I Loaded the Occult Panel

When I first read it, I was really surprised by the author's ability to write relationships between people and flesh out the characters. (For example, the interaction between the protagonist and the characters in his family/school at the beginning, and the fullness of the characters of the relevant characters in his family/school) I thought this novel would be similar to Yuan Tong's "Deep Sea Embers". Although the essence is the homogeneous cool points in online novels, through the author's own means, the aesthetic fatigue caused by the too same cool points is correspondingly downplayed. For example, through its relatively fresh world view, novel settings, updated power system, and even a more novel social description, it can be balanced with the freshness or sense of urgency brought by solving puzzles. But the main problem with this book is that, as a market novel, it is not very exciting. As a market novel, the author uses a lot of literary and social science expressions when writing the plot (for example, the author's descriptions of Latin and Cicero's Cup) while suppressing the exciting points brought by upgrading and adding points, pretending to slap people in the face, and the sense of urgency of exploration. Second, writing such a plot on the market novel platform itself means that it is neither possible to conduct in-depth social science discussions or literary research, nor to write out the exciting points of market novels that cater to the market. This is more like a novel that is different from the other. Also, the author did not write out what kind of novel he wanted to write in the introduction at the beginning. Judging from the introduction, this is more like a novel that focuses on upgrading and adding points. But when I read more than 60 chapters, the feeling of upgrading and adding points was gradually weakened. This made me feel that my reading time in the past few days was just like a clown being played by others with lies and being appetized, which made me a little angry. So generally speaking, as a novel, it does not delve into social science discussion or literary research (of course, I don't think it is possible to delve into social science discussion or literary research on the market novel platform.), Nor does it write out the exciting points of market novels, nor does it say in the initial introduction what kind of novel I want to write. This leads to readers like me who read the novel from a point of view feeling angry at being deceived. So if I were to rate a novel that is not the same as the two, I would only give it 45 to 55 points out of 100.

There are currently four masters with clear judgments in the article: 1. Gale Wind Master (Lee Feng Tradition) The one who stands on the top of the cloud traces and is the same thing as the wind. He who once built a deep valley with one breath. The lungs have left, the bones have become a flute, only the breath remains. 2. The Master of the Sun (Sun Tradition) A person who sits at the shadowless noon and has the same origin as the light. He who separated day and night with a glance. My eyes have burned out, my flesh and blood have turned into torches, and only the light remains that shines on the world forever. 3. Hearth Master (Hearth Fire Tradition) Those who stand in the heart of the hearth and live forever with the fire. He who once separated the tangible and the intangible with a hammer. The bones have become the anvil, the blood has become the mold, but the fire of the furnace will burn forever in the world. 4. The Master of the Erosion Tide (? Traditional, suspected to be the naturalized master of the Spice Islands) One who walks on the bankless river and rides with the tide. He who once covered thousands of ravines with one umbrella. The spine has melted and the bones have been soaked, but the sound of the tide will always rise and fall. ………………………………………… Based on the above, we can extract the three core parts of the judgment: I once owned (eyes, bone and blood, lungs, spine) I have sacrificed (burned, anvil, Leaving, melting water) All I have left now (light, fire, breath, sound of tide) Therefore, I personally guess that to advance from a master to a master, you need to conceptualize/transcend some important organs/signatures first, and sacrifice the "things that once existed" to the "veil." Then conceptualize the whole body, fade away from the mortal body, and completely transform into the incarnation of a certain power/concept, "only the authority remains." In addition, since the second sentence of the verdict is "once + something", I personally guess that promotion to a master requires a more complicated and grand ceremony than promotion to a master, and may even require creating a "miracle" or a "great achievement" in reality.

