Death: Born with a Numerical Monster, Is He the Mastermind Behind the Scenes?

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Aizen is the most outstanding character among the Shinigami. A station next door has a Shinigami article with more than 40,000 orders, and Aizen is a brother, and a 20,000-person article with Ichigo as a Shinigami, and the teacher is Aizen... The Manset Shinigami at the starting point is also closely related to Aizen In other words, it is the readers who choose Aizen, not the author who chooses Aizen, and no one will read if he is hostile to Aizen Writing about other people, no character can attract so many readers.

The Migrant Man about Death is the most difficult to write. It involves too many elements, including religion, philosophy, psychology, narrative, and poetry. Those who dare to write about Death are not ordinary people 😅

The most important thing for a Death is his fashionability🐶. He may not be strong, but he must be handsome.

I would rather not have this kind of useless Zanpakutō that rebels against its master. It's disgusting and nauseating.

The power of the Zanpakutō comes from the heart. The protagonist's power is obviously to change everything at will. The only thing that can restrain him is the shackles of his own heart. When the Zanpakutō spirit came out, he said that he wanted the protagonist to be a hero. The protagonist didn't want to. He said that he would die or something if he didn't have the ability. He didn't want to go. These thoughts are also the shackles of the protagonist. , Adults who have struggled in society and experienced failure have long lost the "ambition" of "childhood". The image of Zanpakutōrei is that of the protagonist when he was a child, and he is like a hero who saves everything. This is also the protagonist's idea, but he does not dare. He feels that he is too weak and can't do anything, and has been suppressing it. This leads to Zanpakutōrei. He has been refusing to communicate. This is a circle. If the protagonist wants to gain power and gain understanding, he needs to realize that he has a true heart and be a hero. However, the protagonist has restrained his true nature due to various reasons (in summary, one has no power). If he cannot be a hero, he will not be able to gain understanding and power. If you want power, you must understand it. , If you want to get rid of the shackles, you have to understand your original heart and get rid of the shackles. If you want to get rid of the shackles, you need strength. If you want power, you have to get the swastika. You get a strange circle. There is another thing that the protagonist wants to deceive the sword spirit to get power. It is impossible. The sword spirit is half of his own body and part of his soul. No matter how much he deceives himself, it is impossible to deceive.

It was quite interesting before it was put on the shelves, but it lost all its appeal after it was put on the shelves. Is this the author's behind-the-scenes protagonist? After looking at the content before it was released, I ordered it all, but when I saw chapter 110, I couldn't stand it anymore. The protagonist after it is released is not a behind-the-scenes protagonist, but a supporting character. He must be a supporting character who everyone has to coax around. If Aizen looks at a protagonist of this level, I will lose. The Zanpakutō-forced plot is really mind-numbing. I almost thought Urahara Kisuke was the protagonist. Let's see how you wrote about him, author. I just felt that Hongji might be rebellious and immediately broke the knife and hit a DJ, ruthless and decisive, shouldn't this be the protagonist? I was originally expecting the protagonist to break the knife, and then Long Chang would realize, "I believe in the Tathagata, why don't I do it myself!!!". What did the protagonist do in the end?🤔🤔🤔 Looking at the entire Bleach anime, are there any good ones that fall short of the standard? Author, you might as well send a message directly to the protagonist, instead of making the left and right brains fight each other like this.

The sea of ​​dead fire, the three major migrant workers, only the Shinigami can't be popular, Naruto's, the power is distributed in five major countries and many small countries, the power system ranges from genin to Kage level to the Six Paths Sage, the mastermind behind the scenes ranges from the Akatsuki organization to Madara to Black Zetsu, and finally the origin of chakra, Otsutsuki Kaguya, the background is complete enough, the pirates have a whole big world, from the Four Seas to the Grand Line to the New World, the power level is progressive, the power is distributed in many places, the navy pirate power is distributed hugely, there are many places to write about, where is Death? The Three Realms seem grand, but only Japan and other countries are mentioned in the Human Realm. Soul Society nobles and Rukongai are like background boards. The forty-six chambers used for trial were destroyed at the beginning. Team 13 is written in an unclear way. The virtual world empire was directly recovered by the boss Aizen. There are only dozens of intelligent people in the entire virtual world. The Quincy's Shadow Empire from the appearance to its destruction feels like upgrading the protagonist team and the members of Team 13. The background is unclear and messy, and the power system It all depends on talent. The talented Yamamoto Shigekuni can be invincible for thousands of years and form the Thirteenth Team. Zaraki Kenpachi can defeat the first generation Kenpachi as a young man. Aizen can reach the limit of Death soon after becoming a Shinigami. The protagonist can defeat Yhwach without graduating from high school. Without talent, it is difficult to become a Shinigami. There is no way for ordinary people to improve, so it is really difficult to write a Shinigami fanfic. This author's book is the most beautiful Shinigami fanfic I have ever read. Not much to say, full subscription support

Is the eunuch cat here? The protagonist is not a newcomer, but is afraid of getting into trouble while getting into trouble at the bottom.

