I Am the King of Gods in the World in a Vat

Book review ends at Chapter 42, Creation Flow, The protagonist's IQ is currently online, and there is no particularly stupid operation. In terms of plot, it finally gets rid of the common routines of creation novels, and the writing is okay It is a creation flow novel worth following.

What the hell is the Succubus Dance Troupe? It feels like falling from the God of Creation to the wealthy man in an instant. Even if you want to dance, shouldn't you start with the ritual dance? From ritual to dance, how little does the protagonist care about this vat that he can even sneeze into it? Shouldn't it be covered properly at all times?

If the author diligently updates 10,000 words every day, then the traitor will retreat in fear, and the moral gentleman will rejoice This is a feat worthy of praise by both Yao and Shun! I have heard that calves born in sheepfolds do not behave like sheep when they grow up. You are in Qidian. You use your computer keyboard frequently, but you have lost interest in updating. Is this reasonable? Qidian is strong because it has inherited the etiquette and skills of its ancestors. Stop bursting, and the pressure has nowhere to release, but becomes tired. Isn't this abandoning the roots of the tree and pursuing the treetops? If this continues, great disasters will surely befall! The reason why platinum can have With tens of thousands of royalties, they are not hurt by villains precisely because they are willing to listen to what upright gentlemen say. However, Poujie cannot get royalties, and are even looked down upon by his girlfriend. This is because they are close to evil villains. I hope you can think carefully about the difference. There is one thing that makes you cry for the author, and there are six things that make you sigh for the author. Since ancient times, people have often used very passionate words to express their opinions. If they are not passionate, they will not be able to touch the heart of the actor. Exciting words are akin to slander. Authors, you should think carefully about whether this is right or not Those authors who update less, delay, or owe updates have no time to feel sad about themselves, so they are drowned in the torrent of works, leaving only later authors to feel sad about them;

The essence of this book is that the protagonist is dancing in shackles, and he truly enters his own world, rather than being a bystander.

Your protagonist is actually in good health? Then who can help me fill in the missing piece of cancer?

Only those gods who have communicable wisdom, are recognized by the protagonist (god king), are willing to abide by order, and perform certain duties in this world are the righteous gods with "divine duties", and the rest are demon gods. For other lives in the vat world, the demon god who has power but does not fulfill the "divine duties and missions" given to it by the God King when he created it, and does not care about other lives and acts recklessly is too dangerous and is the source of destruction, which will destroy the evolution of the world and the development of civilization in the vat world. Therefore, demons who are unwilling to perform their priestly duties are either killed or imprisoned to passively perform their duties. The final right of interpretation belongs to God King Linge.

Every time the fish tank acquires a concept that it did not have before, the fish tank will expand by one point, such as: water, fire, and meat. Or the creations in the fish tank create special concepts, such as: language, writing, war, and oaths. Wait, the fish tank will also expand. Until the fish tank expands to the point where the protagonist can fully enter it, the protagonist will truly become a god. The fish tank in front expanded, but the protagonist didn't notice it because the expansion distance was too small.

