Reborn, I Am Short Peninsula

The first one: Don't be ridiculous, really don't be ridiculous Writing about daily life and writing about literature are two different things. There are too many unnecessary dialogues. You can write eight chapters to play a game with Li Naling. There are too many running accounts. It just consumes your patience. Will deleting these eight chapters affect the subsequent plot? I don't think it affects her at all. Anyway, I read hundreds of chapters later and she doesn't even have a name. Second: About the career line and popular science I can understand that the author wants to write a "brainful" protagonist. The financial operations are written in detail to appear real and professional, which in itself is a plus. But the crux of the matter is proportions. When readers open the novel, their first request is "what happens next" rather than "what is the logic of this operation". You can write about how the protagonist makes money by taking advantage of the information gap, but the focus should be on the consequences and conflicts caused by his decision-making, rather than explaining the transaction steps step by step. Half of the chapter is seasoning, and one chapter is embellishment. Several chapters in a row become "an instruction manual in a different form." Readers are here to experience the story, not to take the financial qualification certificate test. Third: The problem with the emotional line, to put it bluntly, is that you use too much force in the early stage and abandon it directly in the later stage. When it came to winning Ji Soo's part, from the endorsement to the tour guide to the scene setting, every step was on the emotional point. It was really silky smooth and I could not help but think that if I were a woman, you would have captured it all. But once the relationship is established, there is not even a decent interaction in the next hundreds of chapters. They only mentioned it when eating with Park Chae-young. This is equivalent to destroying the emotional foundation carefully built in the past. What will readers think? Oh, so it turns out that all this effort was just to push down that moment? So what do those delicate foreshadowings before mean? Is it considered a tactical performance? The most taboo thing about the love line is to "refrigerate it after the strategy is completed", because readers have already developed expectations for this couple, and if you suddenly cut off the relationship, the disappointment will be stronger than without this line. Since the beginning is so carefully laid out, even if there are one or two quality interactions every dozens of chapters, the relationship can continue and deepen, and even minor frictions and conflicts can make this line come alive. Rather than like now, it is an idol drama in the early stage and becomes a tool in the later stage. These are the three problems I discovered 1: The blurred boundary between daily life and hydrology 2: The imbalance between professional knowledge and plot advancement 3: The emotional line ends at an anticlimax In fact, these three problems all point to one problem, which is the failure to control the narrative rhythm. I'm done complaining, I hope it helps you,

Congratulations on signing the contract with Wuhu~🎉 At this point, you should really praise from the heart: hard work and persistence will be rewarded, and the platform will not let down the passionate authors who work silently Come on, come on⛽

I went to see twice's concert today. She was so beautiful in person😭😭😭

🐍

There are so many female protagonists that seem quite intimidating, but I found the content extremely boring after watching it.

Prototype reference: Jang Wonyoung Affiliated company: Starship Entertainment Starship Entertainment ：Zero Gravity Project Basic information Name: Jang Wonyoung / Jang Wonyoung (장원영 / Jang Wonyoung) Identity: Former member of IZ*ONE · Active girl group ive Facade Born: 2004 Character positioning: childhood enemy / "the first trump card" on the capital chessboard Relationship with the protagonist: Acquaintance in childhood, opposing positions as adults, but they were Destiny is repeatedly bound Childhood enemy setting (source of emotion) Appearance and temperament Stage image: Absolutely central physique Natural preference for camera and stage Personal temperament: Bright, elegant, and highly symbolic Having transcended a single "idol" and becoming a "symbolic character" Character setting Surface level: Perfect career Qualities Strong emotional management Core: Extremely sensitive to "position", "height" and "uniqueness" The fear is not of failure, but of being replaced Hidden psychology: She is very aware that she is being shaped by capital into a being who "must always make progress" Relationship with the protagonist Cao Yisen Appearance: Polite business cooperation and impeccable public appearances Privately: Both know each other's ambitions Also know that the other is the only one who can understand "loneliness at high places" ⚠️Key spoilers for the future (main line level)

Looking at the name, I thought it was a financial tycoon who randomly killed a girl group, but it turned out to have a literary taste, which is not my cup of tea.

On a whim, I wrote lyrics for a song 😐😐 I wrote for izone, and asked a friend to help me make it. Mengyi will return in 2026😭😭

🐟She is a complete goddess🥵🥵🥵

🐰

Re: One debut song preview!

Utopia? Your own financial company has already earned hundreds of millions of dollars, and you are still working as a cowboy in an entertainment company? Even if the male protagonist wants to pick up girls, how can one guy be able to pick up so many A-list and super A-list girl group members? Are all those girl groups idiots?

