I Order You to Become the Leader of the Tantric Cult

I read the first volume in one go. My evaluation is that the first volume is very good overall. Although there are still problems in some places, overall the flaws are not concealed. What I like most is the small details and descriptions written by the author, which really touched my heart. For example: Vanessa is like a shrimp cooked by regret, and the doctor revealed the details that Winnie is a pregnant woman (the protagonist group does not know). And some of the humorous points created by the author are also very interesting. For example, Elegy's basement monster gag. These places can really affect my emotions, make me feel sad, feel funny, and even laugh out loud in bed. I really like the author's handling of individual plot points and his writing skills. The less than satisfactory part lies in the connection between these highlight plot points. Some parts are handled too quickly, and the characters and readers jump impatiently to the next plot before they can savor the emotions. The rhythm of the whole book, especially the switching between tense plots and relaxing chapters, is too frequent and violent, like a roller coaster ride. Although the story focuses on conflicts and ups and downs, after reading the whole story, I felt that some parts were handled too hastily. It gave me the feeling that the outline written by the author was a designed plot point one by one. Each plot point was like a bus stop, and the protagonist group hurried from one stop to the next, exhausted, as if they were catching the last bus. In my humble opinion, in some cases, the author should make more use of his writing skills, slow down the plot a little, let the characters and readers reflect on the emotions, and a transition of emotions is not a bad thing (it is not water!) In fact, after seeing this, I think the whole book is quite good. But at the end of the first volume, the author gave me a big thumbs up (face covering). I can understand the author's desire to change the map in the next volume, expand the worldview and background, and introduce more new characters and stories. I can also understand that the author wants a reasonable and unexpected super development to express that the enemy the protagonist group has to fight is not a specific individual, but an abstract, pathological society and system. Their revenge is not to kill someone, but to end the poison of an idea to all human beings in the entire society. I even understand that the author wants to leave a hook at the end of this volume - by putting Vanessa into the dilemma of extreme aging, giving the protagonists a reason and motivation to take action to restore her health. But the plot at the end of the volume (the assassination of a nobleman in a theater) that these originally well-intentioned ideas are finally combined together makes readers like me feel like they have a lump in their throats, as if their mouths were opened and they were force-fed some mysterious substances that are not suitable for human consumption. Why I feel uncomfortable with this plot, I briefly analyzed the reasons: The transition of the plot is insufficient, the emotional brewing is not enough, and the advancement of the plot is far-fetched. What is the big plot point before the assassination is carried out? It is the plot of the Creation Society, but this part is a temporary insertion of dumpling vinegar and does not count. What about further up? It is the curse of the Sacrifice Elegy. Entering a dream, you can obtain various props to enhance your strength. The development of Tantric Buddhism is on the right track, it is beginning to grow, and its future is bright. Crow's sister is waiting for Vanessa to save, and it doesn't seem to be that difficult. After this steadily developing plot, the situation took a turn for the worse. The protagonist group recklessly executed an assassination, and then fled in embarrassment to change maps. I can see that the author made a conscious transition between these two plot points (the development of the secret cult and the execution of the assassination), but the actual effect still looks very rushed and deliberate. The transition described by the author: 1-The family was confiscated by the tax bureau (cutting off all options and worries). 