no such thing as "memo" or "zhezi". In ancient formal occasions, the hand-over gesture was performed with the left hand outside and the right hand inside. The right hand outside was a special "unlucky gift" for funerals. "Better greetings" is a unique etiquette of the Qing Dynasty. It was mostly used by subordinates to superiors and juniors to elders. During the Tang and Song dynasties, people often performed cross-hand salutes and bows to greet greetings when they met, and there was no such thing as "sending greetings". Before the Yuan Dynasty, subordinate officials rarely called superior officials "adult". In some dynasties, subordinates called eunuchs "adult", and in some dynasties, they called their parents and elders "adult". Beginning in the Yuan Dynasty, lower-level officials would occasionally call officials of second-rank and above "sir". From the middle and late Ming Dynasty, only officials of third-rank and above would be called "sir" by their subordinates. Officials with lower ranks could not be called "sir". However, in the late Ming Dynasty, there began to appear a few cases where officials above the fourth rank were called "adult". Before the mid-Qing Dynasty, following the rules of the Ming Dynasty, only officials of third rank or above would be called "adult". Starting from the mid-Qing Dynasty, calling officials "adult" gradually became common for lower-level officials. Attention! ! ! What is mentioned above is that lower-level officials refer to higher-level officials. No matter which dynasty, it is absolutely impossible for higher-level officials to call lower-level officials "sir". Some novels even write about emperors or nobles calling other officials "sir". This is simply contrary to Tiangang! ! ! Finally, let's talk about the problem of civilians calling officials Before the middle and late Qing Dynasty, civilians in various dynasties and generations called officials differently, and most of them called them "officials" and "masters". From the middle to late Qing Dynasty, civilians also called officials "adult". {"NickName":"Supervision and Restriction","UserId":406440657}

In the Taiping years, Feng Dao stood at the palace gate and spoke uprightly to stop the Khitan soldiers who wanted to enter the palace to plunder. This part is very heroic. This time the protagonist is a military commander. Have you ever thought about designing a similar scene? For example, when Emperor Zhenzong of the Song Dynasty welcomes superstitious things such as the Book of Heaven, the protagonist stands at the city gate or other high platform with political significance to stop the emperor. Isn't it interesting to think about it this way? But the lines have to be profound and can be spoken in such a way that the civil and military officials of the dynasty will be convinced by them. Otherwise, it will be like painting a tiger instead of a dog.

What a nonsense! One issue of the magazine printed 230,000 copies and sold out. The order is for an additional one million points. The second issue needs to be printed with 2 million copies! ? In its heyday, Jump Weekly printed 6 million copies, relying on modern technology/logistics/dispersion in multiple locations. A magazine printed in the Northern Song Dynasty only sold 10 copies of two million copies per issue? ! Why don't you go to heaven? 😡

If you want people to follow you, you have to win something. If you gain something, then someone will listen to you and do things. If you follow you, you will lose and lose every day. Everyone is not a masochist, so they can do whatever they do with you. And it's so tiring to watch. The author writes novels and tells stories for everyone to read, but he's here to promote them.

When Shi Chonggui surrendered to Daliao, he gave his jade seal to Daliao. In the middle of Song and Liao Dynasties, there was a debate about who owned the jade seal and who was the orthodox one. Later, Zhezong of the Song Dynasty found a jade seal from the people to start a public opinion war with Daliao. You can have a good discussion about this matter.

Recently, I watched Guo Wei's commentary video. A blogger said that he was Guo Daxia, and suddenly an inspiration came to my mind. Since ancient times, brotherhood has been valued in the military, and rangers are the most loyal. Emperors who were born as knight-errants include Liu Bang, Guo Wei, and Liu Bei. When you write about the protagonist gaining military morale, you might as well add some knight-errant spirit to the protagonist, so that the character's personality can be fuller and different from Wang Xiaoxian.

The author's views on historical knowledge can only be reduced to background, not the main course. Only when the struggle of the characters (people and self, people and people, and groups, people and times, groups and groups) shows dramatic and emotional value, will anyone watch it

Since Goldfinger is a death wish, why is it that most of the text is about the protagonist being caught up in a political struggle and unable to accomplish anything? What the death wish stream is about is that the protagonist is not afraid of death and does things. Although he cannot die, good things continue to happen.

Alas, what should I say? Author, it would be better if you removed the plug-ins. Even in the Song Dynasty, patriotism should not be too utilitarian

One book must grasp the title of god! The pattern needs to be big!

In fact, whether it is Wang Xiaoxian or Pan Weixi, on one side they are thinking about dying for the country to become an immortal or to become a billionaire. On the other hand, Wang Xiaoxian is still keeping a concubine when he is nearly 40 years old. Princess Zhao is also loving and supportive of Pan Weixi. So why did the two male protagonists not give up on the psychological struggle of becoming immortals and seeking wealth because of their affection for their wives and concubines?

Zhenzong risked his life to follow the example of Emperor Qin in granting Zen to Mount Tai, which shows that Qin Shihuang had a good reputation in the Song Dynasty. It also shows that he felt humiliated in his heart, so he wanted to cover it up like crazy.

There is just too little description of the supporting characters. After the protagonist throws soup on the emperor, all the supporting characters, including the protagonist to the princess wife, and the general brothers are introduced too little, which is difficult for us readers with low historical literacy to remember. Then, you speed up the plot and soon enter the Song and Liao wars. Although the plot is good-looking, there is always a sense of alienation, as if you are watching a group of completely unknown characters fighting. I recommend you learn the writing method of Qiyue Xinfan. He portrays each ancient person very well. Each person has his own character and style of doing things. For example, Ma Yuan in Qiyue's novel, in order to save a righteous man, first drank with the officers and soldiers, danced drunkenly, got them all drunk, and ran away together to save the person. This makes readers realize that the Han Dynasty loved dancing. You can focus on selecting some supporting characters and portray their character traits through events.

Yan Guan is too much in the way, and usually likes to chase wind and shadow. The teacher pointed out that without investigation, there is no right to speak. I hope the protagonist can reform the Admonition Court and turn Yan Guan into an investigator. Being down-to-earth and seeking truth from facts is the right way

Noritaka wins the emergency, and there is another one

We have to improve the economy and establish some checks and balances. Unfortunately, the pace has been a bit fast recently. Don't worry, author.

The monthly vote has been cast, come on!

Let's not talk about the macroeconomics, but from the perspective of the official system, it is a social development trend to emphasize culture over military affairs. Great powers fight wars by relying on national strength and systems rather than the individual prowess of military commanders. The more complete the social system, the more unequal the country's civil and military affairs are naturally. A truly capable prime minister can play a greater role, and military commanders are naturally controlled by civilian officials.

What's going on? It hasn't been updated yet?

I don't know if HXD has read the Tang Dynasty Engineering Students, ZG (Er Phoenix) Three Hundred Years, according to the setting of this book, in addition to the happy ending, there can be an if line, he died early, leaving a Pan Zi theory, and made it into the Song Dynasty Three Hundred Years 😁

But why is it the key foreign historical politics? It's not explosive enough.

Misunderstandings in historical novels, talking about unity history or North Asia history Just write about your own theme, don't talk about the author's own perception of the differences between China and Yi. Talking too much will only affect the main audience.

Do all the novels you open have multiple female protagonists?