The author is clearly a newbie. The text in the first chapter is very self-proclaimed. But the plot design is reasonable, and the setting of the main body entering the world in the cylinder is also very good. The character creation is also okay. The big snake provides an epic feel, and the communication between the giant beast and the gods is very good. Colleen provides basic equal emotional communication and allows some basic character relationships. The role of the Masked Apostle's Fool is also reasonable. The protagonist's character is not distinctive and lacks charm, but it is qualified to be used as a god in an epic to highlight the fantasy of the story. The other characters are pretty unremarkable. In the middle of the setting of Magic Food, the writing was a bit biased towards food articles, which was a bit strange, but the epic feeling was still adjusted back. Then there are many comments that suggest that the author should not pay too much attention to it, such as the expansion of various imaginations, or negative reviews of Coleen. Writing a good story is the most important thing. Compromising the plot and characters for other people's imagination and evaluation will ruin the book. The current plot focuses a lot on the creation of the world and the growth of the protagonist, but I think these are not enough to become the main body of a creation story. As the plot develops, if the author does not intend to create a new creation story routine, then the epic of civilization will be the inevitable main body. At present, the author's preparation for this subject is not enough. Whether it is Tufu, Dragon Mother, Manling or Niwang, the characters are not outstanding enough. It is difficult to extend readers' attention to their corresponding races. At the same time, the current relations between various races are too harmonious and lack the soil for contradictions and conflicts. However, the recent plot of Masked Apostle has a tendency to interfere here. I think this development will be an important node for the smooth development of the civilization epic. In terms of setting, the evolution of the mission is very interesting, and many plots revolve around this, which is also developed very well. This is qualified as the main theme of this book The setting of the race is mediocre. There is a trend to combine missions and races, but only the pig part is barely okay. The setting of the Land of Oil and Fire lacks subsequent development. The first appearance of the dungeon was good, but the follow-up development was weak. I think the author needs to polish this part more. The world tank setting is basic, and the expansion is relatively ordinary. The plot surrounding the mission and the epic atmosphere are the main reasons why I think this book can achieve success, but there are also some hidden dangers that need to be resolved urgently. Regarding the development of the civilization epic, I think it is the key to the subsequent achievements of this book. In general, I think the quality of this book is superior compared with other new books, and it is worth paying attention to readers who like creation literature.

A is a fish tank, B is a copied wooden house, and C is a copied fish tank. Now the male protagonist Ringo is trapped in A, and the fish tank A becomes a world. The copied wooden house B is his console. He can copy the copy in the wooden house by controlling B. Use fish tank C to control the world of fish tank A. For example, if you throw a hair into replica fish tank C in replica wooden house B, a big snake will appear in fish tank A, that is, a big snake will appear outside the replica wooden house. Use a plastic cup as a barrier

​​A very novel creation story, similar to the sandbox creation of novels like "Millions of Possibilities". This book does not have the common faults of creation literature on the market - that is, the protagonist does not suddenly become like a real god, and suddenly becomes superior; nor is it shaped like a rich loser in pursuit of the so-called "realism". The power system of the book is also very interesting. It is not the traditional western fantasy or fantasy that is badly written. When I read it, I thought the protagonist was having fun as a farmer. There are no signs of dastardly XP in the book, such as "the positive characters are all women, the negative characters are all men", "read it as Kingdom of God, write it as chicken coop"... Point of interest: In the tenth chapter, the protagonist built a smart creation to protect his own safety. This creation can not only freely enter and exit the protagonist's safe house, but also see how the protagonist controls the sand table. However, the author wrote it very appropriately. Because of this, this creature did not behave like a female brat, but more like a bodyguard with a closer relationship.

This book... How should I put it, its plot is quite creative, but it is only creative and does not give people enough emotions. There is no ups and downs one after another, and there is no interesting character interaction and eye-catching characters to attract. It just gives you ideas. What did the God King create and what did he obtain today? It all relies on a sense of expectation to see what else the protagonist can come up with. But in fact, I have no expectations at all for the "emotional fluctuations" that the subsequent plot will bring. It is better than nothing. It seems that Stardew Valley farming and winemaking make money every day through mechanized planting. Except for the increase in numbers and the increase in wine bottles, there is nothing else. But without holidays, as the richest man in Stardew Valley, I always give "Hailey" the most expensive gifts, hoping that Miss Haili will get me married and have children. It's probably like "encountering difficulties → creating → solving → harvesting." But I think there is something missing behind it. This process, who can help me fill in the pretense after harvesting, is like Da Feng. Whether you get money, status, or strength by solving a case, after harvesting, it is not just "status +1". After he used his new gains to solve the existing difficulties, he still had to show off wherever he could to his aunts, uncles, younger brothers, sisters, colleagues, bosses, big shots, beauties, in front of and behind others. I am not advocating pretentiousness, but the emotional fluctuations in this book are indeed relatively small. Originally, the creation text was unlikely to put the protagonist into a too anxious "melting pot", which lacked tension and excitement, but the emotions of the people under the protagonist were "Wow, the God King has created something new again." Well, it's tasteless to eat anyway, and it's a pity to throw it away. No other soup of this type can be tasted. The soup is good, but it has no salt and is bland.

