Acting on Heaven's Behalf

I originally thought that Dai Tianxing was an ordinary ancient novel, but the more I read it, the more I felt something was wrong... The world view is quite advanced, and it is more interesting than I thought The heroine Yan An is really interesting. She was very quiet in the front, but that quietness was not weakness, it was the feeling of "I'll quietly grow a thorn first". Every little resistance she makes is inexplicably exciting I also have to say that the setting is quite fresh Si Si, Zhu You, Que Xia Lie... This is the first time I have seen these in a novel. It can be seen that the author is not just messing around with words, but is seriously building a world Sometimes I even think: How many things does this author have in his head? ? ? This book is not the kind of book that hits one punch at a time, but it is the kind of book that the more you read, the more you can't stop, and the more you read, the more interesting it becomes I feel like I really have the opportunity to write a serious novel about a heroine in the future Seriously, I hope the author never stops I have already begun to wait for when she can fight her way back to the position of empress Okay, just say a few words, I will continue to pursue it.

Before I started writing "Dai Tian Xing", I was always worried. This style of writing - leaning towards the texture of serious literature, the slow advancement of traditional narrative, the deep integration of the macroscopic world structure and pure Eastern metaphysics - does not seem to belong to the current era that emphasizes speed and refreshing feeling. I write it not for the sake of fashion or profit; I just hope that what I have learned over the years can be entrusted and continued. The heroine in the book makes progress step by step, relying solely on herself. I adopt the perspective of the protagonist and the perspective of history books in parallel: the main text is laid out in vernacular, and the appendix is ​​written in semi-literary. The two different observation dimensions constitute the dual-track structure of this work. I was worried that such an approach would appear "highbrow", and perhaps most readers would not have the patience to read through the foreshadowing. I also understand that writing long novels is a long-term self-torture for me. Because I have severe obsessive-compulsive disorder - in the same chapter, I try not to let a word appear twice; words such as "as if" and "slowly" will only be used once in each chapter; I will also try my best to avoid repetition of the names of people, countries, and places. I would proofread wording, rhythm, and punctuation over and over again, endlessly picking out details. I also thought about not doing this, but I still couldn't do it. Although it is fictional history, I still want to restore the essence of traditional Chinese culture as much as possible, and combine it with my own knowledge to create some innovative content. To do this, I need to consult a large number of books and materials, from systems to etiquette, from utensils to terminology, and check them one by one. This is an extremely tedious process. However, when I finished writing the nearly 20,000-word outline, I asked myself: "If I was the only reader in the end, would I still write?" My answer is yes. So on August 28, 2025, I started writing the main text. When I was inoculating myself, I comforted myself in this way: it depends on fate, but these two words, the rest will be left to fate. Anyway, everyone will die eventually, and I am no exception; everything after death has nothing to do with me. As for the immediate prosperity, fame and fortune, they are all gone at the snap of a finger. As long as I am worthy of the present moment, it is enough, nothing else matters. I don't refuse to write cool or sweet love stories. I also yearn for such a relaxed rhythm, after all, it can make me feel relieved and relaxed. But at that time, I wanted to challenge a high level of difficulty—even a level of difficulty beyond my current ability. Because this kind of growth-oriented writing makes me feel more valuable. In the future, maybe I will try more popular themes; but for this first book - my debut - I hope it will be a work that I can look back on with a clear conscience. So, I kept my expectations to a minimum. Those stories and characters have always been running and deducing in the depths of my mind, as if they were in another realm that really exists. There were many moments during which I thought about giving up. Until a certain moment I realized: Keep writing, they will eventually meet their end; Stop, but they will not even have a chance to live. They hold my emotions and my state of mind. I want to move forward with them. That world, to me, is real and vivid. Now, I take them into your world. ——Recorded in the early morning of November 16, 2025

It's easy to be thankless when it comes to ancient prose. It seems that the author still has a few brushes.

Hello everyone, this is Light Eleven. I would like to say a few words to the readers who are reading "Dai Tian Xing" recently. Many friends said to me: "The writing style of the text is so classic and serious. Can you write it more relaxedly?" ... Of course I can (🥲). Let me tell you the truth first: I don't just write serious literature! I can also write in a very playful and down-to-earth way, and occasionally use random metaphors (the chapter behind the scenes of Qiyaobu proves how much I can use random metaphors). It's just—— The main text of "Dai Tian Xing", to me, is a retro, inspirational, and unified growth epic. This writing style must be consistent from beginning to end, otherwise the "aura" of the story will be broken. But I also understand how you feel. I know that not everyone can tolerate the "pinch attack" of classical writing style. Long-term serious text can make people feel tired, tense, and even want to run away (I also want to steal some time to breathe while writing 😂). So I made a compromise: 🌟 The text remains literary and orthodox, unwavering. 🌟 But supplementary chapters, extra chapters, behind-the-scenes chapters - I can write them in vernacular! Why? Because these parts are mainly: "Setting science" "The author's casual decryption" "Post-it notes to add background" "Live broadcast playback of me dancing wildly in the living room" If written in an orthodox writing style, these contents would be too hard. So I decided to write openly, freely and easily in the extra chapter. It will not destroy the temperament of the main text, but also allow everyone to quickly understand the martial arts, skills, and strange little tricks I have buried in the worldview. It can be regarded as a way to "reduce the difficulty of reading from the side". Anyway! I will try my best to let everyone enjoy the immersion of the orthodox writing style when watching "Dai Tian Xing" without being overwhelmed, and occasionally make me laugh. I hope you like my random dance, random thoughts and popular science articles. I will continue to work hard to write this world well. ——🌅 Light Eleven

It's a masterpiece of ancient Chinese. The author's writing style is very delicate, and the characters are vivid and three-dimensional. The portrayal of the empress Yan'an is especially brilliant. It's well received.

The most unpopular ancient word card, I have been writing it for 13 years. As for "Dai Tian Xing", I also want to see how far I can go in the future. Although there are thousands of people, I will go.

Made two new writings.

The writing is good, and the heroine, who is rare, is written very grandly. The author has updated a lot.

It's really attractive. The plot is so attractive. The empress is so domineering. I look forward to the follow-up.

The introduction attracted me. The First Empress looks forward to creating a world where men and women are truly equal. They don't do anything, just whether they like it or not, and whether they are capable enough, rather than doing this or that because of their gender.