I Draw Comics in Bubble Tokyo

It's a pretty good book about Japanese entertainment, especially the description of the comic editorial department. It always feels like it's writing about me...

The male protagonist travels to the Tokyo area in the neon bubble era. He learns from his previous life and the comic works [memory fragments] that are ahead of the times. He grows from an "apprentice" to an industry master who leads the global ACG cultural trend. This is an entertainment Japanese light novel. Most of the past entertainment Japanese light novels used "literary works" as a means for the protagonist to raise funds to start his career line. In the course of a series of relatively fast-paced plot advancements, the protagonist is in sharp contrast to the "poverty" situation at the beginning. It is not just as simple as "reshaping", but the originally uneventful life path has also undergone earth-shaking changes due to the creation or turning of the career line. In contrast, this book is more inclined to be a daily article explaining the profession of "neon cartoonists". The latter may lose some of the interest of Japanese light novels in its rather realistic descriptions, but if you can settle down and appreciate the plot, you can I can understand the emotions conveyed by the author's love letter teacher in the words - about the social and life struggles of neon workers in the bubble era and the helplessness and sadness of small people who are unable to change their situations through hard work and have to resort to various means in order to "sway up". I think this is also the reason why this book is more suitable to choose the "urban" theme rather than the "light novel" track. Compared with the latter, it is not "light" enough but at the same time presents a more heavy feeling of life. If the love letter teacher's old book "My Girlfriend is a Cellist" is about adolescent boys using the system to promote their love and artistic ideas with girls; that book is more like a young man who accidentally traveled through time in order to change the life of ordinary Qiqi, using "Golden Finger" to step by step from a small person to a giant in the industry to achieve himself. From "Weima" to "Hell Girl" and then to "Spirited Away", the career path planned by Mr. Love Letter for the male protagonist is also the same as that of the comic works that appeared in sequence. He started with niche works focusing on "artistic and literary value", and then moved on to popular works with recognized commercial value in later generations. In my opinion, some "popular" works will not be used arbitrarily by male directors just because of their commercial value. Instead, they can present their own creative style while highlighting their artistic concepts, forming the healthy growth and gradual progress that a professional daily writer should have.

Both Dragon Ball and Doraemon have been drawn, but the main character is still an Apocalypse-ryu. How can you become the God of Manga even though you are a good cartoonist? Can other comics combined be as influential as Dragon Ball and Doraemon? I don't understand🤔🤔

Many Tokyo-style articles have an ex-girlfriend, and there is a high probability that the girlfriend's occupation is an editor... Why is it so consistent? I really want to cut open the brains of these authors.

I don't quite understand. If you draw Doraemon, Dragon Ball, Slam Dunk, and Yu Yu Hakusho, what will you draw? Can he become the god of comics? ?

I hate the betting plot. The time traveler gambles when there is no life or death crisis can only express the protagonist's incompetence. The time traveler possesses a whole world's heritage and is born to be invincible. Gambling will only lower the standard. It seems that he has no confidence.

The love letter teacher no longer writes pornographic books 😭

Like the title, can you not choose the category of light novels in urban areas? There are too many YY and other things, and the writing style is also very nerdy at first glance. I might as well just draw comics and make short plays.

Lack of understanding of the social system of Japanese society, the Japanese taste is too heavy

😴 Basically every book I read will meet a beautiful editor at the beginning who can't survive. Every protagonist is miserable, then the two start a bet, and then the editor slaps everyone else in the face, and the protagonist reaches the peak of life.

So the theme of man and nature, why Spirited Away? Isn't Princess Mononoke more suitable?

Let's not talk about perspective, but whether the lines can be drawn well 😅 One more thing is the golden three-chapter rule. The hydrology begins in the third chapter... After all, it is a copied work. You can just describe this work in the entire third chapter... I wish you good luck

The last light novel you wrote was more in line with the city. To be honest, this one is more in line with the light novel. . .

The Chainsaw Man is actually the birth of a demon. The original chainsaw was invented to help with caesarean sections, so when the demon is born, he will hear the roar of the chainsaw, so they fear the name from the bottom of their hearts, so the Chainsaw Man has an umbilical cord around its neck, so it has the ability to resurrect. Maqima's control over demons is actually maternal love. What she uses to control people and demons is not chains, but the umbilical cord.

It's okay, but the suppression is a bit deliberate. It's too much and unnecessary.

The heroine is also inexplicable. Is there anything attractive about the heroine you wrote? There is only one main line to push the machine, and the method of pushing is not good at pulling.

Without the ownership of Dragon Ball, how can we be the god of comics? In that era, no comics could touch Dragon Ball. The old bird is the god of storyboards. If the animation does not add so much originality and is more like the comics, it will be better.

? Is there a problem with your understanding of Dragon Ball? The comic style of Dragon Ball is inferior to other comics. It is like a movie slice and can be connected across two pages. How can you be a god in comics without Dragon Ball?

The biggest problem with comic book copying is that the audience for a single copy work is too small. Overlapping multiple copy works will automatically filter out readers, and readers who are not interested in a certain copy work will also be screened out. Therefore, the choice of copy works is the most critical. You must know which group of people you want to retain and which group of people you want to give up. Because there will definitely be readers who give up because of a certain literary work. Because comics can be quickly recognized and understood by readers unlike songs. The longer the text is, the more difficult it is to control and describe it, and it can easily become a water story. It is necessary to describe the work, the feedback of the work, and the events of the protagonist. It is even more difficult if you also have to superimpose emotional lines. Therefore, most of the comic works are mainly short stories. Moreover, comic works are difficult to perceive and arouse emotions, which is particularly challenging for writing skills. Generally speaking, this kind of comic works takes a different approach, adapting popular Japanese dramas or classic works, or adding special functions, or not depicting emotional drama, etc., Focusing on the emphasis and avoiding the light.

The protagonist became a god because he defeated all the invincible opponents in the youth training? How can narcissism be the king if we don't burn it to death? Or do you want to be original and crazy to trick the background wall?

I knew it was going to be a mess, and I didn't order the next 70 or so chapters.

Come on

🙂 The relationship line is so stretched that I really regret booking it all.

The details are good, and the writing is up to par, even better than most of the same kind of writing. But other than that, it's not good. The opening is an old routine, but the rhythm is poorly written. Each character responsible for pulling emotional points has not done a good job in managing expectations. Personal preaching doesn't matter, so there is no need to write these. It's a pity.

If I feel like the author wants to write regrets, he can directly plan out the first three paintings of Dragon Clan. After all, the bad boy can also be a perfect fit, letting people know that there is Lu Mingfei hidden in his eyes.

I probably won't read your books in the future. Goodbye 🙏

It's better to draw the child I pushed first 😏, then return to the battle with the spell, and then the chainsaw man. You can also draw the initial D first, and then quickly burn the soul. If you draw the child I push, it would be better to change the ending. The ending of the original work is too frustrating.

Should the author write the next book based on a script, for example, use a mahjong girl (a childhood sweetheart painting) to get to know the old thief Togashi, use a hot-blooded high school to attract the director to film, or write some variety shows to get to know the TV station

Ha people, moisturized🏃‍♂️🏃‍♂️🏃‍♂️

There are too many extra scenes. Write the main plot.