2-The body of his best friend was forced to be moved to the grave, which made the protagonist group feel angry and wanted revenge. I think the transition here is a bit stiff. First of all, if your home is gone, you can consider temporarily borrowing the ceremony venue from Elegy, or consider renting an apartment. With the financial support of the male protagonist, this is not a very difficult thing. The fact that her home was plundered and her best friend's body was forced to be moved to a grave can indeed arouse Vanessa's anger. But the problem is that she has no clear revenge goal at all, let alone relevant intelligence support. At this time, Vanessa simply wanted to vent her anger, just like a child who wants to cry and vent his temper after someone breaks his toy. From this point of view, Vanessa's so-called "assassination of big shots" is actually no different from Rosicrucian who directly bombed the theater indiscriminately. And another question is, neither the male protagonist nor the crow with the rationality buff noticed the recklessness and blindness of this action? The male protagonist can be said to be offline. Originally he just wanted to test the intelligence, but it turned into an armed attack. Crow doesn't really think there's anything wrong with it? What will you do about your sister's illness if Vanessa dies? Also, even if we take a step back, Vanessa's reasons for deciding to launch the assassination are sufficient and her emotions are in place. But there is still one flaw in the plot at the end of the volume. After the male protagonist left the scene for some reason, the female protagonist Vanessa lost the "divine guidance" and could only make decisions by her own will at this critical moment. What readers are looking forward to is to witness Vanessa's growth and use her perspective that is different from that of the male protagonist to deal with some things that were originally handled by the male protagonist, but the effect is not necessarily better. (For example, the previous heroine rescued the old man because of her kindness, and thus got the opportunity to contact the extraordinary). What readers are looking forward to is that without the guidance of the male protagonist, without the deus ex machina of the time traveler, a mortal like Vanessa and her fellow mortals alone can accomplish an impossible feat (although he did kill a noble and escaped, but you can hardly call this a victory). Then Vanessa exposed her butt at this highlight moment when she should have shown her face (covering her face). To be honest, Vanessa did nothing wrong during the assassination, but she basically did nothing of positive significance. As far as the result is concerned, her reckless action was a loss. Like I said before. If you want to change the map, no problem. If you want to write that the real enemy of the protagonist is this sick society, rather than a specific individual, no problem. If you want to write about Vanessa falling into an aging state after overdraft, leaving a hook for the subsequent plot, that's no problem. The problem lies in putting these three together. If Vanessa really takes revenge (fulfills her obsession), even if she later overdraws and ages (pays the price) in order to escape. Readers will feel relieved. If Vanessa finds that what she is fighting against is not a specific individual, but the entire world. But no injuries, or just a relatively small and acceptable cost (like becoming Doraemon again). Readers will also be shocked by the feeling of this pattern suddenly opening up, which is also very good. But the current situation is: 1-Vanessa failed to complete her revenge (no results) 2-The body is overdrawn and aging (paying the price and the matter that led to Sister Crow's treatment was not settled) 3-And Vanessa herself did not perform very well in the action (even the initiator of reckless decisions) This is a catastrophic moment in my opinion. An analogy to an example. Li Yunlong aggressively attacked Ping'an County. His own troops and those of neighboring troops suffered heavy casualties. After he ordered the artillery fire and killed his wife, he discovered that Ping'an County was actually a trap. The county itself was not of much value, but the intelligence found in the county showed that the Japanese army had a deeper conspiracy, which Li Yunlong urgently needed to solve. Is it okay for the story to develop like this? Can. Are readers happy to read it? Not happy. Moreover, they will feel that the author is promoting the plot for the sake of promoting the plot, and they will think that the heroine is stupid. Vanessa can be stupid, she can fail, she can be willful, she can be stubborn, she can not listen to the hero. But she cannot be stupid when she is willful, and she cannot fail when she is stubborn. People are always more tolerant of winners. And this sentence is the same in reverse. At the end of the first volume, the male protagonist was forced to leave, and Vanessa took the lead alone, on a grand stage that should have witnessed Vanessa's transformation from confusion to growth. Vanessa chose to be reckless and willful. She didn't lose, but she didn't win either. No growth.

