American Variety Show: Son of the Devil

After reading more than a dozen chapters, I feel that what you wrote is not a novel, but more like a reflection after watching a bunch of movies. Apart from the endless settings, the plot has no advancement at all. You have to know that what you are writing is a novel and telling a story. You don't have to worry about so many settings, and no readers are willing to bother with those settings. Every story has bugs, but the most important thing is that the story is exciting, not endless patches. If you keep writing like this, you might as well start a new book, telling the story of the devil's son. You don't need to add too many settings, just let him live a wonderful life in the novel according to your knowledge!

After reading several chapters, I kept thinking about setting, setting, or setting. . . . . . Why do you set the protagonist's abilities yourself? It's totally unnecessary! You can decide whether to write something in the book that no one will read or that most people don't want to read. And the more detailed your settings are, the harder it will be to write later. If you set the settings completely, the monsters behind will only become stronger. But in the movie, the maps are different and there are strong and weak ones. There will only be a group of people arguing in the comment area. If you enter the BOOS level, you can either re-weaken the monsters or beat the BOOS directly. Invincible flow~

I was too tired to read it. I talked about the background setting at the beginning. After that, the Wen family came to the door. After chatting for a while and having a meal, the protagonist understood everything, and then a bunch of settings came. After explaining the source of the protagonist's power and abilities, the protagonist started to pinch people, pinch one, write a bunch of settings, and even complain about the settings. I pinched several and destroyed several. After writing a bunch of character settings, I finally It was about the protagonist going to other worlds. Sadako and the Corn God competed for favor, thinking that the plot was about to start, but in the end, they started to pile up settings again. They started to write about the protagonist's past life, previous lives, and previous lives. A bunch of settings came again, and the characters who had finished setting the settings before were added to the settings. I didn't read the rest of it. I really couldn't stand it anymore. There are more than ten chapters full of various settings. This is not a novel, this is a collection of settings.

It's all setting. If you can't retain people in the early stage, it's useless no matter how much you talk. How about you add a description at the beginning that allows you to jump to as many chapters as you want?

The author is very happy to write. Jesse's settings are one link after another, and the world settings are one link after another. He pours out all his complaints about America, the director and the actors in the book. He is also keen on family ethics dramas. If you are interested, you can read it.

Is the author so creative that he wants to cram them all into one book? It feels like it's all settings and multiple settings. I don't understand the point of giving the protagonist multiple identities. It starts with the son of the devil and then becomes the reincarnation of Hal, the greatest Green Lantern, two chapters later. The plot is not developed at all. I am always thinking about the protagonist.

After watching three or four pictures, I felt like I was watching a set collection 😂😂

The idea is good, but it takes too much effort for readers to read and is not reader-friendly. Therefore, it is foreseeable that the results of this book will not be very good! Internet articles should look like Internet articles, be straightforward, don't jump around, don't show off just for the sake of showing off! The reader's mind is not your racing track, the author! You should not be responsible for drifting deliberately to show off your driving skills! ! !

I always thought other authors were bad, but you are too dry, full of hard stuff and no water at all 😥

It feels like I'm looking at the detailed outlines and a bunch of settings. You have to highlight the setting in the story plot, rather than inserting the story into the setting, and you kind of treat the setting as the plot.

The author's logic and critical thinking skills are top-notch, but he is not suitable for writing novels. There are too many direct comments and comments from a God's perspective. If you skim a single chapter from the beginning, you will have no idea what is being said. Even if you read carefully word by word, you may not understand what is being said, because the amount of information is too large and the jumps are too strong. The uncompleted information is all in the author's mind. It is not like a novel written for readers, but more like a self-entertainment. No matter which chapter is read, it reads like prose.

The introduction and analysis are too detailed, like Da Lieba, although it can be full, it is too dry and chokes people, and I don't want to read anymore.

I don't quite understand. First, the third golden chapter didn't say anything. Then I skipped to Chapter 11 and discovered that the protagonist is invincible. So why did the author write this story...

It's very tiring for people who read it. It feels like they're always between the author and the protagonist, and they can't get into it. There's too much popular science.

To be honest, the protagonist is very powerful, but the author complains too much. I would rather see the protagonist promote the plot, rather than the author just like a movie critic who keeps commenting on the movie.

