This Bard Is Way Too Charismatic!

In the dwarf village, the adventurer asked if there was an expert who could help him repair weapons. He asked several blacksmiths but they all said no. Finally, he said yes but it would take a while at a blacksmith shop. After that, he met a human blacksmith. I asked the dwarf what famous weapons he had, and he said no. I asked him if he was not an expert. The dwarf asked, "Don't you want an expert?"

The beginning is great. It's strange that the dragon can't catch up with the carriage, but as you watch later, you'll understand why it can't catch up. And it seems that the ordinary red dragon in the original DND cannot catch up with the carriage that moves three times in one round? The counterattack from behind is also very good, very cool. But it was very strange when it came to the little girl. She became a descendant of the Grand Duke inexplicably. You have too little foreshadowing, and at first I saw the princess repeatedly looking for someone. I thought the little girl was not the little girl, but the protagonist was the descendant of the grand duke, although in the end it was just a routine. The next paragraph is much duller. It can be seen that the author wanted the protagonist to change during the contact with the princess, from the original one who was obsessed with revenge to changing the world. However, the intensity and writing style did not support it well, so he simply sent a deus ex machina to a legendary high priest of the Killing Church, let him crush the protagonist group, and then let the protagonist continue to seek revenge, just with one more revenge target. But the author handled this paragraph very, very, very poorly. There is no foreshadowing, no hint, and the protagonist seems to have been lowered, and his previous wisdom is completely lost. This time, the deus ex machina has completely wiped out the efforts of the protagonist for more than ten or twenty chapters. One of the main forces of the empire and a key fortress are gone, and the next step is for the wall to fall and everyone to push it away. This directly ruins the previous plot. Then the author also wrote that Miss Red Dragon was crushed by her brother and was directly captured and enslaved. Well, it seems that the author has no awareness of drug avoidance at all. As a reminder, dragons are perfect creatures, and inbreeding is not uncommon among dragons. For someone like the Red Dragon brother, if he has been looking for the Red Dragon lady for so long, he usually means that he is interested and wants to capture an extra multi-purpose slave. Looking at the following article, I have been forced to sign a soul slave contract. From the current point of view, if you see Aisha appearing, you can stop watching it. Following the army is even more poisonous, so I gave up anyway.

Is there a Shennong? Is this book good or not?

Aisha's plot was too deliberate. She randomly saved a mother and daughter who happened to have neither husband nor father. The daughter happened to be the bloodline of a big shot, and then immediately got a big backstage... What is Chu Nan's fantasy? Such a suspended female character to start the big plot is a disaster for fantasy.

It is well written and fits the romance and freedom of the bard. It's just that I don't like the male protagonist's character very much. For example, his behavior of distributing money is simply stupid and can only move himself. Another example is his obsession with honor. He himself is still in the stage of urgent need of funds to arm himself, so what can he use to be generous? As a time-traveler who has lived in modern times, it is not appropriate for my thoughts to be as simple as those of ancient times. If you want to save the poor, you should never just give them money. For example, Marx and Engels were not short of money, but they did not give money directly to workers. Even if workers have money in their hands, can't this money be exploited? The answer is that they will only be exploited by more ruthless means. Helping the poor is the right way, but the way is wrong and ridiculously stupid. Our country has been alleviating poverty for many years. No poverty alleviation cadre just distributes money directly to the hands of the poor. Even if some poverty alleviation cadres dare to do so, they will even be severely criticized and punished. In a different world, there are two ways to be a good person. 1. Kill evil people, kill all evil people in the most cruel and cruel way, especially evil people with power and money. 2. Create ideas, open up new paths for the masses, and awaken the masses to class struggle consciousness. So if the protagonist wants to do good, he should actually use the funds to develop and arm himself, use the funds to create his own organization, and spend the money where it should be spent.

The main plot is too weak, and it has always been used as the main plot to take revenge on them because they were thrown off the carriage. I can't say it's not possible, but it feels too thin and not attractive enough.

Three taboos in online articles: giving away girls, suppressing combat power, and releasing enemies The first enemy - the soldier, killed him straightforwardly after the plan was successful, which is good; The second enemy - the priest, he had the opportunity to kill three times, but he didn't kill him Drop... The first time, in an interception battle near a fishing village, all the followers around the priest were killed in one round, and then the priest ran away as if he had not been disturbed by "gold coins turned into horses"... Okay, it is barely reasonable Part 1 The second time, during the encounter on the beach of Thumb Island, the dragon girl dragged the level 11 high priest away. The protagonist restrained the enemy's heavy armor at the beginning, and our close combat team also touched the enemy priest and enemy warlock... In the end, we gave up inexplicably. The reason was to go up the mountain to look for it first. Ignas... The third time, there was an encounter on the mountain road. There were only two enemies, and the warlock's fireball technique self-destructed. He was about to kill the enemy, but he arranged an accident and failed to kill him... Brother, can you write a book? What do you want to do by releasing the enemy again and again? Keep it as evidence? Didn't the protagonist bring the halfling with him? Wouldn't it be enough for Ignas to tell the halfling lies about detection? The previous ideas and storylines were good, but this plot suddenly started to become a bit confusing. It does not mean that the villain must be stupid enough to stick out his neck for the protagonist to kill... But you should design the problem carefully. If the protagonist cannot be killed because of the villain's strength and resourcefulness, then readers will be able to accept it. But if you write that the villain is stupid and weak but the protagonist cannot be killed for various reasons, then it is very poisonous

Chapter 1: The red dragon flying in the sky can't catch up with the fully loaded carriage in sight? Is this horse a green-maned curly horse?

The author sacrificed a lot of rationality for the sake of the plot. For example, the dragon at the beginning could not catch up with the carriage and had to find the protagonist. Then during the battle, there was still time to read a paragraph of text and operate according to the text.

A bard who doesn't keep a harem or pick up girls loses half the fun.