The writing is pretty good so far. The male protagonist didn't inherit his memories, it was just for the sake of the plot. Not inheriting the memory is a small disadvantage. The old housekeeper should be familiar with the young master. It depends on whether he can solve this problem later.

A Victorian fantasy novel with behind-the-scenes + esoteric elements + a slasher background. The plot is relaxed, the characters are flesh-and-blood, and the story is highly immersive. Recommended

Got it? I understand you, why don't you update soon

Really good

What attracted me the most in the early stages of this book was actually the following four points 1. The contrast between the safe and comfortable life enjoyed by the protagonist's aristocratic status and the miserable life of the characters he controlled 2. The contrast between the characters controlled by the protagonist who had to escape death and paid a huge price to obtain the extraordinary power, but the protagonist could prostitute for nothing 3. The characters controlled by the protagonist wanted to rewrite the tragedy, but were unable to save others. Power, in a word, contrasts with the protagonist, who even just reveals his background, or even has incredible extraordinary power that can easily change the fate of everyone. 4. The people controlled by the protagonist have to fight hard, struggle, and face dangers, while the protagonist sits firmly on the Diaoyutai, is extremely safe but can get something for nothing It can be said without mercy that the source of these refreshing points is the pain of other characters compared with the protagonist. In fact, the protagonist's wealth, power, and strength are greatly displayed in these stories! According to the development of the plot, there will be beautiful female characters one after another with tragic stories and desperate fates, who will be saved by the protagonist's power. I am a secular person, and I will naturally feel happy when I see such a story. I also accept and like this kind of rescue routine The reason why I am commenting today is because there are three things that I am more concerned about. Firstly, the recent death of the protagonist personally has put the protagonist in some danger. I hope the author can avoid any subsequent plots that undermine the sense of security or fail to meet the standards. The second is to control the character to explore, which I can accept. Although I can accept that the protagonist and the controlled character are real offline, I believe some people cannot accept this. Third, is Miss Poetry Club's emotional line too fast? I'm still waiting to see what tragic story lies beneath Miss Diva's glamorous appearance. I wish the author to write better and better

It is obviously based on the setting of the Esoteric Cult. Why does Victoria's suffering, which has existed for a long time, be involved in the beheading line? Is it a disease that makes people think of the beheading line when looking at corpses?

Life is endless The pain subsided and my voice disappeared with it, but now my heart speaks for me. On the scale of time, it should be weighed less than a feather without being disqualified. I shall pass through the three-pointed door in my final form, and merge my heartbeat into the chorus of Thunder Skin. Our rhythm is the rhythm of Si Chen: Si Chen promises that we will coexist with the world without end. I travel through Mansu forever, letting eternity confirm my permanence.

I have read a lot of esoteric texts, and so far, they are either not pure enough and can only be said to have some esoteric elements, or there are mostly eunuchs in the series during my lifetime, or they have a negative ending, which ends when Zhou Mufei Changsheng is written. Can the author write about Fei Guming or even Si Chen, or even the supreme being of an era?

What is the protagonist's preparation like? Blade, cup, heart, lamp, cast, winter, start?

The atmosphere in the opening and early stages is very good, and the ideas are great. It made me think I had encountered fairy grass. However, at this time, the problems on the protagonist's side have begun to become prominent, and it can already be felt that the protagonist is a bit like an NPC. I thought that the writing would get better and better in the future, but it turned out that the end of the first volume was too big. The idea of ​​this book and the author's writing style are worthy of recognition, but the handling of rhythm changes still needs to be improved. The foreshadowing at the end of the first volume and before it needs to be changed, otherwise a group of subsequent readers will still be eliminated here. Unfortunately, no wonder I saw this book in the introduction.

I feel that the author's thinking is still solidified. In this extraordinary society, first using aristocratic resources to enhance divine power, and then using divine power to strengthen virtue, or using divine power to supervise social operations, can subtly improve society without even too much bloodshed and sacrifice, and the male protagonist appears too early , which makes it impossible to write later. It suddenly moved the male protagonist's superior position to the level of playing with the inferiors. The interaction is more like that of the inferiors. The strength is connected with the female protagonist. It is not consistent with the golden finger's ability. It is too weak. The male protagonist seems to have ideals, but his actions are similar to playing with mud.

1. Regarding the imbalance between the two lines and the slow growth of the male protagonist: This is essentially an imbalance between "golden fingers" and "realism". The author tried to create suspense and room for growth through "information asymmetry", but the rhythm was out of control. What readers expected was "intellectual games" and "resource integration", but what they saw was an infinitely long "novice tutorial". If the male protagonist always stays in the "ignorant exploration" stage, and Vanessa's line is too independent and plump, the two lines will not be able to form an effective resonance, and will only make the male protagonist's line seem draggy and hollow, making it difficult to establish a sense of substitution. 2. Regarding the logical rupture of Vanessa's line: The bluntness of "class slippage" and the "killing line" in the article are the key. In the rigorously set quasi-Victorian era, even if a university teaching assistant loses his job, his social relationships, intellectual capital and class inertia will not instantly collapse into a homeless state. Using "forgetting to ask for help" to explain is too childish and weakens the heaviness of the times. The concept that "life is not as valuable as death", if not supported by a supporting and solid underlying economic structure, belief system or special worldview, will appear like a "plot tool" forcibly set up to create dramatic conflicts, lacking a convincing social texture. In general, the concept of this work has bright spots, but in its execution, there is a sense of fragmentation of "setting giving way to the plot": on the one hand, it wants to depict a harsh and textured different world, but on the other hand, in order to quickly advance the character's dilemma and create conflicts, it sacrifices social logic and the self-consistency of the character's behavior. The "slowness" of the male protagonist and the "hardness" of the supporting characters together lead to the failure of readers' expectations - what we want to see is the "collision of wisdom" and the "curtain of the times", but what we actually get is "confused spectatorship" and "abrupt turns". The success of this type of theme often lies in: allowing the "modern thinking" of the time traveler to collide with the "iron wall of rules" of a different world, using resourcefulness and insight to leverage the situation, and at the same time allowing the internal logic of both worlds to be self-explanatory. Obviously, this work still staggers a bit on both roads.