Judging from the current battle situation, the two warring parties still have too much bottom line. The middle-to-high-level entities on the mysterious side of the warring parties are only harvesting the spirit and death of frontline soldiers to cultivate blood soaking points or achieve other purposes. It was not until the last few chapters that the operation of "ship gun bombardment of sealed points" appeared. But according to the settings already mentioned in the article, the large and small sealing points of the major warring countries and the infiltration of the curtain by the industrial city itself are countless occult bombs waiting to be detonated. The current situation is that the mysterious side of each country is already struggling to clean up the supernatural phenomena emerging on the front line. If there is a targeted and planned destruction of specific sealing points or even the entire sealing network, the result will most likely cause a terrifying chain effect, thereby achieving strategic effects such as damaging the morale of the enemy country/drawing the attention of people on the mysterious side of the front line. Based on the above discussion, the mysterious side of "unrestricted warfare" is feasible and effective, and unrestricted warfare will have completely different meanings for small countries and big countries. For major powers, occult unrestricted warfare is a trump card that can lead to huge international negative impacts and human rights issues. What is the best strategy? Because when both warring parties have enough experts to break through the other side's mysterious side defenses and destroy the other side's sealing points on a large scale, the big powers will be constrained by the risk of two-way destruction. Therefore, the participating powers in the book have only bombed sealing points on opposite corners of the coast until now, which is somewhat similar to contemporary nuclear deterrence. For small countries that are coerced by wars or invaded by big powers, the occult unrestricted warfare has great strategic significance. From the "should not be pitted" incident, it can be clearly seen that the cost of destruction and maintenance of the seal point is leveraged. The participation of several low-level mysterious side cultists in the operation and the manipulation of a mid-level leader forced the official handlers to pay the cost of an expert-level strike and some casualties. Therefore, if there is really a small country that can send its own major master/small master to sneak into the territory of a big country to destroy the sealing point, then the energy that can be leveraged will be far greater than the collision on the frontal battlefield. In addition, the cult organization in this book is also an important variable compared to the real war. If the cult organization and the mysterious people with nationalism merge, the harm to the warring countries will be immeasurable. Finally, there are some personal items of the author. When I saw the two backgrounds of sealing point and war, the first thing that came to my mind was the story of "Chaos Butterfly" written by Liu: Scientists from a small country blocked the enemy's invasion by changing the unnatural weather caused by meteorological nodes. Applied to the world view of this book, "weather nodes" are seal points all over the world. Extraordinaries in small countries can also block enemy troops and avenge atrocities by destroying/changing seal points. This also coincides with the mass historical view reflected in the previous part of this book: when While the superiors were silent and indifferent, the inferiors burst out with amazing courage and wisdom. Perhaps in a future extra story, we can write the story of an unknown hero from a small country, "For the suffering motherland, I fluttered the wings of a butterfly."

Discard or simplify things like reading, those humanities ones are really good. After reading more than 30 chapters, there is a sense of mystery in this writing, but it is not strong enough. If it is more intense, your protagonist may be a sultry protagonist, which is not suitable for intense plots, but you can have a supporting role, a troublemaker to seek death instead of your protagonist, and start the conflict. What I want to see is the collision between the mysterious world and steam, not the undercurrent of the steam era. Get rid of the mystery

I have read more than seventy chapters, but I still don't understand the protagonist's main plot or purpose. Did I miss it? Did the protagonist enter the occult to experience a different life in a different world, or was it simply because the original owner was a student, and the protagonist happened to have a golden finger, so he started practicing occultism? 🤔🤔🤔 Learning is for upgrading, so what is the purpose of upgrading?