The devil is close to the concretization of concepts, that is, he abstracts the things he puts in into concepts, generates a creature based on these concepts, and then slowly adds these concepts to the world after death. For example, the spicy dried fish turned into a burning fish demon when it came in. The concept of fish accounts for 90% of the possibility, and the concept of spicy accounts for 10%. After it is crushed, fish will be generated in the world, and the peppers of the abyss fire will also grow better. But there is actually a hidden truth to this theory. For example, the spicy food I mentioned above has nothing to do with fire physically. The principle of spicy food is just to stimulate people's nerves to simulate a burning sensation. However, when the protagonist puts the pepper into the world for the first time, spicy food and fire almost appear together. In other words, the so-called "concept" of an item being dissociated after putting it in is not really derived from the properties of the item, but the protagonist's subjective understanding and opinion of the item. So what kind of demons mobile phones and computers will eventually become depends on how the protagonist views these two things. Is it a handy tool? Or a dangerous intelligence? Is it a super-concentrated carrier of information? Or the best way to have fun? Another point is that the most important concept of time seems to be very vague now. There is no chronology at present, only the sun rises in the east and sets in the west and the four seasons rotate. Maybe in the future the protagonist will put in a clock and calendar? Regarding this book, I really hope to see an epic feel. This can be learned from the mythology of the Greeks, similar to the age of silver, gold, bronze, and black iron. The original world was a golden age. The earth was flowing with inexhaustible milk and honey. The creatures were wise and tall and strong. Everyone used the language of gods. Everything was orderly and harmonious. The Creator walked among mortals. Miracles made all creatures worship. The Golden Age ended with some big event and was followed by the Silver Age. The ancient gods fade away, new gods are born, and the Creator no longer appears frequently. The rules of the world have gradually been perfected... Then in the Bronze Age, the ancient ethnic groups directly created by the Creator have been gradually replaced by new ethnic groups who are more energetic and better than the blue. The language of the gods has been lost and replaced by the languages ​​​​of various ethnic groups. The ancient races and creation history have become myths. Many new civilizations and beliefs have been born on the earth. Culture and art have flourished. The fragile agreement between gods has been completely broken. The main tone of the earth will be war. Yes, it can set the tone for each era, such as creation, exploration, faith, war, reincarnation... Different eras focus on different races or people. The person chosen by the protagonist. This can also correspond to the so-called "magic meal". For example, the oldest magic is the simplest "eating". Eating him will give him his ability. It is the simplest and crudest, but the most powerful. What is the next era? It may also be "speaking", which achieves magical effects by dictating wishes according to rules. In the next era, magic may become more complex and systematic, weaker and more sophisticated, such as expensive wands, complex gestures, difficult-to-pronounce spells (which may be derived from the language of the previous era, but the semantics have been lost, so only the accent is retained), and newly constructed spell models... However, there are still people who are pursuing ancient and powerful ancient magic. In terms of "eating", those who are demigods or It is no longer possible to put together the "magic meal" where God is the food ingredient. To put it bluntly, as the kingdom of God ascends and ancient races disappear, the language that is close to the essence has been lost... The protagonist, as the God of creation, should be like a breeding tank, radically transforming it at the beginning, and then fine-tuning it. The final form is obviously such that the tank can run perfectly without personal intervention. And the protagonist can design ascending channels and power systems for the creatures in the tank... One more thing, the light pile setting is definitely not a good story. What a good story needs is wonderful contradictions. The evil sun that is out of the protagonist's control in the early stage is really a good design, but it is a pity that it was offline too early. Otherwise, I would have expected the evil god and its followers to fight with their followers and the apostles who are loyal to the protagonist. However, in fact, the protagonist is superior, and keeping it is only useful for the moment. When the struggle between the two parties is at its peak, it must feel very good to crush mosquitoes with one hand. This kind of cannon cannon is used to kill mosquitoes. So what are the seedlings that may become "good contradictions": Resources: If the material world cannot achieve a cycle, then sooner or later the resources will be exhausted and unable to achieve the eternity expected by the protagonist. There can be a deadline so that the protagonist will have the motivation to force him to do something. Corruption: Just like the algae outbreak or the growth of small bugs in the ecological tank, even if you are its owner, no matter how powerful you are, you cannot clean every corner yourself unless the entire tank is drained and the water is changed (for the protagonist, this is annihilation and reconstruction). Corresponding to this world, it is the constant breeding of demons or evil spirits. The protagonist can cultivate something by himself and be responsible for fighting these things. The world outside the cylinder: Sooner or later, supplies will be exhausted, and the above two problems will be solved sooner or later. The protagonist will have no motivation after eternity, so will there be other "cylinders"? Perhaps, only by being reduced to a weak creature in a tank can we really discover it? Does this give the protagonist a reason to create a weak clone, or seal himself off to participate in activities in the world?