The first chapter said that the evil spirits of the Wen family were coming, but the subsequent 10 or so chapters were all inexplicable, creating various ghosts, giving a bunch of settings, and then the ghosts became invisible. I thought of Superman spoilers for some reason and then stopped. I was expecting your ghosts to do something, so you changed the scene, and in the process you also used telekinesis. Power, and then lost it. There are also many ghost movie reviews. Is Kayako powerful? Can he travel through time and space? Who is a good ghost? Ghosts cannot kill people under your control. So much is laid in the end. The chapter is over after coming to the door and time travel begins.

What is written above, a set of settings? There are so many settings and it feels like you are reading an instruction manual rather than a novel.

Author, everyone wants to read the story, not the explanation. You can show the background from the plot development instead of a dry introduction.

The connection between the Son of Evil and Green Lantern Hal has been mentioned in the article. Here is an explanation of why the two characters are added together. The character of the Son of the Devil in the original film is that he does not want to hurt anyone. After knowing his identity, he disappears in order to protect his family. He chooses neither a devil nor an angel. So he is one of the few people in the original film who was not tricked to death by the Wen family. Anyone who has watched the original film knows that these two brothers only care about each other's life and death, and normal people will just stay as far away from them as possible. In addition, the time-travel setting is for the so-called sense of substitution. After all, the people who write and read the text are modern people with Eastern thinking. If I said that the protagonist was born a good person, I would probably be called a virgin, but it is impossible for me to write out the past life in order to establish the image of the protagonist, because everyone will read the story after time travel. So I regarded Hal's plot as a past life, all played by a small actor. There will also be DC plots in the later period. Instead of following Hal's plot after traveling through time, it is better for Hal to reincarnate and change the plot. Green Lantern's abilities highly overlap with those of the Devil's Son, and the characters' backgrounds are similar. At least, people who know Hal will not question why the protagonist wants to save the world, because that's who he is. Maybe I wrote the first volume too quickly, but I should explain the identity change clearly. If you don't like to read the setting but want to see the plot, just accept the relationship between the protagonist (Son of the Devil-Orphan from the East-Green Lantern). You can just watch the plot without getting hung up on the minutiae. If you're obsessed with abilities, you still have to look at how the protagonist develops his abilities in the first volume. If you didn't read the foreshadowing and asked me later why I wrote this, I would be really speechless.

Many people got upset when they saw the settings and asked me to delete the settings and go straight to the plot. I appreciate your kindness, but I also explained in the article the shortcomings of the protagonist's abilities and why the protagonist needs to be limited. If I only look at abilities and don't consider the world background and the protagonist's character, I should write a system article, with a systematic explanation of how to use abilities. But what I write is not a systematic article. The protagonist's ability cannot be defined in one sentence. Modifying reality sounds very high and invincible, but there is a scope limit in the original film. Angels can directly destroy an entire town just to kill one person, and God can even erase a world at will. The protagonist can run away on his own, but what about others (the teleportation to other worlds is added by the protagonist himself, and there is no hint in the original film) The protagonist wants to protect his family, so it is best to disappear by himself as per the original film. This is the pre-plot of Wandering in the Sky, but the protagonist is not the kind of person who just runs away on his own, he has to leave behind to protect his family and even others. Because he did this, the lantern beasts that were secretly following him ran out. At first, they were mistaken by the protagonist as his own creations, and restrictions were set to prevent them from hurting people. Later, when they found something was wrong, the parallax monster exploded on its own, so that the protagonist would leave quickly. If he didn't leave, an enemy more troublesome than the indigenous god would appear. I can't guarantee that all the choices of the protagonist are correct, but I wrote it based on the protagonist's personality. I originally hoped that everyone could help the protagonist find out and fill in the gaps, but many people were scared away by the setting. I don't expect everyone to like my way of writing, just that some people like the stories I write. Even for those people, I will finish telling this story. So if you don't like it, don't like it. Don't curse me and give up, okay? PS Modifying reality is not that simple. Changing parameters casually will cause a world crisis, so the protagonist uses it very cautiously, and only does it boldly with the help of the mother box.

Introducing a bug monster, the Phantom Monster, from the first season of Evil. Its ability is to transform into something that witnesses are afraid of, and it can also possess the ability of the monster that witnesses are afraid of. This thing can only be killed by modifying collective cognition and adding weaknesses that can be killed. So the main purpose of modifying the settings of Japanese female ghosts is to prevent them from having the ability that fans can imagine. If you read the text carefully, the Parallax monster appears as a corn monster. When Jesse was unhappy, he took the initiative to shrink, so Jesse regarded it as his own creation. But the Sadako transformed by the ion shark rushed out on her own and did not listen to Jesse's words to go back, so Jesse regarded her as an alien ghost. The transformation of Ion Shark into Sadako is caused by parallax monsters, including other lamp beasts. Parallax is originally meant to be the deviation caused by observation from different positions. So Lampmon is a Lampmon in the DC universe, and when it reaches the point of evil power, it will turn into a monster. When the Ion Shark comes out of the TV, the first reaction of the protagonist is Sadako. I also specially wrote a sentence about Sadako being like a shark.