The god's name "Hermes" given at the salon would be too straightforward if he only used it for himself, and there would inevitably be pitfalls - it would be too risky to directly bind the name given at the party. But the god Hermes has a characteristic. It is not isolated in mythology. It has a clear Egyptian origin: Thoth. During the Hellenistic period, the Greek Hermes and the Egyptian Thoth were directly equated and merged into the "Triple Great Hermes". In other words, Hermes and Thoth are essentially two names for the same godhead. This gives room for manipulation. The name of God is Hermes, but the one who truly inherits it and becomes it is not necessarily himself, but can be Richard's shadow. Look back at the settings in the story. When Richard is promoted to an expert, according to the price paid by an expert so far, he should have paid almost all and retained only a little bit of himself. Then if the cost can be passed on to the shadow, a Ra and Thoth structure can be formed: the body becomes Ra, and the shadow becomes the Thoth who helps him fight on the bow of the underworld, maintains the rules for him, and shines for him when he enters the curtain. After all, in the Egyptian concept, the moon is a substitute for the sun at night. Therefore, Thoth, one of the moon gods, is sometimes regarded as the "Ra god of the night." Can it also be regarded as the reflection of Ra? (This is not a serious mythological description, just a fantasy). Or even extend it further, when you are promoted to the Hidden Seat, you need to surrender Apophis, who is hostile to you, within the curtain? (This is too far, go back and say) Now the two lines come together. The name "Hermes" was given to the salon, and Hermes was Thoth. Then the possible usage is: don't be Hermes yourself, let the shadow be. Let the shadow become Hermes, that is, become Thoth. The position where the main body stands. The logic of this is very clear. The name of the god is inherited by the shadow, and the binding is undertaken by the shadow. The body is not directly connected to the power system of any external god. And the mythical structure itself is complete - the shadow is Thoth and also Hermes, assisting the "pull" of the body to pass through the curtain and cycle day and night. What is borrowed is the shell of myth and organizational relationships, not the power of God. Risks are isolated outside, but the framework operates inside. Of course the premise is still the same, you must first surrender the shadow. After all, according to the current situation, power has to pay a price. PS I would like to add that when you are promoted to master, if the price is to sacrifice the body with only the shadow, after the price is transferred to the shadow, it becomes the sacrifice of the shadow body, and only the "shadow" of the shadow is left, which is Richard's body. In other words, this trick is limited. During the day, Richard can only stay outside the curtain, and the shadow is behind the curtain. Inside, at night, Richard enters the curtain, and the shadow is outside the curtain, which is consistent with La's day. The price is too serious, he has to stay outside the curtain for half a day, and if he wants to kill Richard, he must kill both the shadow and Richard at the same time, otherwise he can be resurrected with the help of the other side (it seems a bit too shameless, or should the shadow be a second life?)

Overall, it's actually pretty good. It was pretty good at first, the writing is pretty good, and I like the style, but there are a few problems. 1. Is the pace too slow? After reading Chapter 200, the world view is basically not developed. Needless to say, the inner layer, the surface world only has some information on the bottom layer. The protagonist is still the lowest-level newcomer, and there are very few copies or events in the climax. 2. Secondly, the content of theory accounts for too much. It's not that theory cannot be mentioned. In many cases, theoretical settings can give readers more room for imagination, but combined with a too slow pace, it will be difficult to completely immerse people in the thinking of theoretical settings, because the slow pace does not give many opportunities for theory to be developed in practice. Most of the theories described can only be read once or twice before being mentioned again, or they are not used now, which also makes the rhythm a bit stream-of-consciousness. 3. The system panel is of little use, and the improvements in the four items are more subtle. For us readers, it can only provide a sense of freshness rather than a sense of refreshment. It's not that this won't work, but it will make the system dilute. Because speculation and knowledge involve research on theoretical settings, they will appear very passive under the theoretical development of stream of consciousness, as if they are a little improvement for the development of a certain theory. And because it's not over yet, the more I read, the more I want to keep it first.

No, bro, are you really a newcomer? Do you have any other books?

Let's talk about the conclusion first. This book is currently a super-high-quality, paid-for work. The excellence lies in its rich literary talent, meticulous details, solid knowledge, and a capable world view. Its description of life and family is full of realism and makes people feel warm. The unfolding of the world view allowed me to see the grandeur and intention. The description of the environment, the dialogue of the characters and the shaping of the characters made me feel like I was watching a story that really happened, just like watching the protagonist's life. The shortcoming is the plot. As a paid work, the author counts words by letters, and the plot unfolds somewhat slowly. The details of the plot have become a rare criticism of this article, but I made up for this by deliberately abandoning my brain. If this book wants to continue to develop, it should continue to polish the world view and plot details of this book. Summary: At present, paying money to this author makes more money than others. What I worry about is whether this article will not have enough stamina to be short-lived and the plot will explode directly, because the author is like a stone monkey born, but can't find where the stone is.