Yaxian baby

Sister Quan

It's really well written 🙂🙂 The financial knowledge seems to be written in an industry-related way, but judging from the author's IP, it is likely to be several levels higher than that of low-level migrant workers like us. It can be seen that the author is not short of money, but being able to write 800,000 words for Love Power is really amazing. At least when I get off work, I just want to read novels instead of writing novels. Korean entertainment novels are just a dream, thank you for someone who can write out my dreams

I originally read this book after hearing that the Mina Line was well written, but ended up falling in love with the Career Line. Just by looking at the name, I thought it would be a very hard-core career line, but the author integrated finance and girl group operations into the career line. It is not so boring, but just the right size. You can read it even if you don't understand finance. Especially the two chapters about Min Hee Jin in the middle, it portrays her image very well. She is a complete careerist who can give up his girlfriend in order to succeed. Such an indifferent person also has a soft place in his heart, which is simply loved and hated at the same time. In terms of business line, finance and operations are divided roughly 30-70. The finance part tends to serve the follow-up operations. Most of the content is about the daily life of working with the girl group. It is quite interesting and step-by-step, giving people a feeling of having a promising future. In the early stage of the love line, the dwarf king is the main one, and there are single-line plots with individual heroines, and they are more metaphorical. In the later stage (currently updated to more than 100 chapters), the love line is more single-line with the heroine, and does not intersect with the main line so much. It is more like an independent single-line plot (Zhixiu line, Mina line). Generally speaking, the love line does not have so many plots such as Shura field, and is more like a long and steady stream. Slowly, it will fall into place. Therefore, the overall style is more daily and light-hearted, and there are relatively few astringent plots in Shura Field (you won't know that the male protagonist has already eaten meat unless you look closely).

I came across this novel in a book review section by chance, and I finished reading it in a few days. The career line is very good, which is to my liking. It is much better than the career line where the male protagonist is an idol. I also think the writing is top-notch, I love it. I think it's the best Korean entertainment novel I've ever read. The previous one was Asteroids, but it was a bit too watery, and now it's this one. I personally like good writing, otherwise I won't be able to follow the plot no matter how good it is. But in terms of plot and characters, I don't know what to say. It just feels a bit like a tool man. He disappears after writing and is not seen for a long time. I think Asteroid is better in this regard. The lovely Tzuyu and the broken Mina may not have been written enough, and the plot has not been developed yet. No matter what, the author must keep writing, for fear that one day you will stop writing 😭

Character Card｜Cho Yuri Prototype reference: Jo Yuri (former member of IZ*ONE) Basic information • Name: Jo Yuri (조유리 / Cho Yuri) • Identity: Former member of IZ*ONE · S OLO singer and actor have parallel routes • Gender: Female • Family relationship: Cao Yisen's sister • Debut background: Limited to a girl group, successfully transformed into SOLO after disbanding ⸻ Appearance and temperament • Appearance keywords: fair, delicate, soft lines • Temperament: • On stage: stable, clean, with a bit of restrained edge • In private: gentle, rational, measured • Style positioning: • Non-offensive beauty • An artist who is "enduring" and "more mature the more charming" ⸻ Character setting • Core character: Mature, Self-discipline and strong emotional management ability Unassuming, but with clear boundaries and judgments in the heart • External performance: Extremely tolerant of younger generations and family members Keeping a professional distance from the media and the company • Reality on the inside: Staying alert to a life of being "consumed" and "arranged" I realized very early that an idol career is not eternal ⸻ Career status (novel timeline) • After IZ*ONE disbanded, he continued to work stably as a solo singer • Simultaneously tried OST, musicals, film and television guest appearances • The protagonist acquired a global streaming media to create an exclusive series for her • The reputation in the industry is: "Good, stable, not good Something will happen, and it is not easy to be used as a pawn by capital. " ⸻ Relationship with the male protagonist Cao Yisen • Relationship positioning: Sister / Semi-guardian / Emotional stability anchor Interaction characteristics: Understand the other side of his brother who is "not just an artist" Do not actively interfere with his capital and ambitions, but always maintain it. Be alert • Key attitude: Not against him taking risks But once he crosses the line, he will be the first to step on the brakes ⸻ Plot function (narrative level) • Realistic anchor role: • Represents the "normal life track" in impetuosity, intrigue, and capital games • Contrast effect: A calm contrast to her younger brother's radicality and ambition • Potential clues: She noticed the cruelty of the entertainment industry earlier than the outside world In the future, she may become a sample of "exit success" ⸻ One sentence character summary She is not an extension of the protagonist's aura, but the line that still maintains humanity in this world.

2.0 Version heroine strength ranking: T-2: Unlocked T-1: Unlocked T0: Unlocked T1: Kwon Eun-bi, Kim Ji-soo T2: Yena, Kim Min-joo, Karina, Lee Na-kyung T3: Yeji, Shin Yoona, Cho Yoo-ri T4: Jang Won-young, Ahn Yoo-jin

What I wrote in the front is a bit too rambling, I don't know what happens later, but there are a lot of illogical places in the front, which really affects reading.

An'an😊😊

Chestnut🌰

There are always a few plots with a small plot, so hurry up and short Korean entertainment.

Rei

It feels quite fragmented. The career line is written in too much detail. Anyway, I don't want to read your career line at all. The instruction-style explanations in several consecutive chapters are a bit boring to me anyway. The emotional line is like playing a dungeon. Whoever's turn it is will have a major plot, but once the plot is over, there will be no plot for a long time. Just like Li Na Kyung in the early stage, and then Mina, Itzy or Kim Ji Soo in the later stage, or even the male protagonist's sister. I almost forgot about these people without looking at the character list. It just gave me the feeling that the author liked a person in a certain period of time, and then wrote a lot of plots about her accordingly, and then after a while, he didn't like her so much and completely forgot about it. The connection is very unnatural, as if you are loading a game while playing a game, and you can continue it whenever you think of it.

An Gou's writing is really good, keep going and don't stop.

Anna😍😍😍

One leaf

Cai Yuen Street

Chestnut🌰