I Am the Main Beauty in a Weird World

Strange recovery, global panic. And I, Shen Jianwei, a former art director of a major 3A company, just feel that all this has seriously lowered my visual threshold. The devil is asking for his life? That's just crude animation with motion capture distortion. No solution to the rule? At first glance, it looks like a scumbag with no budget for scene lighting and post-production special effects. While others were still reciting the rules of survival, I suffered from an occupational disease - this whole weird world was a half-finished project that collapsed and was in urgent need of reinvention. My ability is to use [PS-Stop Motion Brush] to layer reality, use [ZBrush-Sculpting Knife] to reshape emotional shapes, and use [UE5-Psychic Engine] to recreate top-notch movie lighting for any desperate scene. So, when the mysterious "Duzhou Capital" sent me an S-class project requirement, I happily signed. Project code name: "Rotten Theater". Core appeal: Optimize the collapse of the global material system caused by the "self-loathing" emotion of the core NPC, reconstruct PBR material flow and dynamic lighting, and achieve aesthetic purification indicators. For me, it's not about survival, it's about taking on a top-notch art rescue project. Optimize the weirdness of collapse into high-model assets in my private collection. Until the ultimate party of the project, the "World Architect", appeared. It believed that the current version of human civilization's art style was too redundant and planned to push a thorough "formatting" update. I looked at the seven artifact icons floating in my field of vision and sorted out the virtual rendering queue. "The version can be updated." "But the art style proposal must be mine."