​​​The current plot development is relatively dull, but it is quite logical. I personally think that if the cheat upgrade speed in the book is used, it is quite normal, at least it does not look so abrupt. In fact, the current plot is more realistic than fantasy. For example, the period of school is relatively stable. The mysterious plot points are not so flammable or can not arouse exciting emotions. It is a kind of thinking, whether it is the thinking of the protagonist or the reader. It is still in the preparation period. After all, the protagonist is still learning, right? He can't learn and start working without learning anything. However, I can feel that the plot twist is coming soon, the protagonist will become a practitioner, and the war between reality and mystery is about to break out. I hope the author can bring more intense content. (✧◡✧) Also, at first, I wasn't used to the name of the main character, Richard, which is visually biased towards a Chinese name. It was quite dramatic, but I actually got used to it later 😂.       ，，੧ᐛ੭ As a female reader, I am very happy that this novel does not have some poisonous points for me. I have been reading novels for more than ten years. I have read them since I was a child, and I know a little bit about all the routines. There are not many novels that I can keep up with like this. Finally, I hope that the author can continue to work hard while taking good care of his health! 😡 emm And what is fineness?

I accidentally saw it at dawn one night. The book itself is indeed beautiful. The author has the writing ability of a literature major. His writing style is fluent, his word choice is exquisite, and his perception is excellent. He can easily study in the comments what rhetorical techniques the author used and what thoughts and feelings he expressed. The worldview is complete, in-depth and interesting. The author uses his Latin background to construct a occult system that seems to be quite orthodox, which is very elegant. The characters are also very vivid, humane and memorable, and there is no sign of facial makeup for the time being. The only room for discussion may lie in the plot arrangement and rhythm control. The overall slow pace is not a problem for me, but I do occasionally see that some people find it slow. Maybe the viewing experience will be more affected when chasing updates every day. In addition, there are indeed several clues, that is, the author obviously arranged the plot to happen like this, but failed to consider the rationality of the characters' thoughts and reactions, so that it suddenly seemed a bit OOC, or the plot development was not convincing enough.

The opening chapter of the last book "Who Hid My Body" gave me a sense of surprise. It's a pity that the author didn't follow up the plot. It's such a pity. It had the potential to become a god. This book still makes me feel amazing so far. There is no need to hold on to the small flaws. It is so rare to find a good-looking book now. I hope the author of this book can control it. Ignore some calls and write at your own pace. I hope to see a masterpiece.

If it looks good, it will look good. In this style, all the emotions are felt by the readers themselves, and they will be very real. It's a pity that this does have a certain reading and understanding threshold. In addition, cold narration also necessarily requires a lot of detailed characterization to present the emotional concept that is simply two words, so this narrative style is inherently longer and uses more space. Some people think that there is nothing wrong with water, and it may be more suitable to read classic online novels.

A masterpiece, highly recommended! It can be seen that the author has a profound cultural background, the plot design is reasonable, and the characters are flesh and blood. I hope there will be more surprises. 👍

It's a very good-looking masterpiece. The story is reasonably organized and smooth, and the character's activities are in line with the changes in human nature. There are no routines written just to show off. The writing is also excellent (it should be the trumpet of a master, the writing is very stable). It is enjoyable to read. The only shortcoming is that it feels too stingy to me.