Common images: Green Lantern, Parallax Demon, Ghost There is nothing you can't imagine but nothing you can't change It's the Karona Glove, not the Infinity Gauntlet. However, in the Marvel comics, Parallax Demon wore the Infinity Gauntlet. Yellow light form (and other light ring forms) Orange light form Red light form White Lamp form Black light form Light god form Ghost Hal never forgets his friends

Parallax Demon Dad refers to the image of Hal

The son of the devil, doing the People's League thing as the People's League blacklist.

Awesome, I've been watching it for so long and I'm almost done. What a twist! What is playing is jumping and correlation.

Recently, some comments mentioned that I designed the protagonist with invincible abilities in order to write a story and suppress his combat power. It's normal to say this if you don't know the original film. People who have watched the original film, or are willing to take the time to understand the setting instead of skipping it, should be able to see the character of the protagonist. The devil's son in the original film didn't want to hurt anyone, otherwise the angel would not have changed into a figure, but would have exploded on the spot. The protagonist's experience is Green Lantern Hal - Parallax Demon - God of Light - Eastern Orphan - Son of the Devil. He has never been afraid of anyone. What he fears is that he cannot protect his family and hometown. Hal's psychological shadow is the destruction of Beach City and the disappearance of 7 million people. After reincarnating as Jesse, he instinctively puts his family first, so when he develops his ability, he is not concerned about self-protection, but how to protect more people. He limits himself to prevent his abilities from harming others unconsciously. When he can control his abilities, he will not be constrained when using them. As for what some people say about becoming God, the examples of the original God, the new God, and the light god Hal all show that God is not omnipotent and cannot even change the fate of the people he loves, so Hal gave up his godhead and continued to be a human being. The protagonist also insists on his human identity and does not let himself become a monster who does whatever he wants. Only by accepting the protagonist's setting can you enjoy the story better.

I have three questions about this novel 1 How many more tens of thousands of words? 2 Will updates be discontinued? 3 Is there a female protagonist? If so, who are they? (Preferably none)

Since some people think that the early analysis and reasoning does not count as a plot, here is a brief explanation to prevent newcomers from being misled. As soon as the protagonist realizes that he has passed through the evil force, he has to deal with the assassination of an angel at night. Although the original film has a near miss, the protagonist must understand how "he" in the original film did it, in case the plot changes. Many settings of the evil force are not clear enough, and the combat power collapses in the later stage. The protagonist has to consider many possibilities, so I spent an afternoon analyzing the plot and developing abilities, and also inserted a branch line in the middle. Those who have read a lot of videos should be able to tell what I am writing, and those who don't know may think I am overloading my settings. I write so many settings, analyses, reasonings, and explanations because the protagonist's ability relies on his understanding of different settings. If you don't have the patience to see how the protagonist develops his abilities, you can skip to the back to watch the plot, but many of the things used in the subsequent plot are mentioned earlier. In short, the premise for the protagonist to use abilities is analysis and reasoning, and to come up with a set of logic that can convince himself. If he thinks there is no problem, the ability can be activated to modify reality. He felt that if the logic didn't make sense, the ability wouldn't be effective. Watch it if you like it, forget it if you don't understand it.