Control your book and learn from experience and lessons. After all, this is really a good subject. It just depends on whether you can control it. If you have the energy, add more. If you don't have the energy, just straighten the writing ideas, outline and editing

It is a Victorian fantasy novel with behind-the-scenes elements + secret cult elements + a slasher background. The plot rhythm is unbalanced and disjointed, the characters are stereotyped and stiff, and the story is not immersive. It is not recommended. A few more words. Behind the scenes, the protagonist is now taking adventures with the character he controls. The protagonist's huge background and noble status do not bring him any significant advantages other than money. Esoteric elements, but the author seems not to have thought about what abilities mid-to-high-level extraordinary beings should have, so in a world where it is possible to master teleportation and deal damage with large-caliber rifles at the first level, there is a situation where three extraordinary beings who were not equipped at the first level succeeded in assassinating the extraordinary nobles. To kill the line, we also have to overthrow the old system, but most of the time, special chapters are used to force the sensation. The description is so lengthy that it made me think, "Master, stop reading, stop reading." The creation of the trio of heroines is okay. The male protagonist sometimes has a game mentality and sometimes is angry. Elegy basically belongs to the male protagonist and she conquers herself without doing anything. The dancer is as thin as paper. Summary: A good idea was wasted.

I think the writing is quite good at the beginning. At least I can watch it and it can be regarded as behind-the-scenes control flow. However, in the middle stage, the author's writing of the group portrait is a bit messy. I suggest you focus on Verse and keep switching between various people. The corpse gives people a bad look. The second protagonist has never realized his own specialness, and feels a bit out of his mind. Whether it is his supermodel's invisible skills or the fact that he built such a huge home from his dream, he still feels that the difference engine is exerting its power. The third is the strength of the protagonist group. After 1 million words, they are still low-level extraordinary people. Many people are obviously lagging behind in strength, but the things they are dealing with now are obviously beyond their capabilities. It is recommended to improve their levels. After all, you can't rely on the protagonist's deus ex machina every time.

There's a problem with the start. It's okay for you to imitate the old American kill line, but where did this poor guy get the money to study archeology? You won the lottery and stayed in school as a teaching assistant. If you didn't get the teaching assistant, you died suddenly? After all, the student loan opened the way for Lao Mei to become an indentured slave. The entire harvesting chain is very complete. From student loans to medical insurance to housing to food and drink, every capital complex can profit from every link. In this stupid plot, you didn't take on any debt or take any enhancement pills, and you just died. Isn't this just stupid? Who profited? Picture what?

It seems that the author wants to simplify the process, no longer consider the influence of sex, simplify rituals, and reduce the plot of exploring treasure places and delving into secret transmissions. Si Chen and the names have only mentioned a so-called "angel" so far. The plot of dream exploration and city exploration is still far away. Doesn't Vanessa have a degree in history? I feel like there are too few plots about the secret history. It was also mentioned at the beginning that Vanessa's specialty is reading and searching for information. However, Vanessa's strengths are not being used at all now. I hope that after entering the new map, I can develop steadily for a while. After all, reading is an indispensable part of the secret sect. It also feels like the author has been pressing the progress. The protagonist still doesn't know how to collect intelligence, and Vanessa's secret cult gang is also very ignorant. The mourning girl was careless and infatuated with the protagonist, and she never told her any information. Obviously the plot feels like it can be advanced, but the author keeps holding back and doesn't want to reveal more about the worldview. It's too deliberate. Now that we have entered a new map, we hope to further develop the world view and restore the feeling of an ordinary person (?) Exploring Mansu step by step, seeking ascension. Come on, author, this is really the best esoteric book I have seen so far.