The whole process is visual, which is good, but because it incorporates some slang and customs in translation, this writing style actually handles the psychological activities of the middle class in small cities quite well. If it weren't for AI tuning, I can only say that the future is bright! I don't know if I want to continue to expand the academic upgrades in the Mathematical Olympiad and the organized private affairs among my best friends (I think they are the most exciting parts). In short, everything is very satisfying so far. Although there are many branch lines, the portrayal of the protagonist can be considered acceptable for now, please continue to work hard! If you don't want to continue to deviate from the light novel, I suggest the author speed up the language pace appropriately. (Except for the Wei Gongfan part, of course, the lighter the novel here, the better). Now I feel like the title of the book is a drag.

The younger sister, the frail mother, and the insignificant father are not as comfortable as the whole family offering sacrifices to heaven. The family atmosphere does not feel warm, and I skip the plot of the younger sister irritably. Except for family, you can write about everything else.

Unknown IP, 11 days of registration, five golden chapters, a more standard beginning than the template, coupled with the early rhythm, the setting and plot advancement that are relatively good so far, this is a veteran who has borrowed his corpse to come back to life.

Um, what knowledge do I need to master before reading this book? The book reviews are full of good reviews, so I read twenty or thirty chapters and am a little confused now. What is the attractive point? Can anyone give some advice? The settings are bland and bland, and there are so many names that I can't tell who is who. I really can't stand it anymore and I read the book reviews and started to doubt myself 😥

Did the author secretly use human assistants to write? Why are there so many people? It's really disgusting.

If you don't want to watch cuckold drama, you will become an extreme person😂

The author is definitely new to online writing, but he has probably written serious literature before, and his writing style is quite comfortable. This kind of comfort requires an excellent sense of language, logic, rhythm, and even aesthetics. It is absolutely impossible to write without long-term training and extensive reading.

Not gonna lie, it's worth paying to watch.

As the title states, this party held by Hecate looks more and more clownish. Is there any need for the protagonist to stay here? There are no benefits and a lot of risks. First of all, this party itself is a Gu-raising mode, and Hecate's party is the one that started late, which means that there are a lot of enemies joining this party, and their strength is likely to be stronger than that of the protagonist who has just signed up, and there are many small masters. Secondly, there is actually no confidentiality in this party. A great master or even a small master can detect that you are not attending something, and you cannot prevent divination (not being able to divination is also an answer). The protagonist later tried to organize a political review but was unable to pass. By the way, I was puaed by Hecate every day The benefits are even more abstract. Giving a mask is said to speed up cultivation, but if you look closely, it's just a scam. I don't even say whether my body will be taken away from me in the later stage. I don't know if my practice will speed up in the early stage. I will definitely play to my own death. Highland Girl is basically socially dead because of this mask debate. Without the help of that proficient professor from Highland University, this woman would have either committed suicide or been marginalized for the rest of her life. The protagonist is even more abstract. He summons the souls of the dead for fear that he will not die quickly enough. It's not that the protagonist has a shadow, there's nothing you can do about him. Even if there is a shadow that bears side effects, it's just like a funny prop. Then there is the transaction. Let me put it bluntly. Is there any transaction at this party that is necessary for the protagonist? The spell I changed is the moon blade from the bad street. The protagonist has it at home. You can get it if you go back and ask. The strange items I exchanged were also a bunch of things. Either they were damaged, or they were very risky and I couldn't handle them and I had to ask the Patriarch for help. The price of rare items can actually be seen in the party. They are not high. A rare item can range from a few pounds to dozens of pounds. The protagonist can just buy it directly. After a long time of tossing, the most points you can get are from museums. As for intelligence, to put it bluntly, Hecate's intelligence is not as good as that of the protagonist. The protagonist's ancestor has taught masters. If you don't know, you can just ask the ancestor. And the ladies in Hecate's network can actually be reached by the protagonist, so the information is useless. Having written so much, let me condense it to this: the protagonist is like a direct disciple of a large sect, who goes to attend a gathering of casual cultivators, risking his life to exchange for junk gadgets that have huge side effects but are useless, as well as expired information that is useless and still feel that he has made a profit. In fact, it is not dangerous for the protagonist to go back to his own sect to get these things (the protagonist has a small aunt, a great ancestor, a great grandfather, and he can also have a relationship with the great lady). Instead of attending this clown party, it's better to spend some time building a good relationship with the classmate from that master's family. If he misses something, it's no better than digging for scraps at the party.