Your comments may have been ignored by everyone. I have opened a separate floor and you can submit any ideas you have here. The settings are now out, and what follows is the collision of characters from different worlds. The protagonist Jesse represents the American horror universe because his ability can embody horror movie monsters. In his previous life, Orphan of the East is actually our real world, and he has accumulated a lot of knowledge about horror movies (the work of Parallax Monster) In his previous life, Hal, Green Lantern, was mostly because there was a rebirth plot in the middle, and his setting experience was only the God of Light, so the protagonist has the fastest ability to grasp the concrete aspect, and it is not easy to fall into the darkness. However, after all, he has been a Parallax Demon, so he became the son of the devil. He is in the light, but his abilities are dark. The Mother Box was sent by Uncle Da, trying to trick the amnesiac Hal into becoming his subordinate. The plot of Black Star or Absolute Universe may be integrated, but not necessarily because it has not been written yet and may change. This is the story of the DC universe, without the incarnation of the will of the universe, to capture Jesse and return him to be a tool man. Marvel is relatively free. The identity of the protagonist is given by himself. He can become Spider-Man or other superheroes. Currently, he is pretending to be an Eternal, and an Eternal mother will really appear in the future. The main text is written in the order of the protagonist's adventures, but the plot of him traveling to the past and changing the future affects me who has not experienced those plots. Just like the appearance of Parallax Demon, Parallax Demon can travel through time lines. He comes from Hal's past, but that Hal is Jesse in the future, so Parallax Demon's father ran Jesse through time to see him. The Eternals Mother plot is related to the comic setting. In the comics, the Eternals ignore the earth because they have lost their memory and regard themselves as human beings. They only remembered that they are Eternals after the Thanos plot. So Jesse was really a child of the Eternals at a certain period of time. In short, many plots need to be read together. In the end, I will tie up the time of all the characters and try to create a perfect world (the setting of the backup world of the Mother Ring is for this). Next, if you have any plots you want to watch, or if you want to change the fate of a certain character, you can mention it. Currently, I have only designed the Flashpoint Paradox, to save Thomas Wayne, and then let me beat my son when I encounter the darkened Batman (it should be a natural suppression). The protagonist will also get to know little Bruce who has not yet experienced the death of his parents. This Bruce will not become Batman in the future, but the Bruce of a perfect world. It's that every time Jesse gets a call to find Bruce, he ends up traveling to Batman on a different Earth. This is how DC beats workers. Regardless of whether you want to do it or not, I will throw you over first.

Some people see too much explanation of the setting and think it has nothing to do with the plot. They think that deleting it will not affect the plot. They just don't understand the protagonist's ability. The setting of the original film is simply "Fantasy Come True". After the protagonist found out, he added a "Logic Lock" in order to prevent his ability from getting out of control. It is the "Fantasy" he recognized that can "come true", so he has to pass a "Logic Determination" first, and only after passing it can "Modify Reality". What if he had watched so many horror movies and had a nightmare at night where all the monsters came out? So the early stage is not a pile of settings, but a setting war. The protagonist compares the pros and cons of different settings and chooses the settings he thinks are acceptable [implementation]. After you become proficient in it later, you can switch the settings you want to use at will. They are basically the ones mentioned in the previous stage, so I won't explain them again later. For those who don't understand the process of the protagonist developing his abilities, here is a brief explanation: By analyzing the original film, the protagonist determined several of his abilities [Invisibility] [Teleport] [Spider Sense]. I wrote the original film not only for people who have not seen the plot, but also to describe the process of the protagonist modifying his abilities. Because the abilities used by the protagonist are modified based on the original film, and will be modified in real time as needed in the future. If I don't write out this process, everyone will definitely find it strange that the abilities are changed just because they are said to be. In fact, the protagonist will make adjustments as the plot develops. After seeing how the protagonist "subtly" modifies his abilities earlier, you won't have any doubts later. The same is true when the protagonist selectively realizes certain settings, such as the Tooth Fairy. The protagonist knows so many Tooth Fairy settings, why does the one his father told him appear? It is through this fact that the protagonist determines the premise of his ability. Do experiments afterwards to further analyze your abilities. One chapter deals with Sadako and the other chapter deals with Kayako. They are not to be wiped out by violence (it can be done, but only the protagonist can do it), but to weaken their threat to human beings according to the rules (so that others can be eliminated if they encounter it). The protagonist's approach is to integrate multiple world settings and demonstrate that they can only affect their own country. The main text is the argument process, which ultimately changes reality (so the female ghosts ran away, and because of the protagonist's ability, mortals can also kill them). If you don't like the reasoning process, you can just read the conclusion. As long as you accept the conclusion, the subsequent plot will not have much impact. If you don't accept the conclusion and don't look back to see how the protagonist came to the conclusion, I can't explain it. Also, don't deviate from the original combat setting. There are many examples of settings with high performance that stretch the gap. This shows that on top of the setting, there are plot killers, sales figures, etc. If you keep messing with the setting without looking at performance, American comics will not be able to write. In short, no matter what the setting is, if the protagonist sees a weak performance in the picture, he will think that the other party is weak, so the other party will become as weak as the protagonist thinks.