Although I also feel that the later stage is not as good as the previous ones. The power system in the early stage is very straightforward, but it becomes more and more mysterious in the later stage. There are conflicts in the early stage. In the first stage, I bought magic food because I was hungry, and in the middle stage, I bought a refrigerator because of my life span. There are no more contradictions in the later stage. The plot on the ground also suddenly became watery at the beginning. The demon turned into a human at the speed of light, but it was very blunt. The creation flow, but the plot on the ground was not well written. I haven't written any plot about the current world, it's a big hole.

The protagonist owns a glass jar. After putting real-world items into it, it evolves into a new existence according to the rules of the world There are currently two types of rule transformations, demonization and apostle transformation. Demon Transformation: Putting in the corresponding substance will turn it into the corresponding demon god. After killing it, the corresponding substance will drop to fill the vacancies in the world. Like the soil demon - kill - the mountains and the earth. Beef Demon - Kill - Bull-headed Monster Apostleization: The protagonist is given a certain material mission, and after entering the world, he becomes an intelligent being with the goal of carrying out the mission The special feature of this article is dual existence + incomplete control Dual existence: The protagonist exists both outside the world in the tank and inside the world in the tank, so the protagonist must constantly improve the world in the tank to survive Incomplete control: Instead of the traditional protagonist being the creator god and then controlling everything in the world, the supporting characters sing praises without thinking. The supporting characters have their own personalities and ideas, and different plots are derived from them They will worship the protagonist's ability to create and destroy the world, but based on their own mission + different personalities, they will have their own unique behavioral logic For example, the Orochi Apostle (Hair), whose mission is to destroy the devil. Where should I go after all the fearful demons are eliminated, so I make a pact with the protagonist, and the protagonist will continue to create demons, and I will become the protagonist's apostle. The mutual relationship is more like friends, and they care about the protagonist (fear that the protagonist will die) Knight Apostle (nail), Mask Apostle (glue), their mission is to build a maze to trap the Beef Demon. Among them, the knight has a close relationship with the protagonist and is a standard loyal subordinate. The mask is more distantly related. Because the mission is easy to achieve, I want to explore the world freely and admire the protagonist infinitely after seeing the power The supporting characters have different personalities and have different interactions with the protagonist. If the protagonist encounters difficulties, the friendly snake will take the initiative and find a way to help. The knight rigidly obeys the protagonist's orders When it is necessary to write about the relationship between the protagonist and his subordinates, the knight and the mask will appear, and different personalities can also produce contrast In summary, creative creation stories no longer pursue divinity. The protagonist controls everything. The protagonist is an ordinary person who can create and destroy, but cannot control everything in the world, and the story begins here

That is, if you become a eunuch, can you give me back my💰😭

The creativity of this book is quite good, but the writing style is a bit immature, and it cannot grasp the exciting points and climax, which is a bit regretful. However, in the current environment where there are not many creation books, it is still readable, and the evaluation is - a good product! Rating list: Bad product Good product Excellent work Masterpiece.

Chapter 13 is a minor poisonous point. In fact, you can add an intermediary to make it smoother. When creating the cloud, it can be genderless and incorporeal, because the protagonist's will changes gender and body, and the person who protects his family and life cannot be too smart or too individual.

The more it is written, the more garbage it becomes. The protagonist seems to be in control of everything, but in fact he is always passive.

When will the Savior be welcomed in the Genesis text? If the wind blows and a son is born, there will be no butthole.