The author's latest registered account is Laodeng Reincarnation😁

As soon as the idea is published, the author runs away. So what are we readers who have spent money to do? 🙂

The character descriptions and life-like dialogues deepen the credibility of the background and make people feel immersed in it. This is a good book, I hope to maintain the quality, this book is a big seller😁

What about Yuan Eclipse Demon's comment?

The author does not dare to write about the great Eastern countries, but he likes to write about geography, language, and many other things related to the reality of Western Europe. His literary youth is a bit serious. There are many characters in the novel who speak in similar tones and are not personalized enough.

This battle is a bit confusing. Why does a 7V7 team battle give people a turn-based feeling? When one person takes action, does everyone else automatically stop? They all move at once. On my side are the Chief, Hercules, the Protagonist, Prometheus, the Protagonist, Catherine, the Goddess of Agriculture, and on the opposite side are the Chief, Mars, the Hunting God, the God of Beauty, the Kitchen God, the Goddess of Destiny, and someone else. Hercules charges on one's side, and petrifies on the other side, and then stops, and then de-petrifies on one's side, and Hercules continues to charge, and the God of War on the other side takes over, and the Craftsman also charges, and the Moon God on the opposite side shoots, and the Craftsman blocks, and the God of Beauty on the opposite side controls... Are there any restrictions in the battles in the world view that interfere with each other, so they can't attack at the same time? Hercules is petrified and no one is attacking, so we can watch the release of control? (It's very fast to release control, but didn't you stop and take a few steps back first? Doesn't the opponent have time?) The beauty goddess Venus on the opposite side can give Hercules control with a smile, giving him a chance of missing his shot, and then it's gone. Is there really no other way? Can you be considered half a human with your strength? Even if you, Goddess of Beauty, don't bring out the divinely crafted weapons, you will indeed have no moves. Aren't you proficient in the Sun's traditional secrets? Let's check out your skills. The protagonist's side is also strange. The opposite Kitchen God doesn't know why the front is not moving, and only takes action to control the front discharge in the middle. If the protagonist hadn't released the control from the opposite Kitchen God, no one would release it, and he wouldn't have planned to move. You can know right away that Rome excludes outsiders as soon as you enter. Why do you have to wait until the front row is so charged that there is really no way to fight before you sign? It's really not possible to use this kind of buff skill in advance. And the god of agriculture on your side, if the opponent doesn't call you a mole and you have to prove yourself, are you planning to end the ob? Moreover, if the number of people is the same, there should be one person on the opposite side who has not appeared from the beginning to the end and has been invisible. When it comes to team battles specifically, do you really plan to mix up the names of people, gods, and nicknames? I am familiar enough to recognize them, but the goddess of destiny, Minerva, Fortuna, Star Tradition, and goddess of wisdom on the other side are mixed together. On the one hand, the turn-based combat is not like a human being, on the other hand, the abilities and names are confusing and unclear, as if a muscle is blocked at both ends. The second thing is that there seems to be no difference between these traditions. If I hadn't introduced the traditions of everyone on the opposite side, except for the chief on the opposite side who has a big star on his head, can anyone else see the characteristics of each tradition? Most people are proficient in the tradition. Do you have your own skills? It seems that they are all the abilities corresponding to the same god. The God of War recruits legions and sends waves, the God of Hercules charges forward, the God of Beauty enchants, the Goddess of Hunting only shoots arrows, and the God of Dionysus pours wine are some of the abilities that you need to know what they do when you hear their names. I used to think that the protagonist was a bit special, and his compatibility with the gods was not very high. He was very independent and could not be related to his scholar ability. I didn't expect that everyone was like this. It made me look forward to it for so long to see what the battle with extraordinary abilities unique to this world view would be like.