Feeding Wizard Tower

I would like to give you a suggestion: when the protagonist has little strength, don't always participate in events that his theory of strength should not be involved in. Do what you do at what stage. Don't be like the Death Wizard Diary, waiting for the protagonist to become a formal wizard and discovering how awesome the results are, and just add some values just for the sake of praise. The protagonist's apprenticeship had a lot of adventures that were more awesome than those of the official wizards, which made other official wizards go crazy. I really liked the early stage of Diary of a Dead Witcher, but later on, the protagonist's apprenticeship had a lot of bizarre adventures, and the official wizard only had more numerical values than the apprentice. I felt that my combat power had collapsed, so I gave up the book.

I haven't read it yet, but judging from the previous work, the early part of the book is the author's advantage and the writing is very good. I suggest that the setting and outline be detailed. Because in the middle of the previous book, the pace is fast and the quality declines, and there are problems with the female character. If it doesn't work, there should be no female protagonist or downplay it, or you can just replace the conflicting part with a male character.

The image of the senior student with the eyes rolling around inside the glass head is very profound, haha

Just like this witch master, the front is quite interesting, but I don't know what will happen next.

The story and writing are very attractive. I read it in one sitting.

I have now read the author's latest chapter, chapter 66. It can also be said that the current start is pretty good, much better than the previous one, and not as depressing as the previous ones. My heart dropped when I saw the last one. I thought the author had degraded to that level. Then about Lily, although she died in the end, the plot of sending a knife made people a little sad. But from the perspective of the novel as a whole, this layout is still acceptable. It can be seen from the author's previous works that the author still doesn't like to use knives, but he is not very good at dealing with the problems of supporting characters around the protagonist Every time in the later stages, either the combat power drops a little, or the plot is too fast. And the supporting characters are not handled very well. Although Lily's plot is very scary, it is still quite memorable. At first, I thought that the author would have a happy ending again, where Lily would come back to life. I was very worried about how the author could handle the character of Lily well. I was afraid that he would not be able to handle it well and the story would collapse. So far, it seems that this method of handling it is relatively good. Come on, Hakinai

It turns out that there are currently only 11 author fan titles.

I'll let you know again from Laoshu. There will definitely be a lot of people coming back to the wizarding literature, and the popularity will also increase.

My Lily, you lousy author

Raising the Wizard Tower is the beginning of the rise of magic

I have been mourning for several months and just went out to do some work last night. When I came back, I saw that you had released a new book 👏

Invest, don't be a pigeon😳😳

The plot is so weird, it reminds me of an escape room without any super powers.

Like this or researching, killing monsters and upgrading

I quite like the author's style, but it's a pity

I deleted the book and I said why can't I find it?

Dear writer, your new book is very good. I have joined the new book investment group. Please update~

Is it over before you even watch it? 😅

I really feel that this style is difficult to control. Ordinary upgrade stories can just be divided into levels according to destructive power. The characteristics and ability systems of different levels have been described by predecessors. How do you divide this kind of upgrading story that takes a strange direction? For example, skinning and body melting, there is no obvious distinction between superior and inferior. So how do you show that high levels are more powerful than low levels? I always feel that it is better to write it in the form of a horror house with one main line and multiple unit dramas. The abilities are all terrifying, but it is limited to a single node to highlight one, and it is not easy to create a sense of fragmentation. Each one is powerful in its own way, and it will not appear that the protagonist has become much stronger and is crazy about being deflated or oppressive or dark in the early stage and becomes stronger in the later stage. It becomes a cool novel.