When the protagonist Ringo puts items into the fish tank and turns them into apostles, Ringo's inner thoughts will become the mission of the apostles. The first apostle, Orochi: A hair from Ringer, accidentally created when the protagonist destroyed the demon. The mission is to destroy the demon. The relationship with Ringer is similar to that of friends. The second apostle, Gem Knight: Comes from Ringer's fingernails. His mission is to help Ringer take care of the maze, raise cattle, and ensure the protagonist's food source. His relationship with Ringer is similar to that of a superior and a subordinate. The third apostle·Mask Apostle: It comes from 502 glue that sticks to nails. The mission is the same as that of the Gem Knight. However, this apostle has many thoughts in his heart. It is reasonable to suspect that this guy is actually a devil disguised as an apostle, because compared with other apostles, the mask apostle's identity has little to do with the protagonist. The fourth apostle, Gloria: comes from the breath blown by the glass + Ringer. His mission is to protect everything within the glass barrier, including the protagonist Ringer. Apostle Colleen is a classic tsundere character, the kind of person who says rude things but still really cares about you. (Tsundere has withdrawn from the general environment. I personally suggest that the author can write a bit about Colleen preferring to hurt herself to protect the protagonist. This can not only strengthen the mission of the apostle, but also make Colleen's character more complete. It is best to have her talk harder when the protagonist goes to visit her 😆)

The author is really a genius in writing books, perfectly avoiding every exciting point and every plot that readers want to see.

The text is a bit jerky and the words are not elegant enough, but the creativity is novel, the plot design is coherent, and the world view is reasonable and self-consistent. The only flaw is that the update is too slow.

Alas, he is still a eunuch after all. After reading it for so long, I have finished hundreds of pictures. What I wrote before is indeed okay. The entire story of God King revolves around the needs of the protagonist, which is different from those works such as Cancer. This results in his plot and development being interlocked, which is really good. I started to write out the outline later on, and my writing style was also a little worse. Many scenes that should have been grand could not be written out, so I just put out the outline. For example, the creation of King of the World was really a failure. He was the God King and some people gave him a chance, and then he went up and was gone. His rebellion is also dry. Of course, this also reflects the core of the story centered on the God King. But in fact, this can be written more and shaped well, and it can also reflect the God-King as the center. From here on, you can actually see the problem of skipping the outline and the problem of insufficient writing power. What is more direct is Lilith's dungeon battle, a very grand war. Although its scale is not huge, after all, it is in a tank, but it is also an epic node. The result turned out to be a hasty conclusion. The characters are therefore not very full. There is a feeling of a group rather than a group image, a protagonist rather than a protagonist. It's just that I didn't enjoy watching it, and I felt like I couldn't get enough of it. The problem becomes more and more serious later on. The devil caused by electronic network products runs through the back of this book. It is poorly written. There is obviously a better solution, but this way of advancement must be developed. In general, it looks quite new at first glance, but upon closer inspection, it still lacks polish and experience. Eunuch, probably because of the increasingly serious problems behind him, he could no longer control himself and ran away.

Orochi

In the past few years, the creators of the Chuangshi stream we have seen have become increasingly inferior. The book I wrote basically has no ideas and no innovation. They are resting on their laurels, and their writing skills are declining. I see new blood joining. Come on brother

There is already a Kingdom of God, and I hope to add purgatory, subspace, a cultivation system, and various political systems, such as a seaside city-state that believes in Songlian like Greece.

It cost dozens of dollars, and this is a eunuch...

Personally, I think this book is a new approach among creation texts. The protagonist grows step by step from a defective creator who only possesses the power of the creator to a perfect creator. Unlike other creators, "I am God" is invincible from beginning to end.

The first part of the book is not good to read, but there are a lot of readers who want to read this small world type book, but no one writes about it, so I can only pick a book from the garbage pile to eat. Fortunately, I can't read it, and I haven't read the first part. The first part is not well written, and it is not a good book.

Oh, can I get my money back? I think the angle of writing is quite interesting. At least in the early stage, it was done for certain purposes But in the later stage, it became the forced withdrawal of orcs in order to let humans take the stage This is putting the cart before the horse I hope the author can figure out the outline. Losing an outline is better than being such an unclear eunuch