The rhythm is messy, and even though the book is 390,000 words long, the system of the book is not clear enough, so I just want to add some points.

I see that many people are wondering about the seemingly logical and tight power system design in the article. What many people are talking about is the Tantra simulator. Let me make a simple conclusion and explanation. First of all, this article draws on the relevant settings of the Esoteric Cult Simulator, but it is not completely borrowed but localized so that ordinary readers can understand it. It's just that I don't have the feeling that people who have played it will smile knowingly when they see certain details (laughs), so if you don't know, you don't need to deliberately understand it. Maybe you will be interested in reading if you have some unknowns. Next, I will introduce some settings of the Esoteric Cult Simulator, so that everyone can quickly understand the Esoteric Cult Simulator, as well as some obscure settings of this article or the current power system. This article first introduces the sexual appearance, which is related to the various strange graphics when the protagonist clicks on the so-called talent tree. It is also the key for everyone to understand the obscure information and smile knowingly First of all, I will generally summarize the essence of sexual appearance: they are the embodiment of various vigorous desires, and at the same time, they are also an extreme and pure embodiment. In a sense, none of the esoteric believers who have practiced invisible art to a certain level are good people, because their desires are becoming more and more pure and extreme When explaining the specific nature, I will add a simplified version at the beginning, which is also my personal understanding. If you don't want to read too much, you can directly read the simplified version 1. Nature: the underlying laws of the world and the essential imprint of all things Xingxiang (also translated as principle) is the fundamental rule of this world, the core logic that constitutes all things and drives the invisible art. The definition of it in the original text of the game is: "The eight principles embody the ideas, influence, and characteristics of the invisible arts, and are the basis of all invisible arts. In this world view, everything in the world - from mortal emotions, secret knowledge, the power of rituals, to Si Chen's authority, all have corresponding sex marks. Sex determines the essence of things, and also determines the operation of the invisible arts. Interpretation of the original text and settings of the eight core sexual aspects 1. Lamp Saved version: Knowledge, the exploration of knowledge, seeking knowledge, kindness and unkindness (the nature of the lamp is generally good, and the esoteric cultists who follow the nature of the lamp are not very anti-social, but their pursuit of knowledge will go to an extreme, and they can do anything for it. There is a famous saying in the game that I think I can write here, "Kindness is only found in the shadows") Original text: "Glow, enlightenment, truth, immortality, night watchman." "The lamp is a secret place known as the 'house of the sun' and the principle of its light. It is closely connected with the sky, dreams, prediction, and seeking divination from heaven." " Interpretation: The lamp is the law of knowledge, light and immortality, and is the ultimate search for the truth of the world. Its power is in the hands of the night watchman, corresponding to the road to enlightenment. Through the law of the lamp, mortals can glimpse the truth of Mansu and pursue the enlightenment and immortality of "no birth and no death". 2. Cast Provincial version: follow flame, forging, power, technology Related, the destructive power of this is very strong, and it is also related to technology. I suspect that the banned craftsmen in the article are one of them (I think that during the industrial revolution, the power of cast sex will reach a climax, which may affect the gods in the sky and the esoteric cultists in the underground. Let's see if the author will consider it) Original text: "Flame, forging, transformation, power, Wayland. "Forging is about the principles of transformation, skill, fire, destruction, shaping and strength, and is connected with technology, industry and forging." " Interpretation: Casting is the law of transformation, creation and power. It is the core force that refines ordinary things into extraordinary and melts weak mortal bodies into immortal existence. Its power is in the hands of the Day Forge and Weyland, corresponding to the path of power. Through the law of casting, mortals control the power of transformation and reshape themselves with flames. 3. Cup Provincial version: Slaanesh (pursuing the ultimate senses) Stimulation), sm, multiple hands and legs (can turn people into grotesque shapes), free physical form (the human body can no longer restrain flesh), vigorous vitality, eating, plundering vitality, very sexual charm. It is a bad personality. If you go too far on this road, you will no longer be a human being (physical and psychological), wantonly plundering other people's lives, and perverted desires Original text: "Senses, blood, thirst, joy, red cup." "The cup represents temptation, sensuality and desire, as well as unfulfilled desires and irresistible charm. " Interpretation: The cup is the law of senses, desire and the origin of life. It is a breakthrough in the ultimate experience, endless joy and the boundary of life. Its authority is in the hands of the red cup, corresponding to the path of the senses. Through the law of the cup, mortals drink up all experiences and fill the eternal thirst with blood and joy. 4. Winter Provincial version: Patience, death, memory. In a sense, good nature, being on the same table as a lamp, will not deliberately do bad things. Original text: "Silence, end, skeleton, memory, sleep god. "Winter symbolizes silence, disappearance and memory, the waiting for the end, and is closely related to death and remaining memories. " Interpretation: Winter is the law of ending, silence and memory. It is the end of all things and the power to preserve the lost things. Its power is in the hands of the God of Sleep and the Elegy Poet. Through the law of winter, mortals can survive in the end and use memory to fight forgetfulness. 