Zhiwei Clay Sculptor

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This book title cleverly achieves a triple combination: integrating the ancient and mysterious theme of "spirits and monsters", the "clay sculpture" technique with a strong oriental handmade texture, and the "creator" and even "demiurge" potential contained in the identity of the craftsman. It no longer simply retells the experience of encountering strange stories, but pushes the protagonist into a more active and dangerous position - a "craftsman" who personally shapes the weird and may dance or compete with it. The most inspiring core of this setting is that it transforms the "source of fear" from external, unknowable invasion into internal "works" created by hands. The formation of every clay sculpture may be the birth of a new "spiritual monster"; every creation is an exploration and invocation of unknown rules. This provides unparalleled and endless endogenous tension for suspense narratives - how does a craftsman control the power of his creation? Will the work escape control and gain "life"? This itself is an eternal fable about creation, responsibility and loss of control, full of the Eastern philosophical charm of "things become better over time". From a creative perspective, this provides us with a valuable learning model: how to deeply explore the supernatural elements in local traditional culture and folk skills and transform them into a set of core settings that are unique, self-consistent and full of narrative possibilities. It reminds us that the most amazing ideas often do not come out of thin air, but are creative refinements and modern expressions of profound cultural deposits. We look forward to this "clay sculptor" using the clay in his hands to shape for us a new universe of strange things that is both familiar and completely unfamiliar, both magnificent and terrifying.

Is it the first person? No literature dares to take such risks

After reading the first few chapters, you wrote a sentence, and I guessed that the author was from Shandong. We talk fast here and can finish it in one breath. But there was no comma in your sentence, so I guessed it, 😁

I came in excitedly and left in despair in three chapters.

I feel like the writing is so confusing. It became confusing after I caught Sun Erlei. I don't know if it was intentional or a mistake.

Why did he suddenly appear in time travel? . . A little confused

It's indeed a bit messy, but how can I put it in this way? Some places seem a little abrupt, important settings are revealed in a flash, or things that have not been mentioned suddenly appear, or the story feels like there is no ending in the middle of the story. It's hard to tell whether these are atmosphere creations or simply poor writing, but the jumping narrative logic does create an atmosphere where Weiyang Village is not only simply weird, but also hides big problems, which makes people angry and loved at the same time I personally like the writing method. Although the upgrade of the jade pendant makes people worry about whether the development will fall into the cliché, it is still acceptable in the subsequent chapters. I look forward to future performances.

Let's start again, the novel is not written smoothly at all.