Game of Thrones from Hogwarts to King's Landing

It's well written, but the self-talk in the first few chapters gave me a bad impression.

Author, an invincible article is an invincible article. Don't write about upgrading the world. The first person to benefit is always the world itself and all the people, not the protagonist. What the readers are watching is the original Game of Thrones, not the Game of Thrones after the dimensionality you say, so don't write about upgrading the dimension, don't strengthen any characters, and don't do any magic resurgence. Any of the above points are poisonous points. Since your novel is an invincible novel, and its core is that it is enjoyable for readers to read, how do you write it? When the protagonist goes to Westeros, he simply becomes an ancestor. What you have to do is to avoid those plots that are clever and poisonous. The core highlights are the protagonist's pretentiousness, high-profile appearance, display of abilities, etc. When I become stronger, others don't become stronger, which means I become stronger. When I become stronger, others become stronger, that means I don't become stronger. Do you understand? Author.

Although the content has just started, it will be very interesting if the plot does not collapse. There are a few suggestions for this book. First, it is recommended to place more contrasting life paragraphs after and before the protagonist. Two, do not add elements of the industrial revolution such as gunpowder, otherwise the balance of power will collapse even more quickly. Third, more oppressive force is needed, such as political plots such as city-state joint crusade against the protagonist. (There is only one protagonist with high-end combat power, and factors such as insufficient mid- and low-end combat power increase the chance of the protagonist appearing.) Fourth, describe more about the protagonist's subordinates rather than the protagonist alone. Fifth, add grand scene plots such as wars. (Especially describing the individuals under the protagonist in the war) Sixth, it requires a large amount of inquiry (can be queried by AI) about the history of the Middle Ages, Crusades, etc., To fill in the flesh and blood, and understand their living conditions at that time. Seventh, increase the conflict between gods and the protagonist, such as assassination and other plots. Eight, domination and conquest need to be thought about. There is a profound difference between the former and the latter. Ninth, the protagonist cannot intervene in production with higher forces. He can only appropriately adjust production relations instead of directly improving productivity. Above.

There is a movie called Fire Dragon Empire. There are many dragons there. As long as the male dragon is taken care of, there will be as many dragons as needed to form an army of dragons.

If you keep it for a while, it will collapse. The hang-up at the beginning is too high. The author said that the world must survive, but the problem is that watching the game of Thrones, doesn't it mean looking down on the power struggle? Otherwise, wouldn't it be better to just read the Warcraft fan fiction? The most taboo in fan fiction is to test the bottom and rewrite the underlying structure. Once it is changed, it is no different from writing a novel by myself.

The writing is good, especially when Lu Bu chose to work as an assistant to the monkey for Bao Si's ashes, and finally asked Diga to borrow a barefoot skate to travel through time and become Gollum to face Siegfried.

When I read the comments, some old readers had strong objections to my suggestion that the protagonist should play the role of a pig. Let me make it clear here that the protagonist is not pretending to be a pig. The protagonist just doesn't crush the world right away. I'm not the kind of person who would write a story in which the protagonist pretends to be a pig. You can look at some of my other books. I have never played a pig for the protagonist. And when I say pretending to be a pig, I don't mean to directly crush the whole world. After all, in my first book, after the main character came of age, he was already crushing the world. I just can't find a better adjective to describe the protagonist. He obviously has the power to crush the world, why not just be more neat? One person slowly crushes the city-states one after another. In fact, the strength currently displayed by the protagonist is the result of fishing. Even if some other extraordinary powers will appear later, you can rest assured that no matter who appears, they will be crushed in a fight with the protagonist.

I will be here to help with the new Game of Thrones book

The author should not make the protagonist so powerful. Too powerful will cause fatigue. If the protagonist is too powerful, there will be no suspense later and the readers will find it boring. The author can give some small plug-ins appropriately, such as giving the protagonist some small magic to let the protagonist experience it by himself. Personal opinion 🤭

Then the eunuch. . . . . . .

Trivia: World of Ice and Fire Martin paid tribute to the world view of Cthulhu, and there are creatures similar to the Deep Diver race.

Come on, author⛽, your writing is very good, I will always support you 🤓