5. Moth Saved version: deception, change, metamorphosis (if it goes too far, it will metamorphose and develop into a new life form like a butterfly), dreams (moths can deliberately invade other people's dreams and drive them crazy). Moths and lamps are mortal enemies, but it is often the moth that restrains the lamp. Moths can also use the power of lamps to a certain extent (but in fact, moths pursue the lamp nature, which is just like mine women. The lamp will attract the moth, and then the moth will kill the lamp, but it is not necessarily the case. The specific situation will be analyzed) Original text: "Chaos, change, woodland, secret, moth. "The glow (light) is a question, and the moth (moth) always answers in the affirmative." " Interpretation: The moth is the law of chaos, secrecy and change. It is the force that breaks the rules, obscures the truth, and gives birth to new life in disorder. Its power is in the hands of the moth. Through the law of the moth, mortals can travel in secrecy and avoid the end with change. 6. Blade Provincial version: war, battle , violence, strength, resistance, unyielding, etc., Pain should also be counted (if anyone asks, I will tell you), a real fighting character, like the protagonist in this article, doesn't he want to become GM? GM meets the requirements of the blade, constantly fighting, confronting, opposing power, and not surrendering. I think that if the protagonist really subverts the country in the article through revolution, he can use it as a ritual to ascend (also called merit) We will talk about this later) Original text: "Violence, conquest, hunting, destruction. "Sichen, named Lionsmith, escaped his master's control by breaking his sword." As long as you have enough force, everything can be defeated. " Interpretation: The blade is the law of violence, conquest and hunting. It is the power to break bonds, seize authority, and rule everything with strength. Its power is in the hands of the colonel and the lion maker. Through the law of the blade, mortals use violence to clear obstacles and gain power through conquest. 7. Heart Provincial version: protection, vitality, dance, tenacity, strong affinity, good people, kindness , this is a truly good sexual appearance. Even if you go far, you are running all the way to a good person (don't worry about which one is good). In the esoteric simulator, the power to protect the world is the heart. Si Chen, who symbolizes the "heart": the skin of thunder, protects the material world Original text: "Existence, protection, dance, life. "Even in the snow, in silence, in pure white without color, life never ends." " Interpretation: The heart is the law of life, survival and tenacity. It is the core force that maintains the operation of the world and makes life never-ending. Its power is in the hands of the Thunder Skin. Through the law of the heart, mortals can resist all endings with tenacious vitality and obtain eternal survival. 8. Start Province: Opening, opening doors, teleportation, summoning, exploration , and spells are also considered tools, but in fact they are quite powerful. Learning them well is equivalent to becoming a summoning master, a spell master, an opening master, and a teleportation master. However, it is difficult to learn them well, because when it comes to "opening", the first person to "open" is yourself. Of course, you can also "open" the enemy, but it should be very difficult and difficult to learn. , The method of ascension provided in the game has been difficult for a long time, and the consequences after ascension are over (turning yourself into a door), the real tools are fluid Original text: "Secrets, knowledge, exploration, and wandering. "There are spells to unravel things, the spaces between words having the same effect as the actual syllables. When you take something apart, you know its true nature. " Interpretation: Kai is the law of doors, wounds and revelations. It is the power to break boundaries, open pathways and reveal the essence of all things. Its power is in the hands of the ant mother and the door in the pupil. Through the law of Kai, mortals can open the door to Mansu and glimpse the hidden truth of the world. 2. Desire: The original intention and the price that mortals must pay to inquire about immortality Desire is the starting point for mortals to embark on the secret road, and it is also the core throughout the entire road to immortality. The core definition of desire in the original game text is: "My ultimate goal. I must pay the price for it. " In this worldview, if mortals want to touch immortality, they must first establish their own desires - it is the anchor of your path, the vow you make to Si Chen, and the shackles that you must constantly sacrifice and satisfy. Desire has gradually upgraded from the initial "temptation" to "pursuance". , And eventually became the core of "ascension". Each upgrade means that mortals pay more for their desires, and are more deeply bound to the corresponding laws, and become more and more extreme and perverted I don't know if there is a setting similar to desire in this article. Why do I feel that the people who practice invisible arts in the article are so normal? Are they cultists or esoteric cultists? Or are they learning invisible arts? I think the author did not handle this well. , The best book written next door with a little (very little) esoteric simulator is the Lord of Mysteries. He also designed a design like turning into another person after playing for a long time. After the source is polluted, the mental pollution becomes extreme. This article is purely a sacrifice. At present, it does not have any impact on people's psychology. You must know that this article also has a Cthulhu label. I hope it will not be written as a traditional Western fantasy with a little bit of Cthulhu atmosphere in the end.