The author wrote that this Zanpakutou has almost become the inner demon of the protagonist. Is there any need to say how to deal with the inner demon? Shouldn't it be refined in an instant? What kind of game of Riddler's House is there?

The plot of the protagonist's sword is really uncomfortable. There is no soul-cutting sword that refuses the master, and even gets into a temper with the master and refuses to let the master use it. It's so outrageous and so unpopular.

It's uncomfortable to watch, the front and back are too split. Outline is very important. How many authors come up with ideas because they don't have an outline?

If a Zanpakutō is in a bad mood, he will just strike out. The protagonist cannot even draw the sword using his abilities, and he has to coax and trick him if he wants to use it. It makes it seem like the Zanpakutō is the main character. Also, is it really possible to deceive a Zanpakutō?

Fan pictures

It doesn't feel right. The author seems to have been completely immersed in his art. He has been bubbling over and over in the comments. It is clear that everyone has been confused by the last two chapters, but he has always wanted to secretly amaze everyone with the whole flower activity. The last book that made me feel like this was the tree-planting necromancer. It obviously had data and readers, and it was determined to realize its own epic dream. A good hand of cards was beaten to pieces. Now it is just a eunuch, and no one even cares about it.

It feels like there is a huge difference before and after it is put on the shelves. The look and feel before it was put on the shelves was much better than the one after. Now that the title of the book has been changed, I wonder if there is something wrong.

It's a pity that the behind-the-scenes work was well written, but it turned out to be a bit messy, so I have temporarily suspended my subscription.

I won't talk about the previous Zanpakutō thing. It's really a failure. No matter how you give it a character, the key point is that it's not written properly. The sword is just like a child The next 140 chapters started to be inexplicable. My previous perspective was still on the ordinary protagonist, but suddenly he started to act like a pervert and killed everyone in a confused way. He completely lost his will and changed into a different person? ! If you are the protagonist's failure, start it in advance and explain it clearly in advance to foreshadow your strength in advance Suddenly changing your personality out of control is like a joke.

This Zanpakuto affects the sense of reading too much. If it is a disobedient tool, it is better to just break it.

Forget about the royal plot, there is nothing new at all. You might as well break the Zanpakutō, kill the sword spirit, and reach a new state of being completely one with yourself, like a Hollow Arrancar. Or think of it as killing the past, and then using powerful will to overwrite and reshape reality to transcend the future. Such a person who kills the past and transcends the future can defeat the "omnipotent" Yhwach. This can also correspond to the identity and ability of the time traveler. He comes and goes in vain, with no past or future.

Although the writing style was a bit lacking before it was released, it was enough, so I ordered a hundred chapters. After reading twenty or thirty chapters, I felt like I was being fed a lot. The Zanpakutō was causing trouble. In order to protect the original plot of the child Kyon, whom I had known for less than half a day, the vice-captain stayed in Hueco Mundo. He had to coax the Zanpakutō every time before taking action. It was really awesome.

I am Shennong, and I specially ordered ten chapters to express my feelings. It's so poisonous that I almost died 3 times without even seeing the subscription stamp. It is said that he works behind the scenes and sticks to his face. He has no real ability. He just likes to dance.

There are too many poisonous points, and it's entirely the author's own pleasure.

Those who were deceived by their names, where are the numbers behind the scenes?

The single heroine of Yoruichi is okay. As described above, I thought it was a pair of female protagonists, Sister Hua and Yoruichi. I like the second one more or more, especially the female Shinigami girls. They are very good-looking. However, it turns out that the heroine in the second part is just a single heroine and the plot is average. You will know when you see the end of the Soul King plot. It is a single female protagonist. I am not interested in watching it after that.

The author has a complete set of ideas for the work and has a lot of foreshadowing to express in his heart. He often likes it in the comment area 😁 with great intensity. After all, it is indeed a wonderful experience for an author to find like-minded readers who have similar ideas in his writing. The transition in the early stage was a bit abrupt, but it improved a lot in the later stage. I wish the author can maintain this interest in writing books in the future. If you are interested, you can still write well. It is really rare 🤓🤓🤓.

It's been a long time since I've seen such a profound Death.

It was a pleasure to watch, the characters' IQs are online, and the psychological game part is very exciting 👍

The first generation of Kenpachi, Eight Thousand Ryu, Unohana Retsu,

I have 11 monthly passes, how many do I want 🤭