I feel like the author is not strong enough to control so many characters.

I didn't like this book at first. It was too depressing. I read the novel to relax. But after I insisted on watching it for a while, I immediately became addicted and stayed up until 4 or 5 o'clock to watch it all night long. Then after I saw the end of the first volume, I felt a little bit unhappy. It felt like the New Three Kingdoms had been eroded by God's will. Originally, when I saw it, the dancer discovered that the protagonist's second era was destroyed, and the thinker said that the protagonist did not want the second era to be destroyed, so the second era had to continue. At first I felt like holding the grass, nb, so cool, and then looking back, Victoria and the original body made so many attempts to prevent the destruction of the second era, and it felt a bit ridiculous. Does it really make sense? For the protagonist (the great being), this world is completely a dream game. The reason why it still exists now is just because the protagonist does not know that he is a flavor existence (it feels a bit strange. When the consciousness game could affect the world before, the reaction was so fast. Now he can go to other residences to threaten other apprentices, and he still doesn't know what his identity is). Then there is the Biworm. I don't know why the protagonist wants to summon it. I am thinking about this Biworm. When I robbed people in the Home Ownership Scheme, I knew that I was just a low-level transcendent. Now I am not afraid of the worm that destroyed an era. I am still summoning it in my dream. Isn't the dream more real? It's like digging out flesh in order not to hurt the skin. It's abstract, and you want to let other great beings protect it. I want to ask, if they can or want to do it, will the First Era be destroyed? Even if they protect it, you, your specialness is not completely exposed, you look like you have been eroded by God's will. My writing skills are average, and I just stayed up all night, so it's quite confusing. There are some parts that I didn't remember at once, but that's about it. The subject matter of this book is very niche and rare. I quite like it. The atmosphere in the middle is also very well described. I hope it will get better in the future. If it gets better in the future, I hope everyone will give me a kick and let me come back and take a look.

Enjoy the excitement and leave disappointed

The current plot is: The main line is as slow as water Love as a mediator is almost nothing The fun is okay The two protagonists have no common sense, but their brains are in a "growth-like" state In a position where there are many minor problems and can be seen

I took on the role of the protagonist and thought about it. I became a noble directly, and the reality is the same. It's not the class that I hate, it's that I don't sit in that class.

Elliot's Game

Understand?

Vanessa's characterization is already kind of annoying to me.

I had a lot of fun watching it, and now I see the three of them exploring the dream together, but I feel that Vanessa's portrayal is very strange, and it feels like it's all pieced together.

After reading more than 600 chapters, the content is okay, but there are many places where I can feel the deliberate design. When the protagonist takes the two princes to the cafeteria, they will hear exaggerated words, but he refuses to go to the library. Vanessa just can't speak clearly to the eldest princess. The information gap is too deliberately created, resulting in many ordinary places that can only be over-divided by thinking. It's not that it can't be done, it's just that there are too many of the same cool points. In the end, it became aesthetic fatigue. I still hope that the author can write better and better. After all, it is very rare for this kind of novel to have a book.